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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | Yakudo suru Bach. Atarashii Bach Zo ni mukete. [Stirring Bach: toward a new image of Bach] | BachZenshu | 14 | 12-25 | ||||
2. | Bach Kenkyu no arata na Kadai. Trans. by Ryuichi Higuchi. [New subjects for Bach research] | BachZenshu | 14 | 26-37 | ||||
3. | Sakuso shita Michi no Tansaku. Bach no Cembalo Kyosokyoku to ushinawareta Genkyoku no Fukugen o megutte. Trans. by Hisao Nishikawa [Finding in a complicated paths: on the reconstruction of the lost original of Bach's harpsichord concertos] | BachZenshu | 14 | 38-52 | ||||
4. | Brandenburg Kyosokyoku no Seiritsu ni tsuite. [On the origin of Brandenburg concertos] | BachZenshu | 14 | 52-63 | ||||
5. | Fuga no Giho o meguru Shomondai. [Various problems on the art of fugue] | BachZenshu | 14 | 64-76 | ||||
6. | Kyutei to Ongakuka. Pictorial J. S. Bach. [Court and musicans] | BachZenshu | 14 | 77-84 | ||||
7. | Bach no Kami ni sotte. Mori Arimasa-Shi no Omoide ni. [Standing by Bach's God: in memory of Arimasa Mori] | BachZenshu | 14 | 86-93 | ||||
8. | Bach Jidai no Enso o Saigen suru. Trans. by Taro Yamazaki. [A realisation of the performance of Bach's day] | BachZenshu | 14 | 94-99 | ||||
9. | Gaka no mazushii Ongakutaiken. [Poor musical experience of an artist] | BachZenshu | 14 | 100-110 | ||||
10. | Halle to Leipzig. Doitsu Seishin no futatsu no Senpo. [Halle and Leipzig: Two acmes of German spirit.] | BachZenshu | 14 | 112-123 | ||||
11. | Tanoshiki Leipzig. Hanahiraku Concert Seikatsu. [Joyous Leipzig: Lively Concert Life] | BachZenshu | 14 | 124-135 | ||||
12. | Berlin Monogatari. 18-Seiki Kohan ni itaru Toshi to Ongaku no Rekishi. [The Story of Berlin. The cities in second half of the 18th century and the history of music] | BachZenshu | 14 | 136-147 | ||||
13. | Saezuru Kikai. Duruuzu & Gataari. [Twittering machine] | BachZenshu | 14 | 148-165 | ||||
14. | Rococo no Bijutsu. [The Art in the Rococo] | BachZenshu | 14 | 164-173 | ||||
15. | Geijutsuka no Jiga, Sosaku no Jiyu. Bach no Shogai. [Bach's life: Ego of an Artist - Freedom of Creation] | BachZenshu | 14 | 174-185 | ||||
16. | Fuga ni tsuite; Fuga no giho BWV 1080. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On fugues; the art of fugue (commentary)] | BachZenshu | 14 | 189-194 [67-72] | ||||
17. | Kanon ni tsuite; Ongaku no sasage mono BWV 1079. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On canons; commentary; BWV 1072-1078, 1086, 1087; Musikalisches Opfer; commentary] | BachZenshu | 14 | 194-200 [61-67] | ||||
18. | Kangengaku Kumikyoku ni tsuite. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On orchestra suites; commentary; BWV 1066-1069, 1070] | BachZenshu | 14 | 200-208 [53-61] | ||||
19. | [Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [concertos in reconstruction; commentary] | BachZenshu | 14 | 208-211 [50-53] | ||||
20. | Bach no Chenbaro Kyosokyoku. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's cembalo concertos; commentary; BWV 1052-58, 1060-1065] | BachZenshu | 14 | 211-221 [40-50] | ||||
21. | Brandenburg Kyosokyoku ni tsuite. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On Brandenburg concertos; commentary; BWV 1046, 1046a, 1047-1050, 1050a, 1051] | BachZenshu | 14 | 221-233 [28-40] | ||||
22. | Sinfonia Ni-Chocho BWV 1045. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Sinfonia BWV 1045 (commentary)] | BachZenshu | 14 | 233 [28] | ||||
23. | Bach no Violin Kyosokyoku [BWV 1041-1043]; Sanju Kyosokyoku I-Tancho BWV 1044 (Furuto, Violin to Chenbaro no tame no Kyosokyoku). Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's violin concertos; triple concerto (commentary)] | BachZenshu | 14 | 233-239 [22-28] | ||||
24. | Kyosokyoku; Kangen gakkyoku / Orchesterwerke / Orchestral music. Tokyo: Shogakukan, 1995. 257p. ISBN: 4-09-612014-6. (= Bach Zenshu, 14; Complete Johann Sebastian Bach edition, 14) | BachZenshu | 14 | 257p | ||||
25. | Ima, Bach no Kantata o. [Bach's Cantata Now] | BachZenshu | 1 | 12-23 | ||||
26. | Kantata no Saihakken to Juyo. [Rediscovery of Cantata and Reception] | BachZenshu | 1 | 24-35 | ||||
27. | Bach no Seikatsu Isshukan. [One Week of Bach's Life] | BachZenshu | 1 | 36-44 | ||||
28. | Iesu no Shogai. Pictorial J. S. Bach. [The Life of Jesus] | BachZenshu | 1 | 45-52 | ||||
29. | Bach, Barokku, Bauhaus. | BachZenshu | 1 | 54-64 | ||||
30. | 'Tamashii' no Ongaku [The Music of the Spirit'] | BachZenshu | 1 | 65-71 | ||||
31. | Gusha to Kantata. [Inferior people and Cantata] | BachZenshu | 1 | 72-78 | ||||
32. | 'Rekishi no Naka' no Bach, 'Rekishi no Soto' no Bach. [Bach inside the History; Bach outside the History] | BachZenshu | 1 | 80-105 | ||||
33. | Seishogaku e no Maneki. Bach ni made tsuzuku Michi. [Invitation to Bible Study: The Way leading to Bach] | BachZenshu | 1 | 106-115 | ||||
34. | Kazu, Shukyo, Ongaku. Pythagoras. [Number, Religion, Music: Pythagoras] | BachZenshu | 1 | 116-125 | ||||
35. | Barokku towa nani ka. Hizunda Shinju ni utsuru mono. [What is Baroque?: the matter reflected in the distorted pearl] | BachZenshu | 1 | 126-135 | ||||
36. | Bach to Kyokai. Bach no Shogai. [Bach's life: Bach and the Church] | BachZenshu | 1 | 136-145 | ||||
37. | J. S. Bach Nenpu. [J. S. Bach chronicle] | BachZenshu | 1 | 146-157 [144-155] | ||||
38. | Kantata Dai-1-Ban - Dai-36-Ban. Sakuhin Kaisetsu. [Commentary. Cantata nos.1-36] | BachZenshu | 1 | 234-275 [26-67] | ||||
39. | Kyokai Kantata I / Kirchenkantaten 1 / Church cantatas 1. Tokyo: Shogakukan, 1996. 297p. ISBN: 4-09-612001-4. (= Bach Zenshu, 1; Complete Johann Sebastian Bach edition, 1) | BachZenshu | 1 | 297p | ||||
40. | Ongaku no Shujiho. [Musical Rhetoric] | BachZenshu | 7 | 12-23 | ||||
