Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schulenberg, David | Composition and Improvisation in the School of J. S. Bach. |
BachPerspectives |
1 | | 1995 |
1-42 |
|
| 2. | Stinson, Russell | The Compositional History of Bach's Orgelbüchlein Reconsidered. |
BachPerspectives |
1 | | 1995 |
43-78 |
|
| 3. | Marissen, Michael | Concerto Styles and Signification in Bach's First Brandenburg Concerto. |
BachPerspectives |
1 | | 1995 |
79-101 |
|
| 4. | Chafe, Eric T. | 'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. |
BachPerspectives |
1 | | 1995 |
103-134 |
|
| 5. | Crist, Stephen A. | The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. |
BachPerspectives |
1 | | 1995 |
135-161 |
|
| 6. | Brokaw, James A., II | The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? |
BachPerspectives |
1 | | 1995 |
163-180 |
|
| 7. | Stinson, Russell (ed.) | Bach Perspectives I. Edited by Russell Stinson. - Lincoln NE, Univ. of Nebraska Press, 1995. xii, 226p. |
BachPerspectives |
1 | | 1995 |
xii, 226p |
|
| 8. | Stauffer, George B. | The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. |
BachPerspectives |
2 | | 1996 |
1-9 |
|
| 9. | May, Ernest | Connections between Breitkopf and J. S. Bach. |
BachPerspectives |
2 | | 1996 |
11-26 |
|
| 10. | Glöckner, Andreas | Church Cantatas in the Breitkopf Catalogs. |
BachPerspectives |
2 | | 1996 |
27-33 |
|
| 11. | Schulze, Hans-Joachim | J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. |
BachPerspectives |
2 | | 1996 |
35-49 |
|
| 12. | Kobayashi, Yoshitake | Breitkopf Attributions and Research on the Bach Family. |
BachPerspectives |
2 | | 1996 |
53-63 |
|
| 13. | Daub, Peggy | The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. |
BachPerspectives |
2 | | 1996 |
65-83 |
|
| 14. | Zaslaw, Neal | The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. |
BachPerspectives |
2 | | 1996 |
85-103 |
|
| 15. | Kobayashi, Yoshitake | On the Identification of Breitkopf's Manuscripts. |
BachPerspectives |
2 | | 1996 |
107-121 |
|
| 16. | Hill, Goerge R. | Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. |
BachPerspectives |
2 | | 1996 |
123-141 |
|
| 17. | Cammarota, Robert M. | The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. |
BachPerspectives |
2 | | 1996 |
143-156 |
|
| 18. | Butler, Gregory G. | Johann Gottlob Immanuel Breitkopf: The Formative Years. |
BachPerspectives |
2 | | 1996 |
159-168 |
|
| 19. | Landmann, Ortrun | Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. |
BachPerspectives |
2 | | 1996 |
169-179 |
|
| 20. | Stauffer, George B. | The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. |
BachPerspectives |
2 | | 1996 |
181-203 |
|
| 21. | Stauffer, George B. (ed.) | J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. Edited by George B. Stauffer. - Lincoln, Neb.: Univ. of Nebraska Press, 1996. xv, 219p. (= Bach Perspectives, 2) |
BachPerspectives |
2 | | 1996 |
xv, 219p |
|
| 22. | Finscher, Ludwig | Bach's Posthumous Role in Music History. |
BachPerspectives |
3 | | 1998 |
1-21 |
|
| 23. | Christensen, Thomas | Bach among the Theorists. |
BachPerspectives |
3 | | 1998 |
23-46 |
|
| 24. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. |
BachPerspectives |
3 | | 1998 |
47-79 |
|
| 25. | Kinderman, William | Bachian Affinities in Beethoven. |
BachPerspectives |
3 | | 1998 |
81-108 |
|
| 26. | Frisch, Walter | Bach, Brahms, and the Emergence of Musical Modernism. |
BachPerspectives |
3 | | 1998 |
109-131 |
|
