Bach Bibliography Search Result

Series : ^JHumanSciArtUTokushima$
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Kataoka, Keiichi	J. S. Bach no Sakuhin ni okeru Shochoteki Hyogen ni tsuite: sono Dankaiteki Kubun Shian ni taisuru Bigakuteki Shiten kara no Hanseiteki Ginmi, Kento. [1] [On symbolic expression in J. S. Bach's works: reflective examination an investigation from the aesthetic viewpoint about a tentative plan of its phasic classification]	JHumanSciArtUTokushima	1		1994	91-100
	2.	Kataoka, Keiichi	J. S. Bach no Sakuhin ni okeru Shochoteki Hyogen ni tsuite: sono Dankaiteki Kubun Shian ni taisuru Bigakuteki Shiten kara no Hanseiteki Ginmi, Kento. (Zoku) Dai-2-Sho. [On symbolic expression in J. S. Bach's works: reflective examination an investigation from the aesthetic viewpoint about a tentative plan of its phasic classification. Chapter 2]. English Summary, pp. 77-80	JHumanSciArtUTokushima	2		1995	61-80
	3.	Kataoka, Keiichi	Arnold Schmitz cho: Die Bildlichkeit der wortgebundenen Musik Johann Sebastian Bachs no Naiyo ni Kansuru Ichikosatsu. [A study on the contents of Die Bildlichkeit der wortgebundenen Musik Johann Sebastian Bachs by Arnold Schmitz] English Suymmary on p.198.	JHumanSciArtUTokushima	4		1997	191-198
	4.	Kataoka, Keiichi	'Misakyoku Rotancho' (BWV 232) Kenkyu: Shochoteki Hyogen no Shiza o Kiban to suru Mondaiten no Shozai ni kansuru Gaikanteki Kosatsu. [Study of Messe in h -moll (BWV232): General Consideration on the Location of the Point at Issue basing on the Viewpoint of Symbolic Expression] [BWV 232]	JHumanSciArtUTokushima	5		1998	153-169
	5.	Kataoka, Keiichi	'Misakyoku Rotancho' (BWV 232) Kenkyu: 'Misakyoku Rotancho' no Zentai Kosei ni tsuite. [1] [Study of Messe in h-moll (BWV 232) - on the Whole Organization of One.]	JHumanSciArtUTokushima	6		1999	159-208
	6.	Kataoka, Keiichi	'Misakyoku Rotancho' (BWV 232) Kenkyu: 'Misakyoku Rotancho' no Zentai Kosei ni tsuite. (Zoku). [Study of Messe in h-moll (BWV 232) - on the Whole Organization of One (cont.)]	JHumanSciArtUTokushima	7		2000	65-113
	7.	Kataoka, Keiichi	'Misakyoku Rotancho' (BWV 232) Kenkyu: 'Misakyoku Rotancho' no Zentai Kosei ni tsuite. (Dai-3-pen). [Study of Messe in h-moll (BWV 232) - on the Whole Organization of One (III)] English summary on pp. 109-110.	JHumanSciArtUTokushima	8		2001	81-110
	8.	Kataoka, Keiichi	Kantata Dai-12-Ban 'Naki, Nageki, Urei, Obie' (BWV 12) Kenkyu. [A Study of the Church Cantata No. 12 'Weine, Klagen, Sorgen, Zagen' (BWV 12)] English Summary on p.129.	JHumanSciArtUTokushima	9		2002	119-129
	9.	Kataoka, Keiichi	Kantata Dai-12-Ban (Naki, Nageki, Urei, Obie) (Dai-2-Kyoku) to 'Misakyoku Rotancho - Jujika ni tsukerare' (Dai-17-Kyoku) no Tenyo Kankei ni tsuite no Kenkyu. [A Study on the Parody of the Church-Cantata No.12 (Weinen, Kl agen, Sorgen, Zagen) (BWV12 - the Second Tune -) and Messe in h -moll, 'Crucifixus' (BWV232 -the Seventeenth Tune)] English Summary on p. 152.	JHumanSciArtUTokushima	10		2003	145-152
	10.	Kataoka, Keiichi	Kantata Dai-215-Ban 'Nanji no Sachi o tataeyo, megumareshi Sachsen' (Preise dein Glücke, gesegnetes Sachsen) (BWV 215) Kenkyu. [A Study of the Cantata No.215 (Preise dein Glücke gesegnetes Sachsen) (BWV215)] English summary on p.118.	JHumanSciArtUTokushima	11		2004	93-118
	11.	Kataoka, Keiichi	Kantata Dai-215-Ban 'Nanji no Sachi o tataeyo, megumareshi Sachsen' (BWV 215) (Dai-1-Kyoku) to Misakyoku Rotancho (BWV 232) (Dai-23-Kyoku to sono Hanpuku Bubun no Dai-25-Kyoku - Ito takaki tokoro ni Osanna) no Tanyo Kankei ni tsuite no Kenkyu. [A Study on the Parody of the Secular Cantata No.215 'Preise dein Glücke' gesegnetes Sachsen' (BWV 215) (the First Tune) and 'Messe in h-moll' (BWV232) (the Twenty third Tune and the Twenty fifth Tune as the Repeat-Part) (Osanna in Excelsis)] English Summarz, p. 74.	JHumanSciArtUTokushima	12		2005	67-74
	12.	Kataoka, Keiichi; Hosoda, Kazuhide	Johannes Brahms: Deutsche Requiem (op.45) ni kansuru Ichikosatsu: Bach no Ongaku Sakuhin ni okeru Shochoteki Hyogen no Kenkyu no Shiten kara. [A Study of Brahms' Ein Deutsches Requiem (op.45): from a Viewpoint of the Symbolic Expression-Studies on Johann Sebastian Bach's Works]	JHumanSciArtUTokushima	14		2007	43-76