Bach Bibliography Search Result

Series : ^UnderstandingBach$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Butt, John	The Postmodern Mindset, Musicology and the Future of Bach Scholarship.	UnderstandingBach	1		2006	9-18
	2.	HaCohen, Ruth	Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering.	UnderstandingBach	1		2006	19-38
	3.	Stewart, Andrew	Big Boys Don't Cry? Attitudes towards Death in Bach's Leipzig.	UnderstandingBach	1		2006	39-50
	4.	Strohm, Reinhard	Transgression, Transcendence and Metaphor - the 'Other Meanings' of the B-Minor Mass.	UnderstandingBach	1		2006	49-68
	5.	Tatlow, Ruth	The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today.	UnderstandingBach	1		2006	69-85
	6.	HaCohen, Ruth	An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005.	UnderstandingBach	1		2006	87-88
	7.	Cross, Ian	Bach in Mind.	UnderstandingBach	2		2007	9-18
	8.	Paczkowski, Szymon	A Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach.	UnderstandingBach	2		2007	19-36
	9.	Tatlow, Ruth	Collections, bars and numbers: Analytical coincidence or Bach's design?	UnderstandingBach	2		2007	37-58
	10.	Tomita, Yo	Anna Magdalena as Bach's Copyist.	UnderstandingBach	2		2007	59-76
	11.	Elferen, Isabella van	'Ihr Augen weint!' Intersubjective Tears in the Sentimental Concert Hall.	UnderstandingBach	2		2007	77-94
	12.	Wolff, Christoph	Bach's Music and Newtonian Science: A Composer in Search of the Foundations of his Art.	UnderstandingBach	2		2007	95-106
	13.	Jones, Richard D. P.	'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development.	UnderstandingBach	3		2008	31-38
	14.	Leaver, Robin A.	An Early English Imprint of the 'Crucifixus' of the B minor Mass (BWV 232II/5).	UnderstandingBach	3		2008	39-54
	15.	Rose, Stephen	The Musician-Novels of the German Baroque: New Light on Bach's World.	UnderstandingBach	3		2008	55-66
	16.	Wollny, Peter; Maul, Michael	The Weimar Organ Tablature: Bach's Earliest Autographs.	UnderstandingBach	3		2008	67-74
	17.	Baldock, Rachel	Responding to Notation: Interpreting Dynamic Markings in the Instrumental Music of C.P.E. Bach.	UnderstandingBach	3		2008	77-79
	18.	Crean, Elise	New Perspectives on the Canons of Johann Sebastian Bach.	UnderstandingBach	3		2008	80-82
	19.	Dunlop, Alison	The Keyboard Copyists of Fux's Circle with Particular Emphasis on Gottlieb Muffat.	UnderstandingBach	3		2008	83-86
	20.	Jarvis, Martin W. B.	The Application of Forensic Document Examination Techniques to the Writings of J. S. Bach and A. M. Bach.	UnderstandingBach	3		2008	87-92
	21.	Cohen, Dalia	Bach: Forerunner of the Future through Exploration of the Potential of Learned and Natural Schemata.	UnderstandingBach	3		2008	9-30
	22.	Kovacevic, Tanja; [Kovaèeviæ]	Trailing the Sources: A Pursuit of a Europe-wide Picture of Bach Reception in the Eighteenth and Early Nineteenth Centuries.	UnderstandingBach	3		2008	93-98
	23.	Mills, Ian	The 'Lost' Eighteen: Breitkopf, Mendelssohn and the Nineteenth-century Re-emergence of Bach's 15 Grand Preludes on Corales.	UnderstandingBach	3		2008	99-104
	24.	Schwalbach, Burkhard	Eighteenth-century Coffee-House Culture: A New Context for Bach's Music?	UnderstandingBach	3		2008	105-108
	25.	Tatlow, Ruth	Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies.	UnderstandingBach	3		2008	109-111
	26.	Maul, Michael	New Evidence on Thomaskantor Kuhnau's Operatic Activities, or: Could Bach have been allowed to compose an Opera?	UnderstandingBach	4		2009	9-20
	27.	Scheitler, Irmgard	Passion and Drama in German Literature.	UnderstandingBach	4		2009	21-31
	28.	HaCohen, Ruth	The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames.	UnderstandingBach	4		2009	33-54
	29.	Kubik, Reinhold, Legler, Margit	Rhetoric, Gesture and Scenic Imagination in Bach's Music.	UnderstandingBach	4		2009	55-76
	30.	Shabalina, Tatiana [Shabalina, Tat'jana]	Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas.	UnderstandingBach	4		2009	77-99
	31.	Smaill, Peter	Bach among the Heretics: Inferences from the Cantata Texts.	UnderstandingBach	4		2009	101-118
	32.	Mincham, Julian	Relationships between Text and Music in the 'hybrid' Recitatives of Bach’s second Leipzig Cantata Cycle.	UnderstandingBach	4		2009	119-133
	33.	Aspden, Suzanne	Bach and the Feminised Galant.	UnderstandingBach	5		2010	9-22
	34.	Kovacevic, Tanja; [Kovaèeviæ]	Bach Reception in Prague: an 1845 Performance of the Second Kyrie from the B minor Mass.	UnderstandingBach	5		2010	23-48
	35.	Rifkin, Joshua	Blinding us with Science? Man, Machine and the Mass in B minor.	UnderstandingBach	5		2010	49-63
	36.	Crean, Elise	The Fourteen Canons (BWV 1087): Foundation or Culmination? A re-evaluation of their position among Bach's late works.	UnderstandingBach	5		2010	67-75
	37.	Mills, Ian	J. S. Bach, the Choralvorspiele and the Late Eighteenth-Century Aesthetic Notion	UnderstandingBach	5		2010	76-86
	38.	Sela, Yael	Anna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany.	UnderstandingBach	5		2010	87-97
	39.	[Leaver, Robin A.; Tatlow, Ruth]	Report of the 14th Biennial Conference on Baroque Music.	UnderstandingBach	5		2010	99-103
	40.	Bärwald, Manuel	Italian Opera Performances in Bach's Leipzig: New Sources and Research Perspectives.	UnderstandingBach	6		2011	9-17
	41.	Ledbetter, David	Improvisation, Da Capos and Palindromes in BWV 997 and 998.	UnderstandingBach	6		2011	19-34
	42.	Tomita, Yo	The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two.	UnderstandingBach	6		2011	35-50
	43.	Burrows, Donald	The Balfour Handel Collection.	UnderstandingBach	6		2011	53-55
	44.	Strohm, Reinhard	Michael Weisse transmitting Medieval Songs to Bach.	UnderstandingBach	6		2011	56-60
	45.	Tatlow, Ruth	Report on the Fifth Johann Sebastian Bach Dialogue Meeting.	UnderstandingBach	6		2011	61-65