| 27. | Hinton, Stephen | Hindemith, Bach, and the Melancholy of Obligation. Also in: Hindemith-Jahrbuch, 27 (1998), pp. 197-217. |
BachPerspectives |
3 | | 1998 |
133-150 |
|
| 28. | Marissen, Michael (ed.) | Creative Responses to Bach from Mozart to Hindemith. Edited by Michael Marissen. - Lincoln, Neb.: University of Nebraska Press, 1998. ix, 160p. ISBN: 0-8032-1048-5. (= Bach Perspectives, 3) |
BachPerspectives |
3 | | 1998 |
ix, 160p |
|
| 29. | Butler, Gregory G. | The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. |
BachPerspectives |
4 | | 1999 |
9-32 |
|
| 30. | Mann, Alfred | Introduction: Bach's Orchestral Music. |
BachPerspectives |
4 | | 1999 |
3-8 |
|
| 31. | Swack, Jeanne | Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. |
BachPerspectives |
4 | | 1999 |
33-53 |
|
| 32. | Koster, John | The Harpsichord Culture in Bach's Environs. |
BachPerspectives |
4 | | 1999 |
57-77 |
|
| 33. | Oleskiewicz, Mary | The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? |
BachPerspectives |
4 | | 1999 |
79-110 |
|
| 34. | Schulenberg, David | Versions of Bach: Performing Practice in the Keyboard Works. |
BachPerspectives |
4 | | 1999 |
111-135 |
|
| 35. | Renwick, William | 39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. |
BachPerspectives |
4 | | 1999 |
137-158 |
|
| 36. | Walker, Paul | Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. |
BachPerspectives |
4 | | 1999 |
159-179 |
|
| 37. | Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. |
BachPerspectives |
4 | | 1999 |
181-198 |
|
| 38. | Schulenberg, David (ed) | The Music of J. S. Bach. Analysis and Interpretation. Edited by David Schulenberg. - Lincoln: Nebraska: University of Nebraska Press, 1999. x, 208p. (= Bach Perspectives, 4) |
BachPerspectives |
4 | | 1999 |
x, 208p |
|
| 39. | Owen, Barbara | Bach Comes to America. |
BachPerspectives |
5 | | 2003 |
1-14 |
|
| 40. | Dirst, Matthew | Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. |
BachPerspectives |
5 | | 2003 |
15-35 |
|
| 41. | Broyles, Michael | Haupt's Boys: Lobbying for Bach in Nineteenth-Century Boston. |
BachPerspectives |
5 | | 2003 |
37-55 |
|
| 42. | Greer, Mary J. | 'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. |
BachPerspectives |
5 | | 2003 |
57-114 |
|
| 43. | Schulze, Hans-Joachim | 'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition. Trans. by Alfred Mann. |
BachPerspectives |
5 | | 2003 |
115-122 |
|
| 44. | Wolff, Christoph | Descendants of Wilhelm Friedemann Bach in the United States. |
BachPerspectives |
5 | | 2003 |
123-130 |
|
| 45. | Wollny, Peter | On Miscellaneous American Bach Sources. [BWV 766, 772, 784] |
BachPerspectives |
5 | | 2003 |
131-150 |
|
| 46. | Baron, Carol Kitzes | 'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces. |
BachPerspectives |
5 | | 2003 |
151-177 |
|
| 47. | Crist, Stephen A. | The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. |
BachPerspectives |
5 | | 2003 |
179-215 |
|
| 48. | Crist, Stephen A. (ed.) | Bach in America. Edited by Stephen A. Crist. - Urbana and Chicago: University of Illinois Press, 2003. xiv, 227p. (= Bach perspectives, 5) |
BachPerspectives |
5 | | 2003 |
xiv, 227p |
|
| 49. | Rifkin, Joshua | The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. |
BachPerspectives |
6 | | 2007 |
1-98 |
|
| 50. | Swack, Jeanne | A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. [BWV 20, 61, 97, 110, 119, 194] |
BachPerspectives |
6 | | 2007 |
99-135 |
|
| 51. | Zohn, Steven | Bach and the Concert en ouverture. |
