Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Peters, Manfred | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. |
diss. |
| | 2004 |
|
|
| 2. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. |
diss. |
| | 2004 |
|
|
| 3. | Pranata, Julianto | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. |
diss. |
| | 2004 |
105p |
|
| 4. | Roberts, Scott | Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. |
diss. |
| | 2004 |
124p |
|
| 5. | Kruse, Hermann | Die Chorwerke von Moritz Hauptmann (1792–1868). |
diss. |
| | 2004 |
135p |
|
| 6. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. |
diss. |
| | 2004 |
151p |
|
| 7. | Rautio, Riitta Aulikki | Fortspinnungstypus revisited: Schemata and prototypical features in J. S. Bach's minor-key cantata aria introductions. |
diss. |
| | 2004 |
238p |
|
| 8. | Holtan, Eric Howard | The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy. |
diss. |
| | 2004 |
254p |
|
| 9. | Bennett, Evan | The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. |
diss. |
| | 2004 |
256p |
|
| 10. | Kamatani, Pamela M. | Science, metaphysics, and the late works of J. S. Bach. |
diss. |
| | 2004 |
305p |
|
| 11. | Aspaas, Christopher Paul | A history of the Oregon Bach Festival. |
diss. |
| | 2004 |
318p |
|
| 12. | Dürre, Ronald | Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. |
diss. |
| | 2004 |
417p |
|
| 13. | Ahn, So-Yi | Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. |
diss. |
| | 2004 |
51p |
|
| 14. | Allen-Russell, Ann van | Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. |
diss. |
| | 2004 |
608p |
|
| 15. | Dommange, Thomas | Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. |
diss. |
| | 2004 |
623p |
|
| 16. | O'Leary, Alec | J. S. Bach: English suite no. 4, BWV 809 for two guitars. |
diss. |
| | 2004 |
67p |
|
| 17. | Lim, Jungmook | A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture. |
diss. |
| | 2004 |
77p |
|
| 18. | Ruhl, Nicole | Events im Spektrum kulturpolitischer Zielsetzungen. Künstlerische, gesellschaftliche und ökonomische Dimensionen von Kulturevents untersucht am Beispiel des Leipziger Bachfests. |
diss. |
| | 2004 |
96p |
|
| 19. | Kranenburg, Peter van | De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl. |
diss. |
| | 2004 |
97p |
|
| 20. | Lockey, Nicholas | The Instrumental Variations Sets of Antonio Vivaldi: Old Forms in New Genres. |
diss. |
| | 2004 |
ix, 155p |
|
| 21. | Bae, Jin Young | Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. |
diss. |
| | 2004 |
v, 101p |
|
| 22. | Santos, Carmelo de los | Performance-Practice Issues of the Chaconne from Partita II, BWV 1004, by Johann Sebastian Bach. |
diss. |
| | 2004 |
vii, 150p |
|
| 23. | Linnartz, Elizabeth Byrum | The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach. |
diss. |
| | 2004 |
xi, 238p |
|
| 24. | Matsumoto, Kanae | Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni. |
diss. |
| | 2004 |
xi, 80p |
|
| 25. | Dykstra, Ruth Elaine | Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. |
diss. |
| | 2004 |
xii, 167p |
|
| 26. | Bordignon, Paolo Michele | Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. |
diss. |
| | 2004 |
xii, 174p |
|
| 27. | Cron, Matthew | The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. |
diss. |
| | 2004 |
xix, 830p |
|
| 28. | Golomb, Uri | Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. |
diss. |
| | 2004 |
xv, 432p |
|
| 29. | Lee, Joong-Oh | A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay. |
diss. |
| | 2004 |
xvi, 132p |
|