Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Gustav Leonhardt, the Naarden circle and early music's reformation. |
EarlyM |
42 | 1 | Feb 2014 |
3-12 |
|
| 2. | From Landowska to Leonhardt, from Pleyel to Skowroneck: historicizing the harpsichord, from stringed organ to mechanical lute. |
EarlyM |
42 | 1 | Feb 2014 |
13-22 |
|
| 3. | Gustav Leonhardt's Bach cantata recordings: project, reception and style. |
EarlyM |
42 | 1 | Feb 2014 |
37-54 |
|
| 4. | Bach's 'Art of Fugue': suggestions for the last gap. |
EarlyM |
42 | 2 | May 2014 |
249-257 |
|
| 5. | Bach's use of the single-note ornament in the 'Goldberg Variations'. |
EarlyM |
42 | 2 | May 2014 |
259-272 |
|
| 6. | Notes inégales: a definitive new parameter. |
EarlyM |
42 | 2 | May 2014 |
273-289 |
|
| 7. | Carl Philipp Emanuel Bach: a tercentenary assessment. |
EarlyM |
42 | 3 | Aug 2014 |
335-345 |
|
| 8. | Listening for likeness, or C. P. E. Bach and the art of speculation. |
EarlyM |
42 | 3 | Aug 2014 |
347-362 |
|
| 9. | The songs of C. P. E. Bach: a performer's perspective. |
EarlyM |
42 | 3 | Aug 2014 |
363-377 |
|
| 10. | Organizing the complete works of C. P. E. Bach. |
EarlyM |
42 | 3 | Aug 2014 |
379-387 |
|
| 11. | Rehearsal for the opera--remarks on a lost composition by Johann Kuhnau from 1683. |
EarlyM |
42 | 3 | Aug 2014 |
409-420 |
|