Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Grigor'eva, Galina | Fragment socinenija, fragment zizni? [Fragment of a composition, fragment of a life?] |
MuzykalnajaAkad |
| 1 | 1992 |
140-142 |
|
| 2. | Medusevskij, Vjaceslav | Tainstvennye energii muzyki. [The mysterious energies of music] [BWV 248; text setting] |
MuzykalnajaAkad |
| 3 | 1992 |
54-58 |
|
| 3. | Mescaninov, Petr | Prikasajas' k Bahy, my zastavljaem zvucat' ves' ob'em muzykal'noj istorii. [Touching Bach, we make the whole of music history resound] |
MuzykalnajaAkad |
| 4 | 1992 |
25-32 |
|
| 4. | Bercenko, Roman Eduardovic | Boleslav Javorskij o Horoso temperirovannom klavire. [Boleslav Yavorsky on the Das wohltemperirte Clavier] |
MuzykalnajaAkad |
| 2 | 1993 |
117-124 |
|
| 5. | Schönberg, Arnold | Posvjascennaja iskusstvu kontrapunkta I.S. Baha. [Secrets of the contrapuntal art of J.S. Bach] Trans. by Krejnina, Julija |
MuzykalnajaAkad |
| 1 | 1994 |
120-121 |
|
| 6. | Kurc, Ol'ga | Klavir temperirovan horoso: O 24 preljudijah i fugah Sergeja Slonimskogo. [The well-tempered clavier: About Sergej Slonimskij's 24 preljudii i fugy] |
MuzykalnajaAkad |
| 4-5 | 1995 |
42-48 |
|
| 7. | Kirillina, Larisa | Zagadki Torzestvennoj messy. [Mysteries of the Missa Solemnis] |
MuzykalnajaAkad |
| 1 | 2000 |
9-28 |
|
| 8. | Arkad'ev, Mihail Aleksandroviè | Hronoartikuljacionnye struktury v klavirnom tvorcestve I.S. Baha. [Structures of time articulation in the piano work of J.S. Bach] |
MuzykalnajaAkad |
| 2 | 2000 |
2-13 |
|
| 9. | Zejfas, Natal'ja | Muzykovedceskoe prinosenie: K 95-letiju so dnja rozdenija i k 10-letiju so dnja smerti M.S. Druskina. [Musicological offering: On the 95th anniversay of birthday and the 10th anniversary of death of M.S. Druskin] |
MuzykalnajaAkad |
| 4 | 2000 |
175-192 |
|
| 10. | Denisov, Andrej | O semantike kompozicii Strastej po Ioannu Ioganna Sebastiana Baha. [Semantics of Johannespassion by Johann Sebastian Bach] |
MuzykalnajaAkad |
| 4 | 2000 |
193-196 |
|
| 11. | Protopopov, Vladimir Vasil'evic | Oratorija v cest' Rozdestva Hristova: K probleme ciklicnosti. [An oratorio dedicated to Jesus Christ: On the issue of cyclic organization] [BWV 248] |
MuzykalnajaAkad |
| 4 | 2000 |
197-205 |
|
| 12. | Severina, Irina Markovna | Vozmozno, v budusem ètot celovek stanet legendoj. [The man of a future legend] |
MuzykalnajaAkad |
| 3 | 2002 |
128-133 |
|
| 13. | Aronovskij, Mark | Bahovedenie v Sankt-Peterburge. [J.S. Bach studies in Sankt-Peterburg] |
MuzykalnajaAkad |
| 3 | 2003 |
84-88 |
|
| 14. | Bercenko, Roman Eduardovic | Bahovskij festival' v Lejpcige. [Bachfest in Leipzig] |
MuzykalnajaAkad |
| 4 | 2004 |
210-213 |
Latin 2 |
| 15. | Fisejskij, Aleksandr Vladimiroviè | Tret'â èast' Klavirnyh upražnenij I.S. Baha. [Klavierübung III of J.S. Bach] |
MuzykalnajaAkad |
| 1 | Spring 2006 |
142-151 |
Latin 2 |
| 16. | Tokun, Elena Anatol'evna (ed.) | 'Každoe proizvedenie âvlâetsâ moim sobesednikom': Beseda. ['The dialogues with my works': An interview] |
MuzykalnajaAkad |
| 2 | Summer 2006 |
58-63 |
|
| 17. | Fisejskij, Aleksandr Vladimiroviè | Tret'â èast' Klavirnyh upražnenij I. S. Baha: Teologiâ v zvuke i èisle. [Klavierübung III of J. S. Bach: Theology of sound and number] |
MuzykalnajaAkad |
| 2 | Summer 2006 |
144-151 |
Latin 2 |
| 18. | Bercenko, Roman Eduardovic | Naši sovremenniki Bah i Gendel'. [Our contemporaries Bach and Handel] |
MuzykalnajaAkad |
| 4 | Winter 2006 |
202-205 |
|
| 19. | Shabalina, Tat'jana; [Šebalina, Tat'âna] | Avtograf I.S. Baha v Puškinskom dome... [J.S. Bach's manuscript at the Puškinskij Dom] [BWV 199] |
MuzykalnajaAkad |
| 1 | Spring 2007 |
190-200 |
|
| 20. | Zahvatkin, Andrej Nikolaevic | Klavirnaâ muzyka F.È. Baha i eë ispolnenie. [The clavier music of Carl Philipp Emanuel Bach and its performance] |
MuzykalnajaAkad |
| 1 | 2008 |
172-174 |
|
| 21. | Burundukovskaâ, Elena Viktorovna | Nekosenyj lug autentiki, ili solo moskovskih gostej. [Pure authenticity, or, the solo of Moscow guests] [Serbin's performance of JS and CPE Bach] |
MuzykalnajaAkad |
| 2 | 2008 |
64-65 |
|
| 22. | Krivickaâ, Evgeniâ Davidovna | V teni Baha: Iz arhiva knâzâ Odoevskogo. [In the shadow of J.S. Bach: From the archive of prince Odoevskij] |
MuzykalnajaAkad |
| 2 | 2009 |
154-157 |
|
| 23. | Grigor'eva, Galina Vladimirovna | Tema koroâ Fridriha II i stilisti2vceskie varianty eë interpretacii. [The theme of King Frederick II and stylistic variants of its interpretation] |
MuzykalnajaAkad |
| 2 | 2010 |
113-115 |
|
| 24. | Shabalina, Tat'jana | Rossiyskie istochniki v bakhovedenii: K prodolzheniyu temy. [Russian Sources in Bach research: To Development of the Theme] |
MuzykalnajaAkad |
| 3 | 2010 |
93-107 |
Latin 2 |
| 25. | Shabalina, Tat'jana; [Šebalina, Tat'âna] | Bah i Rossijskaâ nacional'naâ biblioteka v Sankt-Peterburge: Nedavnie otkrytiâ—K 330-letiû so dnâ roždeniâ I.S. Baha [J.S. BAch and the Rossijskaâ Nacional'naâ Biblioteka in St. Petersburg: Recent discoveries—On the 330th anniversary of Bach's birth] |
MuzykalnajaAkad |
| 1 | 2015 |
117-128 |
|
| 26. | Âncenko, Olesâ | Duhovnyj dialog vysšego porâdka v tvorcestve Ioganna Sebast'âna Baha: Na primere Concerto in dialogo. [The spiritual dialogue in J.S. Bach's oeuvre: Example of Concerto in dialogo] [BWV 32, 57] |
MuzykalnajaAkad |
| 4 | 2015 |
181-186 |
|