BachPerspectives |
6 | | 2007 |
137-156 |
|
| 52. | Butler, Gregory G. | J. S. Bach's Concerted Ensemble Music, The Ouverture. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6) |
BachPerspectives |
6 | | 2007 |
xi, 163p |
|
| 53. | Butler, Gregory G. | Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). |
BachPerspectives |
7 | | 2008 |
1-20 |
|
| 54. | Dirksen, Pieter | J. S. Bach's Violin Concerto in G Minor. |
BachPerspectives |
7 | | 2008 |
21-54 |
|
| 55. | Schulenberg, David | The Sonate auf Concertenart: A Postmodern Invention? |
BachPerspectives |
7 | | 2008 |
55-96 |
|
| 56. | Wolff, Christoph | Sicilianos and Organ Recitals: Observations on J. S. Bach's Concertos. [BWV 1043, 1053] |
BachPerspectives |
7 | | 2008 |
97-114 |
|
| 57. | Butler, Gregory G. (ed.) | J. S. Bach's Concerted Ensemble Music, The Concerto. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7) |
BachPerspectives |
7 | | 2008 |
xi, 121p |
|
| 58. | Wolff, Christoph | Under the Spell of Opera? Bach's Oratorio Trilogy. |
BachPerspectives |
8 | | 2011 |
1-12 |
|
| 59. | Melamed, Daniel R. | Johann Sebastian Bach and Barthold Heinrich Brockes. |
BachPerspectives |
8 | | 2011 |
13-41 |
|
| 60. | Rathey, Markus | Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. |
BachPerspectives |
8 | | 2011 |
42-68 |
|
| 61. | Snyder, Kerala J. | Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. |
BachPerspectives |
8 | | 2011 |
69-95 |
|
| 62. | Dreyfus, Laurence | The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. |
BachPerspectives |
8 | | 2011 |
96-121 |
|
| 63. | Chafe, Eric | Bach's Ascension Oratorio: God's Kingdoms and Their Representation. |
BachPerspectives |
8 | | 2011 |
122-145 |
|
| 64. | Melamed, Daniel R. (ed.) | J. S. Bach and the Oratorio Tradition. Edited by Daniel R. Melamed. - Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5. (= Bach Perspectives, 8) |
BachPerspectives |
8 | | 2011 |
ix, 153p |
|
| 65. | Hirschmann, Wolfgang | 'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries. |
BachPerspectives |
9 | | 2013 |
1-23 |
|
| 66. | Zohn, Steven | Aesthetic Mediation and Tertiary Rhetoric. |
BachPerspectives |
9 | | 2013 |
24-49 |
|
| 67. | Talle, Andrew | Bach, Graupner, and the Rest of Their Contented Contemporaries. |
BachPerspectives |
9 | | 2013 |
50-76 |
|
| 68. | Dunlop, Alison J. | The Famously Little-Known Gottlieb Muffat. |
BachPerspectives |
9 | | 2013 |
77-119 |
|
| 69. | Maul, Michael | Bach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict. |
BachPerspectives |
9 | | 2013 |
120-143 |
|
| 70. | Talle, Andrew (ed.) | J. S. Bach and His German Contemporaries. Edited by Andrew Talle. - Urbana, Chicago and Springfield: University of Illinois Press, 2013. viii, 151p. ISBN: 978-0-252-03813-6. (= Bach Perspectives, 9) |
BachPerspectives |
9 | | 2013 |
viii, 151p |
|
| 71. | Butler, Lynn Edwards | Bach's Report on Johann Scheibe's Organ for St Paul's Church, Leipzig: A Reassessment. |
Bachperspectives |
10 | | 2016 |
1-15 |
|
| 72. | Leaver, Robin A. | Bach's Choral-Buch? The Significance of a Manuscript in the Sibley Library. |
Bachperspectives |
10 | | 2016 |
16-38 |
|
| 73. | Stauffer, George B. | Miscellaneous Organ Trios from Bach's Leipzig Workshop. |
Bachperspectives |
10 | | 2016 |
39-59 |
|
| 74. | Wolff, Christoph | Did J. S. Bach Write Organ Concertos? Apropos the Prehistory of Cantata Movements with Obbligato Organ. [BWV 1052, 1052a, 1053] |
Bachperspectives |
10 | | 2016 |
60-75 |
