Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. |
diss. |
| | 1990 |
|
|
| 2. | Fellmann, Peter | Orchestersuiten der Bach-Zeit. |
diss. |
| | 1990 |
|
|
| 3. | Boresch, Hans-Werner | Studien zur Instrumentation Johann Sebastian Bachs. |
diss. |
| | 1990 |
|
|
| 4. | Cano, Gines-Didier | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. |
diss. |
| | 1990 |
|
|
| 5. | Nash, Laura Roderic | Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. |
diss. |
| | 1990 |
|
|
| 6. | Dallaire, Charles Joseph Mario | The clarinet in solo, chamber, and concerto repertoire. |
diss. |
| | 1990 |
115p |
|
| 7. | Allred, Brady Russell | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. |
diss. |
| | 1990 |
128 leaves |
|
| 8. | Poglitsch, Michael | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. |
diss. |
| | 1990 |
128p |
|
| 9. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. |
diss. |
| | 1990 |
136p |
|
| 10. | Krupina, Larisa | Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. |
diss. |
| | 1990 |
15p |
|
| 11. | Maltbey, Kathleen M. | The Diversity of Contrapuntal Writing Illustrating Rigorous to Casual Application of Fugal Practices in Selected Cantatas of J. S. Bach. |
diss. |
| | 1990 |
168p |
|
| 12. | Wolf, Hans-Peter | Die Auswertung der Positionen zur Bach-Rezeption in der DDR. |
diss. |
| | 1990 |
182p |
|
| 13. | Long, Pamela H. | El caracol: Music in the works of Sor Juana Ines de la Cruz. |
diss. |
| | 1990 |
201p |
|
| 14. | Märker, Michael | Die protestantische Dialogkomposition in Deutschland zwischen Heinrich Schütz und Johann Sebastian Bach. Eine stilkritische Studie. |
diss. |
| | 1990 |
209p |
|
| 15. | Sweger, Keith Warren | The bassoon concertos of Johann Christian Bach (1735-1782): A historical, stylistic, and performance analysis. |
diss. |
| | 1990 |
230p |
|
| 16. | Cline, Gilbert D. | The cornetto: A guide toward performance, within historical context, indicating the use of the recorder as a companion instrument. |
diss. |
| | 1990 |
295p |
|
| 17. | Beißwenger, Kirsten | Johann Sebastian Bachs Notenbibliothek. |
diss. |
| | 1990 |
391p |
|
| 18. | Yun, Sung-Hyun | Warren Benson's The leaves are falling for wind ensemble. |
diss. |
| | 1990 |
99p |
|
| 19. | Rossin, Thomas Donald | The Calov Bible of Johann Sebastian Bach. An Analysis of the Composer's Markings. |
diss. |
| | 1990 |
iv, 311p |
|
| 20. | Dowdle, Caroline | Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. |
diss. |
| | 1990 |
vii, 96p |
|
| 21. | Tomita, Yo | J. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process. |
diss. |
| | 1990 |
xv, 317, 88, 608, 45p |
|