41. | Bach no Motetto o meguru Kosatsu: Seiritsushi, Kashi to Keishiki, Enso no Dento. [On Bach's Motet: Its origin, verse form and performance tradition] trans. by Ryuichi Higuchi | BachZenshu | 7 | 24-33 | ||||
42. | Bach ni yoru Junankyoku Joen ni tsuite. [On the performance of Passions by Bach] | BachZenshu | 7 | 34-47 | ||||
43. | Doitsu-teki towa nani ka: Spitta no 'Bach-den' o megutte. [What is German-like? On Spitta's biography of Bach] | BachZenshu | 7 | 48-65 | ||||
44. | 'Ro-Tancho Misa' saiko. [Revisiting the 'B-minor Mass'] | BachZenshu | 7 | 66-76 | ||||
45. | Iesu no Junan. Pictorial J. S. Bach. [The passion of Jesus] | BachZenshu | 7 | 77-84 | ||||
46. | Bach ni Seishin no ayumi o. Uchu no Chitsujo o mita Hesse. [Identifying the course of spirit in Bach: Hesse viewed from the order of the universe.] | BachZenshu | 7 | 86-93 | ||||
47. | Bach wa Ongaku no Sansukuritto. [Bach is the Sanskrit of music] | BachZenshu | 7 | 94-100 | ||||
48. | Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. [The figure of 'Jesus's Crucifixion' in paintings: Catholic and Protestant] | BachZenshu | 7 | 102-115 | ||||
49. | Maniera-Richeruka-ta: Bach no 'Barokku' ni tsuite. [Maniella-Ricercata: on Bach's 'Baroque'] | BachZenshu | 7 | 116-127 | ||||
50. | Fuhenteki Harmony o koete. Dekaruto no Ongakuron to sono Shuhen. [Going beyond universal harmony: Descartes' Music theory and around his circle] | BachZenshu | 7 | 128-141 | ||||
51. | Chooetsusei to Shinpisei. [Trancendency and Mystique] | BachZenshu | 7 | 142-151 | ||||
52. | Tsuneni Mikansei. Leipzig Jidai no Bach no Shigoto. Bach no Shogai. [Bach's life: Always incomplete: Bach's works in Leipzig] | BachZenshu | 7 | 152-167 | ||||
53. | Yohane Junankyoku BWV 245. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Johannes-Passion, BWV 245; commentary] | BachZenshu | 7 | 198-211 [58-71] | ||||
54. | Manifikato Ni-Chocho BWV 243. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Magnificat, BWV 243; commentary] | BachZenshu | 7 | 211-215 [54-58] | ||||
55. | Shomisakyoku ni tsuite; Sho-Misakyoku ni ten'yo sareta Genkyoku; [Kaisetsu] BWV 233-236. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On Missa brevis; On original works which parodiert into Missa brevis, BWV 233-236; commentary] | BachZenshu | 7 | 215-219 [50-54] | ||||
56. | Misakyoku Ro-Tancho BWV 232. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Messe in h-Moll, BWV 232; commentary] | BachZenshu | 7 | 219-239 [30-50] | ||||
57. | Motetto ni tsuite; Bach no Motetton ni tsuite; [Kaisetsu] BWV 225-230, 231, Anh.159, 118b [sic]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On motett; On Bach's motett; commentary BWV 225-230, 231, Anh. 159, 118 (later version)]. | BachZenshu | 7 | 239-247 [22-30] | ||||
58. | Misakyoku, Junankyoku I / Messen und Passionen 1 / Masses and passions 1. Tokyo: Shogakukan, 1996. 265p. ISBN: 4-09-612007-3. (= Bach Zenshu, 7; Complete Johann Sebastian Bach edition, 7) | BachZenshu | 7 | 265p | ||||
59. | Orpheus o koete. Bach to Klavier o meguru kosatsu. [Beyond Orpheus: a thought on Bach and Clavier] | BachZenshu | 11 | 12-27 | ||||
60. | Bach e no Michi. Watashi no Baai. Trans. by Hiroko Kato. [A way to Bach: in my case] | BachZenshu | 11 | 28-39 | ||||
61. | Bach no Klavier Renshukyokushuu Shiriizu. Trans. by Teruhiko Nasu. [Bach's Clavierübung Series] | BachZenshu | 11 | 40-53 | ||||
62. | Klavier kumikyoku no Rekishi to Bach. [The History of Clavier suites and Bach] | BachZenshu | 11 | 54-67 | ||||
63. | France Gendai Ongaku to Bach. [Modern French music and Bach] | BachZenshu | 11 | 68-77 | ||||
64. | Lüneburg no Bach to Clavichord. [Bach in Lüneburg and Clavichord] | BachZenshu | 11 | 78-87 | ||||
65. | 19-Seiki no Cembalo Fukko. [Harpsichord revival in the 19th century] | BachZenshu | 11 | 88-100 | ||||
66. | Bach o torimaku Kenbangakki. Pictorial J. S. Bach. [Keyboard instruments surrounding Bach] | BachZenshu | 11 | 101-108 | ||||
67. | 'Seimei' no Ongaku. [The music of 'Life'] | BachZenshu | 11 | 110-117 | ||||
68. | Bach Esukisu. [Bach Esquisse.] | BachZenshu | 11 | 118-126 | ||||
69. | Fudo to Bunka to Shinko to. [With climate, culture and belief] | BachZenshu | 11 | 128-139 | ||||
70. | Oto no Minshuka. [Democratisation of sound] | BachZenshu | 11 | 140-151 | ||||
71. | Gensen to shite no Ongaku. Nietzsche. [Music as the origin: Nietzsche] | BachZenshu | 11 | 152-163 | ||||
72. | Toshi to Kenchiku. [City and Architecture] | BachZenshu | 11 | 164-173 | ||||
73. | Kyoikusha to shite no Bach. Bach no Shogai. [Bach's life: Bach as an educator] | BachZenshu | 11 | 174-186 | ||||
74. | 'Clavier Renshukyokushu Dai-1-Bu' '6-tsu no Partita' ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavierübung part 1 '6 Partitas'; commentary; BWV 825-830] | BachZenshu | 11 | 188-196 [53-61] | ||||
75. | 'Furansu Kumikyoku' to 2tsu no 'Kumikyoku' ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On French suites and other two suites; commentary; BWV 812-817, 818/818a, 819/819a] | BachZenshu | 11 | 196-205 [44-53] | ||||
76. | Igirisu Kumikyoku ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On English Suites; commentary; BWV 806-811] | BachZenshu | 11 | 205-214 [35-44] | ||||
77. | Kumikyoku ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavier Suites] | BachZenshu | 11 | 214-215 [34-35] | ||||
78. | [Kaisetsu BWV 894]; Reinken no Trio Sonata no Bach ni yoru Henkyoku ni tsuite; [Kaisetsu BWV 965] Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [commentary BWV 894; On Bach's arrangements of Reincken's Trio Sonatas; commentary BWV 965] | BachZenshu | 11 | 215-219 [30-34] | ||||
79. | 'Wilhelm Friedemann Bach no tame no Clavier Shokyokushu' ni tsuite; Hisseki no Kenkyu ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [On Clavierbüchlein for W. F. Bach; On handwriting research] | BachZenshu | 11 | 219-222 [27-30] | ||||
