Bach Bibliography Search Result

Series : ^Strad$
Year : 2000
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Quick thrills. When Pamela Frank puts a CD on her player, you can bet it won't be a studio-bound run-through. Laurinel Owen finds out which discs give her a buzz. [BWV 244, 1068]	Strad	111	1322	Jun 2000	639
	2.	Lone crusader. Twenty years ago Sigiswald Kuijken's 'authentic' Bach sent shock waves through the violin world. His playing is as revelatory as ever, finds Shirley Apthorp.	Strad	111	1323	Jul 2000	705, 707-708
	3.	Musical chairs. You don't have to look far to find different interpretations of the Bach cello suites, but it's not every day you can hear 26 in one afternoon. Cordelia Wikarski-Miedel reports.	Strad	111	1323	Jul 2000	712-713
	4.	The Italian Job. When Bach was born, Stradivari was approaching his heyday and Corelli was at the height of his powers. By the time of his death, violins and their music had changed for ever. By Philipp J. Kass.	Strad	111	1323	Jul 2000	714-717, 719
	5.	Playground for angels. Joachim resurrected them, Schumann arranged them, Albert Schweitzer even wanted a special bow made for them: Julian Haylock takes a closer listen to Bach's solo violin sonatas and partitas.	Strad	111	1323	Jul 2000	726-728, 731, 733
	6.	Clear stream or muddy water. Jessica Duchen asks six musicians what Bach means to them in an age of cultural pluralism.	Strad	111	1323	Jul 2000	738-740, 743
	7.	Attention seeking. Behind the scenes. A new Kennedy disk is sure to create a stir, but EMI marketing director Barry McCann has no intention of resting on his laurels.	Strad	111	1328	Dec 2000	1440