Bach Bibliography
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Series : ^UnderstandingBach$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Butt, JohnThe Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 2006 9-18
2. HaCohen, RuthExploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. UnderstandingBach 1 2006 19-38
3. Stewart, AndrewBig Boys Don't Cry? Attitudes towards Death in Bach's Leipzig. UnderstandingBach 1 2006 39-50
4. Strohm, ReinhardTransgression, Transcendence and Metaphor - the 'Other Meanings' of the B-Minor Mass. UnderstandingBach 1 2006 49-68
5. Tatlow, RuthThe Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 2006 69-85
6. HaCohen, RuthAn experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. UnderstandingBach 1 2006 87-88
7. Cross, IanBach in Mind. UnderstandingBach 2 2007 9-18
8. Paczkowski, SzymonA Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. UnderstandingBach 2 2007 19-36
9. Tatlow, RuthCollections, bars and numbers: Analytical coincidence or Bach's design? UnderstandingBach 2 2007 37-58
10. Tomita, YoAnna Magdalena as Bach's Copyist. UnderstandingBach 2 2007 59-76
11. Elferen, Isabella van'Ihr Augen weint!' Intersubjective Tears in the Sentimental Concert Hall. UnderstandingBach 2 2007 77-94
12. Wolff, ChristophBach's Music and Newtonian Science: A Composer in Search of the Foundations of his Art. UnderstandingBach 2 2007 95-106
13. Jones, Richard D. P.'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. UnderstandingBach 3 2008 31-38
14. Leaver, Robin A.An Early English Imprint of the 'Crucifixus' of the B minor Mass (BWV 232II/5). UnderstandingBach 3 2008 39-54
15. Rose, StephenThe Musician-Novels of the German Baroque: New Light on Bach's World. UnderstandingBach 3 2008 55-66
16. Wollny, Peter; Maul, MichaelThe Weimar Organ Tablature: Bach's Earliest Autographs. UnderstandingBach 3 2008 67-74
17. Baldock, RachelResponding to Notation: Interpreting Dynamic Markings in the Instrumental Music of C.P.E. Bach. UnderstandingBach 3 2008 77-79
18. Crean, EliseNew Perspectives on the Canons of Johann Sebastian Bach. UnderstandingBach 3 2008 80-82
19. Dunlop, AlisonThe Keyboard Copyists of Fux's Circle with Particular Emphasis on Gottlieb Muffat. UnderstandingBach 3 2008 83-86
20. Jarvis, Martin W. B.The Application of Forensic Document Examination Techniques to the Writings of J. S. Bach and A. M. Bach. UnderstandingBach 3 2008 87-92
21. Cohen, DaliaBach: Forerunner of the Future through Exploration of the Potential of Learned and Natural Schemata. UnderstandingBach 3 2008 9-30
22. Kovacevic, Tanja; [Kovačević]Trailing the Sources: A Pursuit of a Europe-wide Picture of Bach Reception in the Eighteenth and Early Nineteenth Centuries. UnderstandingBach 3 2008 93-98
23. Mills, IanThe 'Lost' Eighteen: Breitkopf, Mendelssohn and the Nineteenth-century Re-emergence of Bach's 15 Grand Preludes on Corales. UnderstandingBach 3 2008 99-104
24. Schwalbach, BurkhardEighteenth-century Coffee-House Culture: A New Context for Bach's Music? UnderstandingBach 3 2008 105-108
25. Tatlow, RuthReport on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 2008 109-111
26. Maul, MichaelNew Evidence on Thomaskantor Kuhnau's Operatic Activities, or: Could Bach have been allowed to compose an Opera? UnderstandingBach 4 2009 9-20
27. Scheitler, IrmgardPassion and Drama in German Literature. UnderstandingBach 4 2009 21-31
28. HaCohen, RuthThe Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. UnderstandingBach 4 2009 33-54
29. Kubik, Reinhold, Legler, MargitRhetoric, Gesture and Scenic Imagination in Bach's Music. UnderstandingBach 4 2009 55-76
30. Shabalina, Tatiana [Shabalina, Tat'jana]Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas. UnderstandingBach 4 2009 77-99
31. Smaill, PeterBach among the Heretics: Inferences from the Cantata Texts. UnderstandingBach 4 2009 101-118
32. Mincham, JulianRelationships between Text and Music in the 'hybrid' Recitatives of Bach’s second Leipzig Cantata Cycle. UnderstandingBach 4 2009 119-133
33. Aspden, SuzanneBach and the Feminised Galant. UnderstandingBach 5 2010 9-22
34. Kovacevic, Tanja; [Kovačević]Bach Reception in Prague: an 1845 Performance of the Second Kyrie from the B minor Mass. UnderstandingBach 5 2010 23-48
35. Rifkin, JoshuaBlinding us with Science? Man, Machine and the Mass in B minor. UnderstandingBach 5 2010 49-63
36. Crean, EliseThe Fourteen Canons (BWV 1087): Foundation or Culmination? A re-evaluation of their position among Bach's late works. UnderstandingBach 5 2010 67-75
37. Mills, IanJ. S. Bach, the Choralvorspiele and the Late Eighteenth-Century Aesthetic Notion UnderstandingBach 5 2010 76-86
38. Sela, YaelAnna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany. UnderstandingBach 5 2010 87-97
39. [Leaver, Robin A.; Tatlow, Ruth]Report of the 14th Biennial Conference on Baroque Music. UnderstandingBach 5 2010 99-103
40. Bärwald, ManuelItalian Opera Performances in Bach's Leipzig: New Sources and Research Perspectives. UnderstandingBach 6 2011 9-17
41. Ledbetter, DavidImprovisation, Da Capos and Palindromes in BWV 997 and 998. UnderstandingBach 6 2011 19-34
42. Tomita, YoThe Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two. UnderstandingBach 6 2011 35-50
43. Burrows, DonaldThe Balfour Handel Collection. UnderstandingBach 6 2011 53-55
44. Strohm, ReinhardMichael Weisse transmitting Medieval Songs to Bach. UnderstandingBach 6 2011 56-60
45. Tatlow, RuthReport on the Fifth Johann Sebastian Bach Dialogue Meeting. UnderstandingBach 6 2011 61-65

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