Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bach's 'Vorspiele' of 1739. |
MLetters |
1 | 3 | Jul 1920 |
218-224 |
|
| 2. | Hymn Preludes. |
MLetters |
1 | 3 | Jul 1920 |
224-227 |
|
| 3. | The Cantata in Being. |
MLetters |
1 | 3 | Jul 1920 |
227-229 |
|
| 4. | XVII Century Orchestral Instruments. |
MLetters |
1 | 4 | Oct 1920 |
334-342 |
|
| 5. | The Workmanship of Bach. |
MLetters |
3 | 3 | Jul 1922 |
229-236 |
|
| 6. | The Harpsichord. |
MLetters |
3 | 3 | Jul 1922 |
269-273 |
|
| 7. | A Note on the Clavichord and the Harpsichord. |
MLetters |
4 | 2 | Apr 1923 |
162-169 |
|
| 8. | The Appoggiatura. (b) In Mozart, Gluck, Bach, &c. |
MLetters |
5 | 2 | Apr 1924 |
124-132 |
|
| 9. | The Fall and Rise of the Hymn Tune. |
MLetters |
6 | 1 | Jan 1925 |
35-45 |
|
| 10. | Passion Music Before 1724. |
MLetters |
7 | 3 | Jul 1926 |
258-264 |
|
| 11. | The Rhythm of Metrical Psalm-Tunes. |
MLetters |
9 | 1 | Jan 1928 |
29-33 |
|
| 12. | The Present Neglect of Bach. |
MLetters |
10 | 2 | Apr 1929 |
189-196 |
|
| 13. | Bach's Music and Church Acoustics. |
MLetters |
11 | 2 | Apr 1930 |
146-155 |
|
| 14. | The Philosopher and the Artist. |
MLetters |
11 | 3 | Jul 1930 |
241-254 |
|
| 15. | Baron Bach [Carl Ernst Baron de Bagge] |
MLetters |
12 | 2 | Apr 1931 |
130-139 |
|
| 16. | Viola pomposa and Violoncello piccolo. |
MLetters |
12 | 4 | Oct 1931 |
354-364 |
|
| 17. | The Associated Board's edition of Bach's 'Forty-eight' |
MLetters |
12 | 4 | Oct 1931 |
378-383 |
|
| 18. | Bach's 'Quodlibet'. |
MLetters |
14 | 1, 2 | Jan; Apr 1933 |
1-17; 188 |
|
| 19. | R. J. S. Stevens (1757-1837) and His Contemporaries. |
MLetters |
14 | 2 | Apr 1933 |
128-137 |
|
| 20. | The Spurious 'Bach' 'Lucaspassion'. |
MLetters |
14 | 3 | Jul 1933 |
207-221 |
|
| 21. | The Significance of the Bach Chorale. |
MLetters |
14 | 4 | Oct 1933 |
313-317 |
|
| 22. | J. S. Bach and Consecutives in Accompaniment. |
MLetters |
14 | 4 | Oct 1933 |
318-325 |
|
| 23. | An Introduction to Organ Music. |
MLetters |
14 | 4 | Oct 1933 |
326-342 |
|
| 24. | The Violin Music of Handel and Bach. |
MLetters |
16 | 3 | Jul 1935 |
188-199 |
|
| 25. | The Recitatives of the St. Matthew Passion. |
MLetters |
16 | 3 | Jul 1935 |
208-225 |
|
| 26. | Handel and Bach. Extract from the speech of the German Ambassador on opening an exhibition of autographs at Oxford. |
MLetters |
16 | 3 | Jul 1935 |
226-229 |
|
| 27. | Bach through the ages. |
MLetters |
16 | 3 | Jul 1935 |
230-237 |
|
| 28. | The Organ Works of Bach and Handel. |
MLetters |
16 | 4 | Oct 1935 |
296-304 |
|
| 29. | French Influences on Bach. |
MLetters |
16 | 4 | Oct 1935 |
312-320 |
|
| 30. | The Conventions of Bach. |
MLetters |
16 | 4 | Oct 1935 |
321-324 |
|
| 31. | Portraits of Bach. |
MLetters |
17 | 4 | Oct 1936 |
287-288 |
|
| 32. | Mid-Eighteenth-Century Transformations of Style. |
MLetters |
18 | 3 | Jul 1937 |
265-275 |
|
| 33. | Martin Luther and Music. |
MLetters |
19 | 1 | Jan 1938 |
67-78 |
|
| 34. | Bach and the English Oculist. |
MLetters |
19 | 2 | Apr 1938 |
182-198 |
|
| 35. | An Oxford Collection of Mendelssohniana. |
MLetters |
19 | 4 | Oct 1938 |
426-428 |
