Bach Bibliography
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1. The musical and liturgical contexts of Bach’s Cantata 10. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
2. Narratives of Number in the Neumeister Chorales. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
3. Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
4. The Latin Magnificat in Leipzig before Bach. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
5. Post-Baroque Classicism and Bach Fugue. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
6. Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
7. Approaches to the Bach Violoncello Suites. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
8. 'Aus eigener Erfahrung redet': Bach, Luther, and Mary's Voice in the Magnificat BWV 243. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
9. The rhythmic segments in the Cp. iv in the Art of Fugue of Johann Sebastian Bach. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
10. Veiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
11. A new source of Bach's Violin Solos from Prague and its implication for the work's reception history. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012 Latin 2
12. Norwegian 18th Century Church Singing - a source for understanding the performance of J. S. Bach's chorales. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
13. Johann Christian Kittel's newly rediscovered Choralbuch: its significance in our understanding of the chorale tradition. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
14. Every Silver Lining has a Cloud: Bach and the share registers of the Ursula Erbstollen mine. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
15. Bach and the Varied Stollen. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
16. Bach and Chopin. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
17. The Organist Encounters the Hymnologist: J. S. Bach and J. C. Olearius in Arnstadt. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012

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