80. | Furansu-fu Jokyoku Ro-Tancho BWV 831. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [French Overture in B minor, BWV 831 (commentary)] | BachZenshu | 11 | 222-224 [25-27] | ||||
81. | 4tsu no Duetto BWV 802-805 [in Clavierübung III]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [4 Duets; commentary; BWV 802-805] | BachZenshu | 11 | 224-225 [24-25] | ||||
82. | Invention (2-sei) to Sinfonia (3-sei) BWV 772-801. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [Inventions and Sinfonias BWV 772-801 (commentary)] | BachZenshu | 11 | 224-231 [18-25] | ||||
83. | Chenbaro Kyoku I / Werke für Cembalo 1 / Music for harpsichord 1. Tokyo: Shogakukan, 1996. 245p. ISBN: 4-09-612011-1. (= Bach Zenshu, 11; Complete Johann Sebastian Bach edition, 11) | BachZenshu | 11 | 245p | ||||
84. | Kantata no Shiki. [The four seasons of cantata] | BachZenshu | 2 | 12-25 | ||||
85. | Bach no Koraru Kantata ni tsuite. Trans. by Hisao Nishikawa [On Bach's chorale cantata] | BachZenshu | 2 | 26-35 | ||||
86. | Bach no Hisseki o megutte: Weimar Jidai made. [Tracing back Bach's handwriting: till his Weimar period] | BachZenshu | 2 | 36-53 | ||||
87. | Monteverdi to Bach. [Monteverdi and Bach] | BachZenshu | 2 | 54-65 | ||||
88. | Bach Enso no Kako to Genzai. [Bach Performance in the past and present] trans by Hiroko Kato. | BachZenshu | 2 | 66-76 | ||||
89. | Iesu to Shito tachi. Pictorial J. S. Bach. [Jesus and his disciples] | BachZenshu | 2 | 77-84 | ||||
90. | Johann Sebastian Bach to Watashi. [Johann Sebastian Bach and I] | BachZenshu | 2 | 86-95 | ||||
91. | Boku no Naka no Kantata. [Cantata within me] | BachZenshu | 2 | 96-102 | ||||
92. | Bach no Shukyosei. Gendai ni okeru sono Igi. [Bach's Religiosity: its significance in the present day] | BachZenshu | 2 | 104-121 | ||||
93. | Shindo suru Mi. Sokuratesu kara Puraton e. [Vibrating 'Mi': From Socrates to Plato.] | BachZenshu | 2 | 122-133 | ||||
94. | Mannerism. Fuan no Jidai no araware. [Mannerism: exposed in the age of uncertainty] | BachZenshu | 2 | 134-143 | ||||
95. | Bach to Keizai Seikatsu. Bach no Shogai. [Bach's life: Bach and Economic Life] | BachZenshu | 2 | 144-158 | ||||
96. | [Kantata Dai-44-Ban - Dai-46-Ban; Dai-70-Ban - Dai-78-Ban] Sakuhin Kaisetsu. [Commentary; BWV 44-46, 70-78] | BachZenshu | 2 | 250-261, 294-297 [36-39, 72-83] | ||||
97. | [Kantata Dai-47-Ban - Dai-69-Ban.] Sakuhin Kaisetsu. [Commentary; BWV 47-68, 69a, 69] | BachZenshu | 2 | 261-294 [39-72] | ||||
98. | Kotansai Dai-2-Nichi, Dai-3-Nichi no Pericope ni tsuite. [On the Pericope for the 2nd and 3rd day of Christmas] | BachZenshu | 2 | 279 [54] | ||||
99. | 'Shoki' no Kyokai Kantata ni okeru pitch (Onko) ni tsuite. [On the pitch in the early church cantatas.] | BachZenshu | 2 | 284 [49] | ||||
100. | [Kantata Dai-37-Ban - Dai-43-Ban.] Sakuhin Kaisetsu. [Commentary; BWV 37-43] | BachZenshu | 2 | 297-305 [28-36] | ||||
101. | Kyokai Kantata II / Kirchenkantaten 2 / Church cantatas. 2. Tokyo: Shogakukan, 1997. 329p. ISBN: 4-09-612002-2. (= Bach Zenshu, 2; Complete Johann Sebastian Bach edition, 2) | BachZenshu | 2 | 329p | ||||
102. | Jidai no Naka no Kantata. [Cantata in the age] | BachZenshu | 3 | 12-25 | ||||
103. | Weimar Jidai no Kantata Karenda. Trans. by Mariko Ikegami [Cantata Calendar in Weimar period] | BachZenshu | 3 | 26-37 | ||||
104. | Bach no Hisseki o megutte: Köthen Jidai kara Leipzig Jidai Shoki (1729) made. [Tracing back Bach's Handwriting: From his period in Köthen to his early Leipzig period (1729)] | BachZenshu | 3 | 38-60 | ||||
105. | Tengoku to Jigoku. Pictorial J. S. Bach. [Heaven and Hell] | BachZenshu | 3 | 61-68 | ||||
106. | Uragawa kara mita Bach. [Bach viewed from the reverse side] | BachZenshu | 3 | 70-90 | ||||
107. | Ruta-ha Seitoshugi no Bach: Rippo to Fukuin o megutte. [Bach in the Lutheran Orthodoxy: on 'the Law and the Gospel'] | BachZenshu | 3 | 92-103 | ||||
108. | Bach, 1725-Nen Natsu. 'Matai Junankyoku' Sakkyoku Zen'ya. [Bach in the summer of 1725: In the eve of composing the St Matthew Passion] | BachZenshu | 3 | 104-119 | ||||
109. | Tamashii no Rhythm ron. Augustinus. [The spirit of Rhythm theory: Augustinus] | BachZenshu | 3 | 120-131 | ||||
110. | Taiko Shukyo Kaikaku to Taishu Kyoka. [Anti-reformation movement and the mass education] | BachZenshu | 3 | 132-141 | ||||
111. | Bach no Ashiato. Bach no Shogai. [Bach's life: Bach's footpath] | BachZenshu | 3 | 142-155 | ||||
112. | Kantata Dai-79-Ban - Dai-117-Ban. Sakuhin Kaisetsu. [Commentar; BWV 79-117] | BachZenshu | 3 | 232-272 [29-69] | ||||
113. | Kyokai kantata III / Kirchenkantaten 3 / Church cantatas 3. Tokyo: Shogakukan, 1997. 298p. ISBN: 4-09-612003-0. (= Bach Zenshu, 3; Complete Johann Sebastian Bach edition, 3) | BachZenshu | 3 | 298p | ||||
114. | Oruganisuto Bach. [Organist Bach] | BachZenshu | 9 | 12-37 | ||||
115. | Bach Orugan Sakuhin no Shiryo to Densho. [The sources and transmission of Bach's organ works] | BachZenshu | 9 | 38-51 | ||||
116. | Bach to Orugan. [Bach and Organ] | BachZenshu | 9 | 52-69 | ||||
117. | Gakki no Oh, Bach no Gakki. [The King of Instrument: Bach's Instrument] | BachZenshu | 9 | 70-81 | ||||
118. | Archiv Production no Rekishi. trans. by Hiroko Kato. [The History of Archiv Production] | BachZenshu | 9 | 82-92 | ||||
119. | Bach o meguru Orugan. Pictorial J. S. Bach. [Organs connected to Bach] | BachZenshu | 9 | 93-100 | ||||
120. | Bach o hiku Simon Preston. trans. by Tadashi Isoyama. [Simon Preston playing Bach] | BachZenshu | 9 | 102-106 | ||||
121. | Orugan o kataru. [Speaking about Organ] | BachZenshu | 9 | 107-114 | ||||
122. | Bach ni sodaterarete. [Brought up by Bach] | BachZenshu | 9 | 115-120 | ||||
123. | Bach to Josei. Bach no Shogai. [Bach's life: Bach and Women] | BachZenshu | 9 | 160-180 | ||||
124. | [Passakaria, Torio, Aria, Kanzona, Alla breve, Pasutorare, Chiisana Wasei no Meiro] BWV 582-591. [passacaglia, trios, aria, canzona, alla breve, pastorella, 'Kleines harmonische Labyrinth'; commentary] | BachZenshu | 9 | 182-184 [29-31] | ||||