|
| 36. | The Craftsmanship of Bach's Choral music. |
MLetters |
20 | 3 | Jul 1939 |
266-277 |
|
| 37. | A Lost Bach Magnificat. |
MLetters |
21 | 4 | Oct 1940 |
312-318 |
|
| 38. | The Myth of Equal Temperament. |
MLetters |
21 | 4 | Oct 1940 |
347-361 |
|
| 39. | The Schweitzerian Heresy. |
MLetters |
23 | 4 | Oct 1942 |
265-289 |
|
| 40. | Schweitzer on Bach. |
MLetters |
26 | 2 | Apr 1945 |
102-112 |
|
| 41. | The Bach Passions and Greek Tragedy. |
MLetters |
27 | 4 | Oct 1946 |
221-224 |
|
| 42. | The English Translator of Forkel. |
MLetters |
28 | 3 | Jul 1947 |
301-302 |
|
| 43. | Melodic Patterns in Bach's Counterpoint. |
MLetters |
29 | 1 | Jan 1948 |
48-56 |
|
| 44. | Bach's Symbolic Language. |
MLetters |
30 | 4 | Oct 1949 |
345-354 |
|
| 45. | What Bach wrote for the Flute and Why. |
MLetters |
31 | 1 | Jan 1950 |
46-52 |
|
| 46. | A Little Bach Discovery. [BWV 974] |
MLetters |
31 | 2 | Apr 1950 |
184 |
|
| 47. | Bach's Secular Cantata Texts. |
MLetters |
31 | 3 | Jul 1950 |
189-195 |
|
| 48. | Mrs. Oom and the 'Forty-Eight'. |
MLetters |
32 | 1 | Jan 1951 |
98-99 |
|
| 49. | 'Two Centuries of Bach'. [on Blume] |
MLetters |
32 | 1 | Jan 1951 |
102 |
|
| 50. | Bach Improvising at the Organ. |
MLetters |
32 | 2 | Apr 1951 |
115-117 |
|
| 51. | Mrs Oom and the 'Forty-Eight'. Correspondence. |
MLetters |
32 | 3 | Jul 1951 |
298-299 |
|
| 52. | Mrs Oom and the 'Forty-Eight'. Correspondence. |
MLetters |
32 | 3 | Jul 1951 |
299-300 |
|
| 53. | The New Bach Edition. |
MLetters |
33 | 1 | Jan 1952 |
99 |
|
| 54. | Bach's Prelude on 'Erbarm dich'. |
MLetters |
33 | 3 | Jul 1952 |
215-216 |
|
| 55. | The London Autograph of 'The 48'. |
MLetters |
34 | 1 | Jan 1953 |
39-40 |
|
| 56. | The London Autograph of 'The Forty-Eight'. |
MLetters |
34 | 2 | Apr 1953 |
106-123; (361-362) |
|
| 57. | Bach as Transcriber. |
MLetters |
34 | 4 | Oct 1953 |
306-313 |
|
| 58. | James Hutton and Bach. Correspondence. |
MLetters |
34 | 4 | Oct 1953 |
361-362 |
|
| 59. | An Investigation into the Authenticity of Bach's 'Kleine Magnificat'. |
MLetters |
36 | 3 | Jul 1955 |
233-236 |
|
| 60. | The Wind Music of J. C. Bach. |
MLetters |
37 | 2 | Apr 1956 |
107-117 |
|
| 61. | Three Abridged Versions of Bach's St. Matthew Passion. |
MLetters |
37 | 4 | Oct 1956 |
336-339 |
|
| 62. | Bach's Copies of Ammerbach's 'Orgel oder Instrument Tabulatur' (1571). |
MLetters |
38 | 1 | Jan 1957 |
21-27 |
|
| 63. | Bach's E major Violin Concerto reconsidered. |
MLetters |
38 | 1 | Jan 1957 |
53-65 |
|
| 64. | Beethoven and the Bach Family. |
MLetters |
38 | 4 | Oct 1957 |
353-358 |
|
| 65. | C. P. E. Bach's Harpsichord Concertos. |
MLetters |
39 | 3 | Jul 1958 |
227-241 |
|
| 66. | The Authorship of Bach's Cantata No. 15. |
MLetters |
41 | 1 | Jan 1960 |
28-32 |
|
| 67. | Bach's 'Fiauti d'Echo'. |
MLetters |
41 | 4 | Oct 1960 |
331-341 |
|
| 68. | An introduction to Bach. |
MLetters |
42 | 2 | Apr 1961 |
196-198 |
|
| 69. | On using J. S. Bach's keyboard fingerings. [BWV 870] |
MLetters |
43 | 2 | Apr 1962 |
123-128 |
|
| 70. | J. S. Bach and English Organ Music. |
MLetters |
44 | 2 | Apr 1963 |
140-151 |
|
