Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Blackbourn, David | The German Eighteenth Century: Marking Time. |
HarvardPubM |
22 | | 2008 |
3-15 |
[fs]CWolff |
| 2. | Christensen, Thomas | Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. |
HarvardPubM |
22 | | 2008 |
17-40 |
[fs]CWolff |
| 3. | Danuser, Hermann | Mishmash or Synthesis? On the Psychagogic Form of The Creation. Trans. by Nicolas Betson. |
HarvardPubM |
22 | | 2008 |
41-78 |
[fs]CWolff |
| 4. | Sisman, Elaine | Six of One: The Opus Concept in the Eighteenth Century. |
HarvardPubM |
22 | | 2008 |
79-107 |
[fs]CWolff |
| 5. | Butt, John | Bach's Passions and the Textures of Time. |
HarvardPubM |
22 | | 2008 |
111-120 |
[fs]CWolff |
| 6. | Chafe, Eric T. | Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. |
HarvardPubM |
22 | | 2008 |
121-143 |
[fs]CWolff |
| 7. | Durante, Sergio | Tartini and his Texts. |
HarvardPubM |
22 | | 2008 |
145-186 |
[fs]CWolff |
| 8. | Melamed, Daniel R. | The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. |
HarvardPubM |
22 | | 2008 |
189-205 |
[fs]CWolff |
| 9. | Schulze, Hans-Joachim | Bach and Mozart: From the Perspective of Different Documentary Evidence. |
HarvardPubM |
22 | | 2008 |
207-216 |
[fs]CWolff |
| 10. | Wollny, Peter | On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. |
HarvardPubM |
22 | | 2008 |
217-238 |
[fs]CWolff |
| 11. | Zaslaw, Neal | One More Time: Mozart and his Cadenzas. |
HarvardPubM |
22 | | 2008 |
239-249 |
[fs]CWolff |
| 12. | Konrad, Ulrich | On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. Trans. by Thomas Irvine. |
HarvardPubM |
22 | | 2008 |
253-278 |
[fs]CWolff |
| 13. | Strohm, Reinhard | Eighteenth-Century Music as a Socio-Political Metaphor? [BWV 12] |
HarvardPubM |
22 | | 2008 |
279-296 |
[fs]CWolff |
| 14. | Webster, James | The Century of Handel and Haydn. |
HarvardPubM |
22 | | 2008 |
297-315 |
[fs]CWolff |
| 15. | Wheelock, Gretchen A. | Mozart's Fantasy, Haydn's Caprice: What's in a Name? |
HarvardPubM |
22 | | 2008 |
317-341 |
[fs]CWolff |
| 16. | Hogwood, Christopher | The Clavier Speaks. |
HarvardPubM |
22 | | 2008 |
345-370 |
[fs]CWolff |
| 17. | Koopman, Ton | Ten Years of Bach Cantatas. |
HarvardPubM |
22 | | 2008 |
371-377 |
[fs]CWolff |
| 18. | Levin, Robert D. | Mozart's Working Methods in the Keyboard Concertos. |
HarvardPubM |
22 | | 2008 |
379-406 |
[fs]CWolff |
| 19. | Kelly, Thomas Forrest; Gallagher, Sean (eds.) | The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. Cambridge, MA: Harvard University Press, 2008. xii, 427p. ISBN-10: 0964031736; ISBN-13: 978-0964031739. (= Isham Library Papers 7; Harvard Publications in Music, 22) |
HarvardPubM |
22 | | 2008 |
xii, 427p |
[fs]CWolff |