Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hanson, J. | An Operational approach to a theory of rhythm. Yale Uni. 1969. |
diss. |
| | 1969 |
|
|
| 2. | Riedel, Herbot Hugo | Recognition and Re-cognition: Bach and The Well-tempered Clavier I. PhD diss., Berkeley: University of California 1969. |
diss. |
| | 1969 |
|
|
| 3. | Ray, Martha Elizabeth Park | A study of the German church cantata exclusive of Bach, 1650-1750. MM diss.: Florida State U., Tallahassee, 1969. |
diss. |
| | 1969 |
|
|
| 4. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p |
diss. |
| | 1969 |
102, 89p |
|
| 5. | Rixman, Eunice Elizabeth | The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. DMA diss., Church music: University of Southern California, 1969. 2v. 103; 50 p. |
diss. |
| | 1969 |
103, 50 p |
|
| 6. | Flothuis, Marius | Mozarts Bearbeitungen eigener und fremder Werke. University of Amsterdam 1969. 104p |
diss. |
| | 1969 |
104p |
|
| 7. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] |
diss. |
| | 1969 |
105p |
|
| 8. | Harriss, Ernest Charles | Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. DMA diss., Peabody College for Teachers of Vanderbilt University, 1969. 1586p. AAT 7007632 |
diss. |
| | 1969 |
1586p |
|
| 9. | Williams, Janet Leslie | An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. MM diss., Duquesne University, 1969. 169p |
diss. |
| | 1969 |
169p |
|
| 10. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. DM Diss. Piano Performance. Bloomington, Indiana University, 1969. 173p |
diss. |
| | 1969 |
173p |
|
| 11. | Foster, Walter Charles | J. S. Bach's musical treatment of negative text passages. PhD dissertation. University of Texas at Austin 1969. 245p. |
diss. |
| | 1969 |
245p |
|
| 12. | Majskij, V. L. | Osobenosti golosovedenija J. S. Bacha. Leningrad, 1969. 315p. |
diss. |
| | 1969 |
315p |
|
| 13. | Warburton, Ernest | A Study of Johann Christian Bach's Operas. DPhil diss., Music, Oxford University, 1969. 2 v. 324; 390 leaves. |
diss. |
| | 1969 |
324, 390 Bl |
|
| 14. | McKinney, James Carroll | The solo bass voice in the cantatas of J. S. Bach. DMA diss., Performance, University of Southern California 1969. 330p. |
diss. |
| | 1969 |
330p |
|
| 15. | Hill, Vernon Willard, Jr. | The B Minor Mass by Johann Sebastian Bach: A study in Reformed Catholic thought. RelD. diss., Claremont School of Theology, 1969. 363p. |
diss. |
| | 1969 |
363p |
|
| 16. | Byrt, John Clare | Form and style in the works of Sebastian and Emanuel Bach. DPhil diss., Oxford University, 1969. 2 v. (xiii, 380, lxxxiv; 201 leaves). |
diss. |
| | 1969 |
380, 201 Bl |
|
| 17. | Vos, Marie Ann Heiberg | The Liturgical Choral Works of Johann Christian Bach. PhD diss., Musicology, Washington University, 1969. 2 vols., iii, 744p |
diss. |
| | 1969 |
iii, 744p |
|
| 18. | Frum, Bernard | The dramatic-dualistic style element in keyboard music published before 1750. PhD diss., Musicology: Columbia University, 1969. v, 266 p |
diss. |
| | 1969 |
v, 266p |
|
| 19. | Mekota, Beth Anna | The Solo and Ensemble Keyboard Works of Johann Christian Bach. PhD diss., Musicology, University of Michigan, 1969. vi, 309p - Dissertation Abstracts International, 30-05A, p. 2063, AAF6918059. |
diss. |
| | 1969 |
vi, 309p |
|
| 20. | Dykstra, Brian James | The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. DMA diss., University of Rochester, 1969. xiii, 487p. |
diss. |
| | 1969 |
xiii, 487p |
|