125. | [Gensokyoku, Tokkata, Zensokyoku, Orugan Kyoku] BWV 561-572; [Fuga] BWV 574-581. [fantasies, toccatas, preludes, pièce d'orgue, fugues; commentary] | BachZenshu | 9 | 184-187 [26-29] | ||||
126. | [8-tsu no Sho-Zensokyoku to Fuga] BWV 553-560 (Gisaku) [8 small preludes and fugues (spurious); commentary] | BachZenshu | 9 | 187-188 [25-26] | ||||
127. | [Zensokyoku to Fuga, Gensokyoku to Fuga, Tokkata to Fuga] BWV 531-552. [preludes (fantasies, toccatas) and fugues; commentary] | BachZenshu | 9 | 188-193 [20-25] | ||||
128. | Torio Sonata (BWV 525-530) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [1]. - [On Trio sonatas, BWV 525-530; commentary] | BachZenshu | 9 | 193-196 [17-20] | ||||
129. | Orugan Kyoku I / Das Orgelwerk 1 / Music for organ 1. Tokyo: Shogakukan, 1997. 209p. ISBN: 4-09-612009-X. (= Bach Zenshu, 9; Complete Johann Sebastian Bach edition, 9) | BachZenshu | 9 | 209p | ||||
130. | Musica Reservata. | BachZenshu | 13 | 12-27 | ||||
131. | Leipzig ni okeru Bach no Shitsunai Gakkyoku. Trans. by Naoaki Eguchi. [Bach's chamber music in Leipzig] | BachZenshu | 13 | 28-41 | ||||
132. | Bach no Mubanso Violin oyobi Cello no tame no Sakuhin. Trans. by Naoaki Eguchi. [Bach's works for unaccompanied violin and cello] | BachZenshu | 13 | 42-49 | ||||
133. | Bach, Lute, soshite Guitar. [Bach, Lute and Guitar] | BachZenshu | 13 | 50-63 | ||||
134. | Hindemith to Bach. 20-Seiki Ongaku no Ethos. [Hindemith and Bach: Ethos of the 20th century music] | BachZenshu | 13 | 64-76 | ||||
135. | Bach Jidai no Gakki. Pictorial J. S. Bach. [Instruments in Bach's day] | BachZenshu | 13 | 77-84 | ||||
136. | Bach no warai. [Bach's laughter] | BachZenshu | 13 | 86-92 | ||||
137. | Bach kara mananda mono. [The things I learned from Bach] | BachZenshu | 13 | 93-103 | ||||
138. | Gendai no Bach. [Bach in the modern time] | BachZenshu | 13 | 104-113 | ||||
139. | Deai no Myo. [The wonder of an encounter] | BachZenshu | 13 | 114-122 | ||||
140. | Eisenach, soshite Weimar. [Eisenach, and then Weimar] | BachZenshu | 13 | 124-139 | ||||
141. | Gakushi no Jidai. Chusei Doitsu no 'Ongakuka' to iu Shokugyo. [The days of concert master: the vocation of a 'musician' in the middle age Germany] | BachZenshu | 13 | 140-157 | ||||
142. | Gakukyo no Benshoho. Theodor Adorno. [Dialectics in Music: Theodor Adorno] | BachZenshu | 13 | 158-169 | ||||
143. | Kotenshugi. Antei shita Chitsujokan e no Shiko. [Classicism: a tendency towards the stable order] | BachZenshu | 13 | 170-179 | ||||
144. | Cöthen no Sei to Zoku. Bach no Shogai. [Bach's life: Sacred and secular in Cöthen] | BachZenshu | 13 | 180-195 | ||||
145. | Torio Sonata ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Trio Sonata; commentary; BWV 1036-1039] | BachZenshu | 13 | 197-201 [68-72] | ||||
146. | 6-kyoku no Furuto Sonata (BWV 1030-1035) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On flute sonatas, BWV 1030-1035; commentary] | BachZenshu | 13 | 201-207 [62-68] | ||||
147. | Viola da Gamba to Chenbaro no tame no Sonata (BWV 1027-1029) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas for viola da gamba and cembalo, BWV 1027-1029; commentary] | BachZenshu | 13 | 207-211 [58-62] | ||||
148. | [Kaisetsu: BWV 1020, Anh. 153, 1021-1026]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [commentary BWV 1020 (= H. 542.5), Anh. 153, 1021-1026] | BachZenshu | 13 | 211-216 [53-58] | ||||
149. | Violin to Chenbaro no tame no Sonata (BWV 1014-1019) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas for violin and cembalo, BWV 1014-1019, 1019a; commentary] | BachZenshu | 13 | 216-226 [43-53] | ||||
150. | Mubanso Furuto no tame no Partita I-Tancho BWV 1013. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [Partita for unac flute in a minor BWV 1013 (commentary)] | BachZenshu | 13 | 226-227 [42-43] | ||||
151. | Mubanso Cello Kumikyoku (BWV 1007-1012) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Suites for unaccompanied violoncello, BWV 1007-1012; commentary] | BachZenshu | 13 | 227-235 [34-42] | ||||
152. | Mubanso Violin no tame no Sonata to Partita (BWV 1001-1006) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas and Partitas for unac violin, BWV 1001-1006; commentary] | BachZenshu | 13 | 235-242 [27-34] | ||||
153. | Shitsunaigakkyoku ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On chamber music] | BachZenshu | 13 | 242-245 [24-27] | ||||
154. | Ryutokyoku ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On lute works; commentary; BWV 995-1000, 1006a] | BachZenshu | 13 | 245-251 [18-24] | ||||
155. | Shitsunaigakkyoku / Kammermusik / Chamber music. Tokyo: Shogakukan, 1997. 265p. ISBN: 4-09-612013-8. (= Bach Zenshu, 13; Complete Johann Sebastian Bach edition, 13) | BachZenshu | 13 | 265p | ||||
156. | Kantata no Shijin tachi. [The Poets for Bach's Cantatas] | BachZenshu | 4 | 12-25 | ||||
157. | Göttingen Bach Kenkyujo no Rekishi: Shin Bach Zenshu Hassho no Chi. trans. by Hiroko Kato. [The History of Bach Institut in Göttingen: The place of birth of the New Bach Editions] | BachZenshu | 4 | 26-37 | ||||
158. | Bach no Kantata ni okeru 'Kirisuto no Koe' Gakusho. trans. by Kinya Osumi. ['The Voice of Christ' movement in Bach's Cantatas] | BachZenshu | 4 | 38-61 | ||||
159. | Bach no Hisseki o megutte. 1730-Nen Iko. [Tracing back Bach's handwriting: after 1730] | BachZenshu | 4 | 62-87 | ||||
160. | Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. trans. by Ryuichi Higuchi. [Motett-style movements in Bach's Church Cantatas] | BachZenshu | 4 | 88-96 | ||||
161. | Doitsu no Seido. Pictorial J. S. Bach. [Cathedrals in Germany] | BachZenshu | 4 | 97-104 | ||||
162. | Bach no koto. [About Bach] | BachZenshu | 4 | 106-114 | ||||