| 71. | Outlines of a New Picture of Bach. Trans. by Stanley Godman. |
MLetters |
44 | 3 | Jul 1963 |
214-227 |
|
| 72. | A New Look at Bach's Ornamentation. |
MLetters |
46 | 1, 2 | Jan; Apr 1965 |
4-15; 126-133 |
|
| 73. | Bach's 'Lauten Werck'. |
MLetters |
48 | 3 | Jul 1967 |
259-264 |
|
| 74. | The Use of Baroque Treatises on Musical Performance. |
MLetters |
48 | 4 | Oct 1967 |
315-324 |
|
| 75. | Beethoven and the Metronome. |
MLetters |
48 | 4 | Oct 1967 |
330-349 |
|
| 76. | A Reconsideration of French Over-Dotting. |
MLetters |
50 | 1 | Jan 1969 |
111-123 |
|
| 77. | Basso continuo on the Organ. |
MLetters |
50 | 1, 2 | Jan; Apr 1969 |
136-152; 230-245 |
|
| 78. | Editorial. |
MLetters |
50 | 3 | Jul 1969 |
329-330 |
|
| 79. | Bach's setting of Psalm CXVII (BWV 230). |
MLetters |
52 | 1 | Jan 1971 |
19-26 |
|
| 80. | The Concerto Allegro in the Early Eighteenth Century. |
MLetters |
52 | 1, 2 | Jan; Apr 1971 |
8-18; 159-172 |
|
| 81. | Historical influences in the growth of Brahms' 'Requiem'. |
MLetters |
53 | 1 | Jan 1972 |
3-17 |
|
| 82. | Elgar's two-fold enigma: A religious sequel. |
MLetters |
54 | 1 | Jan 1973 |
57-60 |
|
| 83. | The Davies sisters, J.C. Bach and the glass harmonica. |
MLetters |
56 | 2 | Apr 1975 |
150-169 |
|
| 84. | Bach's C major Orchestral Suite: a New Look at Possible Origins. |
MLetters |
57 | 2 | Apr 1976 |
152-163 |
|
| 85. | Changing views of C.P.E. Bach. |
MLetters |
69 | 4 | Oct 1988 |
461-464 |
|
| 86. | J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. |
MLetters |
70 | 2 | Apr 1989 |
191-205 |
|
| 87. | Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. |
MLetters |
71 | 4 | Nov 1990 |
494-504 |
|
| 88. | The Carl Philipp Emanuel Bach Edition. |
MLetters |
73 | 3 | Aug 1992 |
510-511 |
|
| 89. | A Nietzschean Libretto: Delius and the Text for 'A Mass of Life'. |
MLetters |
79 | 2 | May 1998 |
244-267 |
|
| 90. | Mendelssohn's Babel: Romanticism and the Poetics of Translation. |
MLetters |
80 | 1 | Feb 1999 |
23-49 |
|
| 91. | Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. |
MLetters |
80 | 2 | May 1999 |
183-206 |
|
| 92. | Constructing Johann Christoph Bach (1642-1703). |
MLetters |
80 | 3 | Aug 1999 |
345-365 |
|
| 93. | Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. |
MLetters |
81 | 3 | Aug 2000 |
364-391 |
|
| 94. | 'For instruments not Intended': The Second J.C. Bach Lawsuit. In memory of Ernest Warburton. |
MLetters |
83 | 1 | Feb 2002 |
3-29 |
|
| 95. | Johann Nikolaus Forkel on the Listening Practices of 'Kenner' and 'Liebhaber'. |
MLetters |
84 | 3 | Aug 2003 |
414-433 |
|
| 96. | Thematic Return in Late Bach Fugues. |
MLetters |
87 | 4 | Nov 2006 |
515-522 |
|
| 97. | Meditation and Consolatory Soul-God Dialogues in Seventeenth-Century Lutheran Germany. |
MLetters |
88 | 3 | Aug 2007 |
436-457 |
|
| 98. | 'What never was has ended': Bach, Bergman, and the Beatles in Christopher Münch's 'The hours and times'. [BWV 853/2, 1011/4] |
MLetters |
94 | 1 | Feb 2013 |
119-137 |
|
| 99. | Mendelssohn's Performances of the 'Matthäus-Passion': Considerations of the Documentary Evidence. |
MLetters |
97 | 3 | Aug 2016 |
409-464 |
|