Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Janeck, Johannes | Die Musikhandschrift Mus.ms.A6 im Thüringischen Landesmusikarchiv Weimar als Quelle der kirchenmusikalischen Praxis in Mitteldeutschland um 1800. Weimar, 2013. [BWV deest Emans 30] |
diss. |
| | 2013 |
|
|
| 2. | Montaigu, Ginette | La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach. PhD diss., Université de Lorraine, 2013. [BWV 4, 21] |
diss. |
| | 2013 |
|
|
| 3. | Mel'nikov, Maksim Valentinovič | Klavierübung Ferruččo Buzoni: 'Vseob'emlűsij plan' i zakonomernosti pianističeskoj koncepcii. [Klavierübung by Ferruccio Busoni: Comprehensive plan and the patterns of piano concept] - Kand,Iskusstvovedenie from Rossijskij Gosudarstvennyj Pedagogiceskij Universitet imeni A.I. Gercena, 2013. 201p. |
diss. |
| | 2013 |
201p |
Latin 2 |
| 4. | Serebrennikov, Maxim | Sol'naja klavirnaja general-bas-fuga jepohi barokko. [The Solo Keyboard Thoroughbass Fugue of the Barogue Era] PhD diss., Moskva: Gosudarstvennyj institut iskusstvoznanija [Moscow: State Institute of Art Studies], 2013. 312, 66p |
diss. |
| | 2013 |
312, 66p |
|
| 5. | Dalen, Tormod | 'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography. Critical reflection and documentation, Norwegian Research Fellowship for the Arts Programme. Norwegian Academy of Music, 2013. 85p. |
diss. |
| | 2013 |
85p |
|
| 6. | Pauls, Charlene | 'Was wird sich dein Gesang aus Satans Kindern machen?' Cantata BWV 210, 'O holder Tag, erwunschte Zeit,' A Response by Bach to a Changing Musical Aesthetic by Charlene Pauls. - DMA diss., University of Toronto, 2013. 2 vols. ix, 208p; xxi, 19p. |
diss. |
| | 2013 |
ix, 208p; xxi, 19p |
|
| 7. | Bae, Jeong-Suk | Italian Keyboard Continuo Improvisation and its Application to the Slow Sections of Buxtehude's Trio Sonatas, Op. 1 and Op. 2. DMA diss., University of Houston, 2013. vi, 44p. |
diss. |
| | 2013 |
vi, 44p |
|
| 8. | Lang, Matthias | Transcription of Baroque Works for Classical Guitar: J. S. Bach's Sonata in D minor (BWV 964) as Model. DMA diss, University of North Texas, 2013. vi, 76p |
diss. |
| | 2013 |
vi, 76p |
|
| 9. | Lee, Jung-Ok | A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991) DMA diss., University of Iowa, 2013. viii, 89p. [BWV 659a, 639] |
diss. |
| | 2013 |
viii, 89p |
|
| 10. | Ho, Shao Ying | A Historiography of Musical Historicism: The Case of Johannes Brahms. MA diss., Texas State University, San Marcos, 2013. xi, 133p. |
diss. |
| | 2013 |
xi, 133p |
|
| 11. | Marlowe, Sarah Rose | Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich. PhD diss., University of Rochester, 2013. xiv, 199p. |
diss. |
| | 2013 |
xiv, 199p |
|
| 12. | Murphy, Eliana Maria | An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations'). DMA diss., University of Cincinnati, College-Conservatory of Music, 2013. xv, 122p. |
diss. |
| | 2013 |
xv, 122p |
|
| 13. | Niitsuma, Masahiro | Towards automated discovery of knowledge from Bach's original manuscripts. PhD diss., Queen's University Belfast, 2013. xv, 132p. |
diss. |
| | 2013 |
xv, 132p |
|
| 14. | Kovacevic, Tanja; [Kovačević] | Trailing the Sources: In Pursuit of a European Picture of Bach Reception in the Eighteenth and Nineteenth Centuries. PhD diss., Queen's University Belfast, 2013. xvi, 314p |
diss. |
| | 2013 |
xvi, 314p |
Latin 2 |