Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The Biology of Music. |
PsycholM |
5 | 1 | 1977 |
3-18 |
|
| 2. | An expert-novice comparison in musical composition. |
PsycholM |
20 | 2 | 1992 |
124-137 |
|
| 3. | Musical Performance as Interpretation. |
PsycholM |
23 | 1 | 1995 |
17-38 |
|
| 4. | A comparison of practice and self-report as sources of information about the goals of expert practice. |
PsycholM |
29 | 1 | 2001 |
39-69 |
|
| 5. | Investigating Expressive Timing and Dynamics in Recorded Cello Performances. |
PsycholM |
31 | 3 | 2003 |
340-352 |
|
| 6. | The dimensions of baroque music performance: a semantic differential study. |
PsycholM |
34 | 4 | 2006 |
537-587 |
|
| 7. | Bring out the counterpoint: Exploring the relationship between implied polyphony and rubato in Bach's solo violin music. |
PsycholM |
37 | 3 | Jul 2009 |
301-324 |
|
| 8. | Preparing for memorized cello performance: The role of performance cues. |
PsycholM |
38 | 1 | Jan 2010 |
3-30 |
|