163. | Bach to Eiga. Sutorobu-Yuire 'Anna Magdalena Bach no Nikki' o megutte. [Bach and Film: On Straub / Huillet's 'The chronicle of Anna Magdalena Bach'] | BachZenshu | 4 | 115-126 | ||||
164. | Kotori to no Taiwa. Ashiji no Francesco / Messian. [The conversation with birds: Francesco in Ashji (?) / Messian] | BachZenshu | 4 | 144-159 | ||||
165. | Shizen Shugi. [Naturalist] | BachZenshu | 4 | 160-169 | ||||
166. | Bach to 'Yujo Kinencho' no Dento. Bach no Shogai. [Bach's life: Bach and the Tradition of 'The Notebook of Friendship'] | BachZenshu | 4 | 170-184 | ||||
167. | [Kantata Dai-149-Ban - Dai-162-Ban] Sakuhin Kaisetsu. [Commentary; BWV 149-162] | BachZenshu | 4 | 270-281 [68-79] | ||||
168. | [Kantata Dai-130-Ban - Dai-148-Ban] Sakuhin Kaisetsu. [Commentary; BWV 130-148] | BachZenshu | 4 | 281-299 [50-68] | ||||
169. | [Kantata Dai-119-Ban - Dai-129-Ban] Sakuhin Kaisetsu. [Commentary; BWV 119-129] | BachZenshu | 4 | 299-319 [30-50] | ||||
170. | Hosetsu: 'Kyu Bach Zenshu' ni yoru Kyokai Kantata no Bango ni tsuite. [Excursus: on the numbering system used for the church cantatas in the Bach-Gesellschaft edition] | BachZenshu | 4 | 314-315 [34-35] | ||||
171. | Kyokai kantata IV /Kirchenkantaten 4 / Church cantatas 4. Tokyo: Shogakukan, 1998. 345p. ISBN: 4-09-612004-9. (= Bach Zenshu, 4; Complete Johann Sebastian Bach edition, 4) | BachZenshu | 4 | 345p | ||||
172. | Kizoku mo Shimin mo Nomin mo. Bach no Sezoku Kantata ga utsusu 18-Seiki Doitsu no Shakai to Seikatsu. [Aristcrats, citizens and farmers: the society and life in the 18th century Germany portrayed by Bach's secular cantatas] | BachZenshu | 6 | 12-23 | ||||
173. | Dresden Kyutei Gakudan to Bach. Trans. by Hisao Nishikawa. [Dresden court chamber orchestra and Bach] | BachZenshu | 6 | 24-35 | ||||
174. | Elbe Kahan no Hercules. Bach no Sezoku Kantata ni okeru Shinwa to Guui. trans. by Yoichi Ishikawa. [Hercules upon the Elbe: Mythology and Parable in Bach's Secular Cantatas] | BachZenshu | 6 | 36-47 | ||||
175. | Bach no Italia-go Kantata. trans. by Yoichi Ishikawa. [Bach's cantata in Italian] | BachZenshu | 6 | 48-60 | ||||
176. | Hercules Shinwa. Pictorial J. S. Bach. [Myths on Hercules] | BachZenshu | 6 | 61-68 | ||||
177. | Bach to no Deai. [Encounter with Bach] | BachZenshu | 6 | 70-84 | ||||
178. | Shijo ni mureru Doke tachi, aruiwa Yutakasa no Kyohaku. [Clowns gathering in the market, or the threat of the wealth] | BachZenshu | 6 | 86-105 | ||||
179. | Mainichi ga Shukusaijitsu, moshikuwa 'Esoragoto' no Nosonzo. 'Nomin Kantata' no Bijutsushi-teki Haikei. [Everyday is holiday, or 'Esoragoto' of the image of farming villege] | BachZenshu | 6 | 106-121 | ŠG‹óŽ– | |||
180. | 'Kohi Kantata' to Doitsu Kohi Jijo. [Coffee Cantata and the state of affair of coffee in Germany] | BachZenshu | 6 | 122-133 | ||||
181. | Anhalt Cöthen Ko no Hoyochi Ongakuka. trans. by Hiroko Kato [Musicians of Resort for Prince of Anhalt Cöthen] | BachZenshu | 6 | 134-141 | ||||
182. | 'Me to Te no Hito' to Ongaku. Leonardo da Vinci. ['Man with Eyes and Hands' and Music: Leonardo da Vinci] | BachZenshu | 6 | 142-155 | ||||
183. | Soshoku to Ugoki. [Ornaments and motion] | BachZenshu | 6 | 156-165 | ||||
184. | Bach no Kyutei Seikatsu. Bach no Shogai. [Bach's life: Bach's Life in Court] | BachZenshu | 6 | 166-176 | ||||
185. | Sezoku Kantata. Sakuhin Kaisetsu. [Secular Cantatas; commentary; BWV 36c, 201-215] | BachZenshu | 6 | 220-236 [25-41] | ||||
186. | Sezoku Kantata / Weltliche Kantaten / Secular cantatas. Tokyo: Shogakukan, 1998. 256p. ISBN: 4-09-612006-5. (= Bach Zenshu, 6; Complete Johann Sebastian Bach edition, 6) | BachZenshu | 6 | 256p | ||||
187. | Rekishi no naka no Junankyoku to Oratorio. [Passions and Oratorios in the history] | BachZenshu | 8 | 12-23 | ||||
188. | Bach no ushinawareta Junankyoku ni tsuite. Trans. by Hisao Nishikawa [On the lost Passions] | BachZenshu | 8 | 24-33 | ||||
189. | Bach no 4-sei Koraru-shu o megutte. [On the Four-Part Chorales] trans. by Hiroko Kato. [Original title was 'Die Sammlung der vierstimmigen Choräle Johann Sebastian Bachs'] | BachZenshu | 8 | 34-49 | ||||
190. | Mendelssohn ni yoru 'Matai Junankyoku' Saien -- Bach Fukko no Michinori. [Revival performance of St Matthew Passion by Mendelssohn -- Paths to Bach Revival.] | BachZenshu | 8 | 50-68 | ||||
191. | Iesu no Fukkatsu. Pictorial J. S. Bach. [Ressurection of Jesus] | BachZenshu | 8 | 69-76 | ||||
192. | Matai Junankyoku. [St Matthew Passion] | BachZenshu | 8 | 78-86 | ||||
193. | Hoshi wa utau. Schütz, Bach o meguru Danso. [Stars sing: Thoughts on Schütz and Bach] | BachZenshu | 8 | 87-96 | ||||
194. | Iesu Junan Monogatari no Seiritsu to Shoso. [The origin and some aspects of the story of Jesus' Crucifixion] | BachZenshu | 8 | 98-111 | ||||
195. | Bach-ke no 'Kazoku no Shozo'. [Bach family's 'Family portrait'] | BachZenshu | 8 | 112-121 | ||||
196. | Senritsu to Shakai Keiyaku. Rasseau no Ongakuron to sono Shuhen. [Melody and social contract: Rasseau's music theory and its circle] | BachZenshu | 8 | 122-133 | ||||
197. | Kuno to Hoetsu. [Agony and Ecstasy] | BachZenshu | 8 | 134-143 | ||||
198. | Bach no Shikaku. Shikaku no Bach. Bach no Shogai. [Bach's life: Bach's eye-sight: Eye-sight's Bach] | BachZenshu | 8 | 144-155 | ||||
199. | Shukyoteki riito 'Schemelli kakyokushu' BWV 439-507 yori. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [selection from Schemelli's sacred songs, BWV 439-507; commentary] | BachZenshu | 8 | 228-230 [59-61] | ||||
200. | 4sei no Koraru BWV 253-438 yori. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [selection from 4 part chorales, BWV 253-438; commentary] | BachZenshu | 8 | 230-243 [46-59] | ||||
201. | Fukkatsusai Oratorio 'Kitare, isoge, soshite hashire' BWV 249. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Easter Oratorio, BWV 249; commentary] | BachZenshu | 8 | 243-245 [44-46] | ||||
