Bach Bibliography Search Result

Series : ^StudMcol$
Year : 1982
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	The Cantata in Nuremberg during the seventeenth Century.	StudMcol	56		1982	xii, 536p
	2.	The Use of Baroque Treatises on Musical Performance.	StudMcol	58		1982	1-9, 173-174
	3.	Donington's 'A Performer's Guide to Baroque Music' -- A Review.	StudMcol	58		1982	11-15, 274
	4.	The French 'Inégales', Quantz, and Bach.	StudMcol	58		1982	17-54, 274-285
	5.	An Answer to Donington's Critique.	StudMcol	58		1982	55-58
	6.	External Evidence and Uneven Notes.	StudMcol	58		1982	59-72, 285-288
	7.	The Dotted Note and the So-Called French Style (FN1)	StudMcol	58		1982	73-98, 288-289
	8.	Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2).	StudMcol	58		1982	99-110, 289-291
	9.	Facts and Fiction about Overdotting (FN3).	StudMcol	58		1982	111-135, 291-294
	10.	Once More: The 'French Overture Style' (FN4).	StudMcol	58		1982	137-150, 295
	11.	The Overdotting Syndrome: Anatomy of a Delusion (FN5).	StudMcol	58		1982	151-182, 296-300
	12.	Misconceptions About the French Trill in the 17th and 18th Centuries.	StudMcol	58		1982	183-196, 300-304
	13.	A New Look at Bach's Ornamentation.	StudMcol	58		1982	197-215, 304-305
	14.	Notes on 'Melodic' and 'Harmonic' Ornaments.	StudMcol	58		1982	217-225, 305-306
	15.	Couperin and the Downbeat Doctrine for Appoggiaturas.	StudMcol	58		1982	227-241, 306-309
	16.	Ornament and Structure.	StudMcol	58		1982	243-250, 309-310
	17.	Essays in Performance Practice.	StudMcol	58		1982	xii, 321p