|
| 75. | Butler, Gregory G. | The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s. |
Bachperspectives |
10 | | 2016 |
76-86 |
|
| 76. | Cron, Matthew | Music from Heaven: An Eighteenth-Century Context for Cantatas with Obbligato Organ. |
Bachperspectives |
10 | | 2016 |
87-118 |
|
| 77. | Dirst, Matthew (ed.) | Bach and the Organ. Edited by Matthew Dirst. - Urbana, Chicago and Springfield: University of Illinois Press, 2016. viii, 122p. ISBN: 978-0-252-04019-1. (= Bach Perspectives, 10) |
Bachperspectives |
10 | | 2016 |
viii, 122p |
|
| 78. | Marshall, Robert L. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. |
BachPerspectives |
11 | | 2017 |
1-23 |
|
| 79. | Oleskiewicz, Mary | Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. For Walter Mayhall, in memoriam. |
BachPerspectives |
11 | | 2017 |
24-82 |
|
| 80. | Schulenberg, David | C. P. E. Bach's Keyboard Music and the Question of Idiom. |
BachPerspectives |
11 | | 2017 |
83-112 |
|
| 81. | Cortens, Evan | Voices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach. |
BachPerspectives |
11 | | 2017 |
113-131 |
|
| 82. | Blanken, Christine | Recently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive. |
BachPerspectives |
11 | | 2017 |
132-171 |
|
| 83. | Oleskiewicz, Mary (ed.) | J. S. Bach and His Sons. Edited by Mary Oleskiewicz. - Urbana, Chicago and Springfield: University of Illinois Press, 2017. x, 191p. ISBN: 978-0-252-04148-8 (hardcover); 978-0-252-05008-4 (e-book) (= Bach Perspectives, 11) |
BachPerspectives |
11 | | 2017 |
x, 191p |
|
| 84. | Noll, Mark | Historical Proximity: John Wesley Visits Leipzig in 1738. |
BachPerspectives |
12 | | 2018 |
1-16 |
|
| 85. | Irwin, Joyce L. | Dancing in Bach's Time: Sin or Permissible Pleasure? |
BachPerspectives |
12 | | 2018 |
17-35 |
|
| 86. | Leaver, Robin A. | A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). |
BachPerspectives |
12 | | 2018 |
36-62 |
|
| 87. | Stockigt, Janice B. | Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. |
BachPerspectives |
12 | | 2018 |
63-83 |
|
| 88. | Rathey, Markus | Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. |
BachPerspectives |
12 | | 2018 |
84-103 |
|
| 89. | Stauff, Derek | The Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany. |
BachPerspectives |
12 | | 2018 |
104-128 |
|
| 90. | Cypess, Rebecca | Music Historicism: Sara Levy and the Jewish Enlightenment. |
BachPerspectives |
12 | | 2018 |
129-151 |
|
| 91. | Leaver, Robin A. (ed.) | Bach and the Counterpoint of Religion. Edited by Robin A. Leaver. - Urbana, Chicago, and Springfield: University of Illinois Press, 2018. x, 157p. ISBN: 978-0-252-04198-3. (= Bach Perspectives, 12) |
BachPerspectives |
12 | | 2018 |
x, 157p |
|
| 92. | Zepf, Markus | Reworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer. |
BachPerspectives |
13 | | 2020 |
1-35 |
|
| 93. | Hill, Moira Leanne | Repaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions. |
BachPerspectives |
13 | | 2020 |
36-73 |
|
| 94. | Knyt, Erinn E. | The Bach-Busoni Goldberg Variations. |
BachPerspectives |
13 | | 2020 |
74-100 |
|
| 95. | Crist, Stephen A. | Bach as Modern Jazz. |
BachPerspectives |
13 | | 2020 |
101-121 |
|
| 96. | Exner, Ellen | Certifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell. |
BachPerspectives |
13 | | 2020 |
122-142 |
|
| 97. | Buch, Laura (ed.) | Bach Reworked. Champaign : University of Illinois Press, 2020. 149p. ISBN: 978-0-252-05251-4. |
BachPerspectives |
13 | | 2020 |
149p |
|