202. | Kurisumasu Oratorio BWV 248. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Christmas Oratorio, BWV 248; commentary] | BachZenshu | 8 | 245-251 [38-44] | ||||
203. | Matai Junankyoku BWV 244. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Matthäus-Passion, BWV 244; commentary] | BachZenshu | 8 | 251-263 [26-38] | ||||
204. | Misa to Junankyoku II / Messen und Passionen 2 / Masses and passions 2. Tokyo: Shogakukan, 1998. 286p. ISBN: 4-09-612008-1. (= Bach Zenshu, 8; Complete Johann Sebastian Bach edition, 8) | BachZenshu | 8 | 286p | ||||
205. | Kashaku naki Hitsuzensei - Orugan no tame no Koraru Henkyoku o megutte. [Absolute necessity: on the chorale arrangements for organ] | BachZenshu | 10 | 12-25 | ||||
206. | Bach no Orugan Koraru - Shiryo to Densho. [Bach's Organ Chorale: sources and transmission] trans. from German by Ryuichi Higuchi. | BachZenshu | 10 | 26-37 | ||||
207. | Bach no Orugan-yo Koraru Henkyoku. [Bach's Chorale arrangements for Organ] trans. from German by Naoaki Eguchi. | BachZenshu | 10 | 38-55 | ||||
208. | Bach to Sanbika - Gendai America no Sanbikashu ni miru Bach. [Bach and Hymns: Bach viewing from the modern American hymnbook] | BachZenshu | 10 | 56-72 | ||||
209. | Inori no Kozu. Pictorial J. S. Bach. [The Framing of Prayers] | BachZenshu | 10 | 73-80 | ||||
210. | Bach wa Ogawa dewa nai. [Bach is not a brook] | BachZenshu | 10 | 82-89 | ||||
211. | Orugan no Hanashi. [A story on the Organs] | BachZenshu | 10 | 90-96 | ||||
212. | 'Chowasu' no Gainen o meguru Rekishiteki Tansaku. [A historical enquiry on the concept of 'Harmonic numbers'] | BachZenshu | 10 | 98-123 | ||||
213. | Kanmuri no tsuita Fukuro: Shukyo kaikaku to Doitsu no Seido Naiso ni tsuite. [The bag with crown: on the reformation and the internal decoration of German church] | BachZenshu | 10 | 124-149 | ||||
214. | Zarathustra no Namida. [Zarathustra's tears] | BachZenshu | 10 | 150-169 | ||||
215. | Seishin no Fuga: Roman shugi no Ongaku Bigaku to Tetsugaku. [Spiritual Fugue: Music aesthetics in Romantic era and Philosophy - Hegel] | BachZenshu | 10 | 170-181 | ||||
216. | Barokku no Bijutsu: Shiminkaiga. [Arts in the Baroque era: civic paintings] | BachZenshu | 10 | 182-191 | ||||
217. | Bach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. Bach no Shogai. [Bach's life: The way Bach was portrayed in the 19th century] | BachZenshu | 10 | 192-206 | ||||
218. | Neumeister Korarushu (BWV 1090-1120) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Neumeister chorale collection, BWV 1090-1120; commentary] | BachZenshu | 10 | 208-218 [79-89] | ||||
219. | [Kaisetsu: BWV 620a, 1085, Anh.55, 535a, 545b, 131a, 1027a] Sakuhin Kaisetsu. Orugan Kyoku [2]. - [commentary: BWV 620a, 1085, Anh. 55, 535a, 545b (Anh. II), 131a, 1027a] | BachZenshu | 10 | 218-219 [78-79] | ||||
220. | Koraru Partita (BWV 766-771) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On chorale partitas, BWV 766-771; commentary] | BachZenshu | 10 | 219-221 [76-78] | ||||
221. | Kirnberger Korarushu (BWV 690-713) ni tsuite; 27 no Koraru Henkyoku (BWV 714-740) ni tsuite; 25 no Koraru Henkyoku (BWV 741-765) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Kirnberger chorale collection, BWV 690-713; on 27 chorale preludes, BWV 714-740; on 25 chorale preludes, BWV 741-765] [commentary] | BachZenshu | 10 | 221-234 [63-76] | ||||
222. | Kobetsu ni Densho sareru Orugan Korarugun. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On seprately-transmitted Organ chorales] | BachZenshu | 10 | 234 [63] | ||||
223. | 'Clavier Renshukyokushu Dai-3-Bu' yori Koraru Henkyoku (BWV 669-689) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On chorale preludes from Clavierübung III, BWV 669-689; commentary] | BachZenshu | 10 | 234-242 [55-63] | ||||
224. | 18 no Korarushu (BWV 651-668) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On The Eighteen Chorales, BWV 651-668; commentary] | BachZenshu | 10 | 242-250 [47-55] | ||||
225. | Schübler Korarushu (BWV 645-650) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Schübler Chorales, BWV 645-650; commentary] | BachZenshu | 10 | 250-253 [44-47] | ||||
226. | Orugan Shokyokushu (BWV 599-644) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Orgelbüchlein, BWV 599-644; commentary] | BachZenshu | 10 | 253-270 [27-44] | ||||
227. | Orugan Kyosokyoku (henkyoku) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. [On organ concertos (arrangements); commentary; BWV 592-597] | BachZenshu | 10 | 270-273 [24-27] | ||||
228. | Orugan Kyoku II / Das Orgelwerk 2 / Music for organ 2. Tokyo: Shogakukan, 1999. 293p. ISBN: 4-09-612010-3. (= Bach Zenshu, 10; Complete Johann Sebastian Bach edition, 10) | BachZenshu | 10 | 293p | ||||
229. | Sozosei to Kyoiku: Bach no Clavier Ongaku. [Creativity and Education: Bach's clavier music] | BachZenshu | 12 | 12-27 | ||||
230. | Bach to 'Heikinritsu'. [Bach and '(equal) temperament'] | BachZenshu | 12 | 28-49 | ||||
231. | Nidan Kenban no Tankyu: 'Goldberg Hensokyoku' no Haikei. [In search of two-manual instrument: the background of the 'Goldberg' variations] | BachZenshu | 12 | 50-63 | ||||
232. | 'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. ['London autograph' and 'the 'Well-tempered Clavier'] | BachZenshu | 12 | 64-83 | ||||
233. | 'Bach no Cembalo' o motomeru Tabi [Journey to 'Bach's harpsichord'] | BachZenshu | 12 | 84-100 | ||||
234. | Bach no Ongaku to Sugaku. Pictorial J. S. Bach. [Bach's Music and Mathematics] | BachZenshu | 12 | 101-108 | ||||
235. | Bach o shirukoto. [Knowing Bach] | BachZenshu | 12 | 110-122 | ||||
236. | Watashi no Bach Monogatari. [My Bach story] | BachZenshu | 12 | 123-128 | ||||
237. | Bach - Boileau - Kant. | BachZenshu | 12 | 130-143 | ||||
238. | Bach to Kaiga. Bach no Shogai. [Bach's life: Bach and Painting.] | BachZenshu | 12 | 182-199 | ||||
