Bach Bibliography
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Series : ^diss.$
Year : 2010
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
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1. Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. diss. 2010 112p
2. Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. diss. 2010 121p
3. O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. diss. 2010 123p
4. J.S. Bach and permutational design. diss. 2010 126p
5. Pure 3rds or 5ths: Great violinists' solutions to a problematic incongruity. diss. 2010 206p
6. The Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier. diss. 2010 208p
7. Muzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha. diss. 2010 263p
8. Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. diss. 2010 267p
9. Investigating Performer Uniqueness: The Case of Jascha Heifetz. diss. 2010 430p
10. Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. diss. 2010 610p
11. L'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven. diss. 2010 652p
12. Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. diss. 2010 680p
13. Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. diss. 2010 90p
14. The Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons. diss. 2010 v, 73p
15. The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach. diss. May 2010 viii, 107p
16. The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. diss. 2010 xiv, 327p
17. Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. diss. 2010 xvi, 293p
18. Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities. diss. 2010 xvii, 624p

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