Bach Bibliography Search Result

Series : ^MAnalysis$
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	The 'Compositional process' in music theory 1713-1850. [Heinrich Christoph Koch]	MAnalysis	3	1	Mar 1984	29-55
	2.	A lesson in analysis from Heinrich Schenker: the C Major prelude from Bach's Well-tempered Clavier, Book 1.	MAnalysis	4	3	Oct 1985	241-258
	3.	'Skin and Bones': The C minor Prelude from J. S. Bach's Well-tempered Clavier, Book 2.	MAnalysis	5	1	Mar 1986	85-96
	4.	The Rhetorico-Musical Structure of the 'Goldberg' Variations: Bach's Clavierübung IV and the Institutio Oratoria of Quintilian.	MAnalysis	6	1-2	Mar-Jul 1987	89-131
	5.	Structure and Performance Timing in Bach's C major Prelude (WTC I): An Empirical Study.	MAnalysis	6	3	Oct 1987	257-272
	6.	Towards a Methodology for Schenkerian Analysis. Translated and edited by William Drabkin.	MAnalysis	7	2	Jul 1988	143-164
	7.	Structural Semantics and Instrumental Music. [BWV 867/2]	MAnalysis	10	1-2	Mar-Jul 1991	73-88
	8.	Modality, Imitation and Structural Levels: Bach's Manualiter Kyries from Clavierübung III.	MAnalysis	11	1	Mar 1992	55-74
	9.	... an Analytical Offering (A.G. 1992)...: On Goehr's Homage to Bach.	MAnalysis	11	2-3	Jul-Oct 1992	177-200
	10.	Bach's Theological Concept of Form and the F major Duet. Translated by Alfred Clayton.	MAnalysis	11	2-3	Jul-Oct 1992	245-278
	11.	Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II).	MAnalysis	14	1	Mar 1995	49-67
	12.	The Subjectivities of 'Erbarme Dich'	MAnalysis	16	1	Mar 1997	5-44
	13.	Bach and the 'Old' Musicology.	MAnalysis	16	2	Jul 1997	255-269
	14.	Influences of the Early Eighteenth-Century Social Minuet on the Minuets from J. S. Bach's French Suites, BWV 812-17.	MAnalysis	18	2	Jul 1999	235-260
	15.	Elision and the Embellished Final Cadence in J. S. Bach's Preludes.	MAnalysis	26	3	Oct 2007	267-288
	16.	Emotion in the German Lutheran Baroque and the development of subjective time consciousness. [BWV 32/1]	MAnalysis	29	1-3	Mar-Oct 2010	19-36
	17.	Schenker and Bach's French suite in E major. [BWV 817]	MAnalysis	34	2	Jul 2015	155-174
	18.	Triple counterpoint and six-four chords in Bach's sinfonia in F minor. [BWV 795]	MAnalysis	34	3	Oct 2015	305-334