239. | Goldberg Hensokyoku BWV 988. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Goldberg variations, BWV 988; commentary] | BachZenshu | 12 | 201-205 [36-40] | ||||
240. | Kyosokyoku Ni-Chocho BWV 972; Aria to Henso I-Tancho BWV 989; Kapuriccho 'Saiai no ani no Tabidachi ni yosete' BWV 992; Applicatio (Unshi Renshukyoku) Ha-Chocho BWV 994. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Concerto, BWV 972; Aria with variations, BWV 989; Capriccio, BWV 992; Applicatio, BWV 994; commentary] | BachZenshu | 12 | 205-207 [34-36] | ||||
241. | Itaria Kyosokyoku He-Chocho BWV 971. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Italian Concerto, BWV 971; commentary] | BachZenshu | 12 | 207-208 [33-34] | ||||
242. | [Sho-zensokyoku] BWV 924-931, 933-938, 939-943, [Zensokyoku to fugetta] BWV 901, 902; [Gensokyoku to fuga] BWV 903, 904, 906. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [small preludes, prelude and fugues, fantasia and fugues; commentary] | BachZenshu | 12 | 208-212 [29-33] | ||||
243. | 7-tsu no Tokkata ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [On 7 toccatas; commentary; BWV 910-916]. | BachZenshu | 12 | 212-215 [26-29] | ||||
244. | Heikinritsu Clavier Kyokushu Dai-1-Kan BWV 846-869; Heikinritsu Clavier Kyokushu Dai-2-Kan BWV 870-893. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. [Well tempered Clavier, part 1 and 2; commentary] | BachZenshu | 12 | 215-223 [18-26] | ||||
245. | Chenbaro Kyoku II / Werke für Cembalo 2 / Music for harpsichord 2. Tokyo: Shogakukan, 1998. 237p. ISBN: 4-09-612012-X. (= Bach Zenshu, 12; Complete Johann Sebastian Bach edition, 12) | BachZenshu | 12 | 237p | ||||
246. | Record - CD ni yoru Kantata Enso-shi. [Performance history of Cantatas in records and CDs] | BachZenshu | 5 | 12-25 | ||||
247. | Leipzig Bach-Archiv. Trans. by Ryuichi Higuchi. | BachZenshu | 5 | 26-35 | ||||
248. | Hatten no Dankai: Bach no Kantata ni okeru Gassho Gakusho ni tsuite. [The process of development: on the choral movements in Bach's cantatas] trans. by Mariko Ikegami. | BachZenshu | 5 | 36-53 | ||||
249. | Bach no gosenshi. [Bach's music paper] | BachZenshu | 5 | 54-68 | ||||
250. | Shinyaku Seisho no Sugata. Pictorial J. S. Bach. [The appearance of the New Testament] | BachZenshu | 5 | 69-76 | ||||
251. | Watashi to Bach, watashi to Europe. [I and Bach, I and Europe] | BachZenshu | 5 | 78-88 | ||||
252. | Enso Kukan ga kawatte iku. [Changing space of performance] | BachZenshu | 5 | 89-96 | ||||
253. | Kogaku Enso no Keifu. [A family tree of early music performance] | BachZenshu | 5 | 98-119 | ||||
254. | Shi no Neiro: 'Shi no Buto' o megutte. [The sound of death: on the 'dance of death'] | BachZenshu | 5 | 120-139 | ||||
255. | 'Shinkyoku' no Sekaizo to Ongaku: Dante [Seishin no Fuga] [The universal image of 'La Divina Commedia' and music: Dante] | BachZenshu | 5 | 140-151 | ||||
256. | Hikari to Yami [Barokku no Bijutsu] [Light and Darkness] | BachZenshu | 5 | 152-161 | ||||
257. | Ensoka to shite no Bach. Bach no Shogai. [Bach's life: Bach as a performer] | BachZenshu | 5 | 162-176 | ||||
258. | Kantata Dai-163-Ban - Dai-199-Ban. Sakuhin Kaisetsu. [Cantata nos.163-199; Commentary.] | BachZenshu | 5 | 244-277 [28-61] | ||||
259. | Kyokai Kantata V / Kirchenkantaten 5 / Church cantatas 5. Tokyo: Shogakukan, 1999. 301p. ISBN: 4-09-612005-7. (= Bach Zenshu, 5; Complete Johann Sebastian Bach edition, 5) | BachZenshu | 5 | 301p | ||||
260. | Ongakushi no Nagare ni tatsu Bach: Shuen to Reimei. [Bach in the history of music: end and dawn] | BachZenshu | 15 | 12-27 | ||||
261. | Bach Ichizoku no Senjin tachi. [The predecessors of Bach family] trans. by Naoaki Eguchi. | BachZenshu | 15 | 28-41 | ||||
262. | Bach to Italia Ongaku. [Bach and the Italian music] trans by Yoichi Ishikawa. | BachZenshu | 15 | 42-53 | ||||
263. | Bach to Furansu ongaku. [Bach and the French music] Trans by Taro Yamazaki. | BachZenshu | 15 | 54-73 | ||||
264. | Musuko tachi ga tsutaeta Bach sakuhin. [Bach's works transmitted by his sons] trans by Hisao Nishikawa. | BachZenshu | 15 | 74-87 | ||||
265. | Bach to Wien Koten-ha [Bach and the Viennese Classical school] | BachZenshu | 15 | 88-97 | ||||
266. | Mattaki Sekai Sozo: Wagner no Bach Juyo. [The Creation of Universe: Wagner's Bach reception] | BachZenshu | 15 | 98-111 | ||||
267. | Barokku Jidai no Shimin to Ongaku. Pictorial J. S. Bach. [Citizen and Music in the Baroque era] | BachZenshu | 15 | 125-132 | ||||
268. | Bach Zanzo 1789-Nen: Kita Doitsu no Mozart. [An afterimage of Bach in 1789: Mozart in North Germany] | BachZenshu | 15 | 134-149 | ||||
269. | Bach no Miryoku no Himitsu. [The secret of Bach's attractiveness] | BachZenshu | 15 | 150-156 | ||||
270. | Nihonjin no Bach Juyo: sono Rekishiteki tenkai. [Bach reception by Japanese: its historic development] | BachZenshu | 15 | 158-173 | ||||
271. | Ongaku to Tetsugaku to Sugaku no Icchi: Leibnitz to Bach. [The correspondence between music, philosophy and mathematics: Leibnitz and Bach] | BachZenshu | 15 | 174-189 | ||||
272. | Barokku to Roman shugi. [Baroque and Romanticism] | BachZenshu | 15 | 190-199 | ||||
273. | Bach no Ongaku Bunko: Tanin no Sakuhin no Shushu Katsudo ni Han'ei sareta Bach no Hatten to Geijutsu. Bach no Shogai. [Bach's life: Bach's music library: Bach's development and art reflected in his collection activities of other's works] trans by Hiroko Kato. | BachZenshu | 15 | 200-219 | ||||
274. | Tashu-Tayo na Bach Henkyoku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Various Bach arrangements] [Wolfgang Amadeus Mozart BWV 874/2; Franz Liszt BWV 12/2; Johannes Brahms BWV 1004/5; Ferruccio Busoni BWV 639; Leopold Stokowsky BWV 565; Arnold Schönberg BWV 552; Anton Webern BWV 1079/2] | BachZenshu | 15 | 236-241 [124-129] | ||||
275. | Gaisetsu: Bach Ko / Kosei no Sakkyokuka ni yoru Henkyoku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Ode to Bach: Arrangements by the composer of later generations] | BachZenshu | 15 | 241 [124] | ||||
