Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. |
diss. |
| | 1987 |
|
|
| 2. | Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. |
diss. |
| | 1987 |
|
|
| 3. | J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. |
diss. |
| | 1987 |
|
|
| 4. | The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier. |
diss. |
| | 1987 |
|
|
| 5. | Componenti bachiane nell'opera di Robert Schumann. |
diss. |
| | 1987 |
|
|
| 6. | The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. |
diss. |
| | 1987 |
106p |
|
| 7. | The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. |
diss. |
| | 1987 |
131p |
|
| 8. | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. |
diss. |
| | 1987 |
140p |
|
| 9. | O nekotoryh priemah vyrazenija avtorskoj pozicii v muzykal'nom proizvedenii. |
diss. |
| | 1987 |
17p |
|
| 10. | The flute and obbligato keyboard sonatas by Carl Philipp Emanuel Bach: A study for performance. |
diss. |
| | 1987 |
234p |
|
| 11. | Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. |
diss. |
| | 1987 |
23p |
|
| 12. | Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs. |
diss. |
| | 1987 |
256p |
|
| 13. | Der Orgelbauer Heinrich Gottfried Trost: Personlichkeit, Schaffensanalyse und Aspekte eines Künstlerbildes. |
diss. |
| | 1987 |
284p |
|
| 14. | The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. |
diss. |
| | 1987 |
336, 79, 31p |
|
| 15. | Voice-leading patterns in the fugal expositions of J. S. Bach's 'Well-tempered Clavier'. |
diss. |
| | 1987 |
355p |
|
| 16. | Six odes by C. F. Gellert set by C. P. E. Bach and Ludwig van Beethoven: a comparative analysis, a lecture recital together with three recitals of selected works by Monteverdi, Caldara, Mozart, Brahms, Mendelssohn, Ives. |
diss. |
| | 1987 |
65p |
|
| 17. | The Geistreiches Gesangbuch of Johann Anastasius Freylinghausen (1690-1739): A German pietist hymnal. |
diss. |
| | 1987 |
661p |
|
| 18. | Mendelssohn and the Reformation Symphony: A Critical and Historical Study. |
diss. |
| | 1987 |
vii, 246p |
|
| 19. | Toccata und Präludien in der Orgelmusik von Merulo bis Bach. |
diss. |
| | 1987 |
viii, 194p |
|
| 20. | Protestant funeral music and rhetoric in seventeenth-century Germany: a musical-rhetorical examination of the printed sources. |
diss. |
| | 1987 |
x, 247p |
|
| 21. | Fugue in German Theory from Dressler to Mattheson. |
diss. |
| | 1987 |
x, 664p |
|
| 22. | The eighteenth-century chorale prelude for organ and solo wind instrument: Its repertoire and historical background. |
diss. |
| | 1987 |
xi, 132p |
|
| 23. | The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach. |
diss. |
| | 1987 |
xvii, 754 Bl |
|