276. | Emanuel no Sakuhin. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Carl Philipp Emanuel Bach; Sinfonia G-dur H 657; Sonate für Querflöte solo a-Moll H 562; Sonate H 74 (aus 'Versuch über der wahre Art das Klavire zu spielen'); Magnificat H 772] | BachZenshu | 15 | 241-245 [120-124] | ||||
277. | Friedemann, Friedrich, Chriatian no Sakuhin. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Wilhelm Friedemann Bach: Konzert für 2 Cembali F-Dur BWV Anh. 188; Johann Christoph Friedrich Bach: Quartett für Traversflöte, Violine, Viola und Basso C-Dur; Johann Christian Bach: Ouverture No.1 D-dur, Duett G-Dur, Concerto Es-Dur op.7-5] | BachZenshu | 15 | 245-249 [116-120] | ||||
278. | Gaisetsu: Bach no Musuko Tachi. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach's Sons] | BachZenshu | 15 | 249 [116] | ||||
279. | [France] Sakuhin Kaisetsu. Bach to sono Shuhen. - [François Couperin; Nicolas de Grigny; Jean-Philippe Rameau] | BachZenshu | 15 | 250-255 [110-115] | ||||
280. | Gaisetsu: Bach to Furansu no Ongaku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach and French music] | BachZenshu | 15 | 255 [110] | ||||
281. | [Italia] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Antonio Vivaldi; Alessandro Marcello; Giovanni Battista Pergolesi; Giuseppe Torelli; Girolamo Frescobaldi] | BachZenshu | 15 | 255-262 [103-110] | ||||
282. | Gaisetsu: Bach to Italia Ongaku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach and Italian music] | BachZenshu | 15 | 262-263 [102-103] | ||||
283. | [Dresden] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Johann David Heinichen; Silvius Leopold Weiss; Jan Dismas Zelenka; Johann Georg Pisendel; Pierre-Gabriel Buffardin; Johann Christian Petzold; Johann Adolf Hasse; Friedrich II; Johann Gottlieb Graun] | BachZenshu | 15 | 263-267 [98-102] | ||||
284. | Gaisetsu: Bach no Ashiato o tazunete 4. [Dresden; Berlin] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 4: Dresden; Berlin] | BachZenshu | 15 | 267-269 [96-98] | ||||
285. | [Hamburg, Lüneburg, Lübeck] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Georg Böhm; Dietrich Buxhude; Johann Adam Reinken; Georg Friedrich Händel; Georg Philipp Telemann] | BachZenshu | 15 | 269-271 [94-96] | ||||
286. | Gaisetsu: Bach no Ashiato o tazunete 3. [Kita Doitsu no Shotoshi -- Hamburg, Lüneburg, Lübeck] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 3: North German towns--Hamburg, Lüneburg, Lübeck] | BachZenshu | 15 | 272 [93] | ||||
287. | [Leipzig] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Johann Kuhnau; Christoph Graupner; Johann Ludwig Krebs] | BachZenshu | 15 | 272-275 [90-93] | ||||
288. | Gaisetsu: Bach no Ashiato o tazunete 2. [Leipzig] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 2: Leipzig] | BachZenshu | 15 | 275-276 [89-90] | ||||
289. | Mühlhausen Izen no Bach. Dai-1-Ji Weimar Jidai. Dai-2-Ji Weimar Jidai. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Bach in the pre-Mühlhausen era; 1st Weimar period; 2nd Weimar period] [Johann Rudolf Ahle; Johann Pachelbel; Johann Paul von Westhoff; Johann Gottfried Walther] | BachZenshu | 15 | 276-280 [85-89] | ||||
290. | Gaisetsu: Bach no Ashiato o tazunete 1. [Mühlhausen Izen; Weimar] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 1: before Mühlhausen; Weimar] | BachZenshu | 15 | 280-281 [84-85] | ||||
291. | Ichizoku no Dento o tsutaeru Sakuhingun. Sakuhin Kaisetsu. Bach to sono Shuhen. - [A set of works that passes on the family tradition] [Heinrich Bach; Johann Michael Bach; Georg Christoph Bach; Johann Christoph Bach] | BachZenshu | 15 | 281-285 [80-84] | ||||
292. | Gaisetsu: Bach Ichizoku no Kantata. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Cantatas by Bach family] | BachZenshu | 15 | 285 [80] | ||||
293. | 'Goldberg Hensokyoku' no Teion Shudai ni yoru 14 no Kanon To-Chocho BWV 1087. Sakuhin Kaisetsu. Bach to sono Shuhen. - [14 canons based on the bass subject of the 'Goldberg variations'] | BachZenshu | 15 | 286-289 [76-79] | ||||
294. | Bach no Shoki Clavier Sakuhin ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On Bach's early keyboard works; BWV 917, 918, 921, 922, 923+951, 944, 950, 993] | BachZenshu | 15 | 289-298 [67-76] | ||||
295. | Koraru 'Fukaki Fuchi yori Ware wa yobu' BWV 246/40a (Sakusha Fusho no 'Ruka Junankyoku' Dai-40-Kyoku BWV 246/40 no Henkyoku) Sakuhin Kaisetsu. Bach to sono Shuhen. - [Choral 'Aus der Tiefen rufe ich' BWV 246/40a (arragement by Bach from anonymous St.Luke Passion BWV 246)]. | BachZenshu | 15 | 298-302 [63-67] | ||||
296. | Sakuhin no Iko no BWV Bango ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On the BWV numbering for variants] | BachZenshu | 15 | 303 [62] | ||||
297. | Yohane Junankyoku BWV 245 Dai-2-Ko yori 3tsu no Aria. Sakuhin Kaisetsu. Bach to sono Shuhen. - [3 arias from St John Passion BWV 245, 2nd version] | BachZenshu | 15 | 303-307 [58-62] | ||||
298. | Magnificat (Dai-1-Ko) Hen Ho-Chocho BWV 243a. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Magnificat (1st version) E-flat major, BWV 243a] | BachZenshu | 15 | 307-312 [53-58] | ||||
299. | Bach no Sakuhin ni okeru samazama na 'Ko' no Mondai ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On problems of various 'versions' in Bach's works] | BachZenshu | 15 | 312-313 [52-53] | ||||
300. | Fuki: Densho ga Fukanzen na Kyokai Kantata ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Supplement: on the cantatas whose transmission is incomplete] | BachZenshu | 15 | 313-314 [51-52] | ||||
301. | Aria 'Ware wa Kare no Na o tsugen' BWV 200. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Aria 'Bekennen will ich seinen Namen' BWV 200]. | BachZenshu | 15 | 314-316 [49-51] |
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