Bach Bibliography Search Result |
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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
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1. | The BACH Ostinato Motive in Anton Webern's String Quartet, Op. 28. | [p]AMS_PacificNorthwest | ||||||
2. | Bach's C-minor Passacaglia: A Study in Structure and Symmetry. | [p]AMS_PacificNorthwest | ||||||
3. | Two Harpsichord Concertos by C. P. E. Bach. | [p]AMS_PacificNorthwest | ||||||
4. | Pictorialism and Symbolism in the Music of Bach. | [p]AMS_PacificNorthwest | ||||||
5. | Two Keyboard Concertos of C. P. E. Bach: Form and Style in the Service of Expression. | [p]AMS_PacificNorthwest | ||||||
6. | The Golden Section as a Source of Musical Structure in the Works of J. S. Bach. | [p]AMS_PacificNorthwest | ||||||
7. | Bach and the Eroica. | [p]AMS_PacificNorthwest | ||||||
8. | The bassi cifrati Falsely Attributed to J. S. Bach. | [p]AMS_PacificNorthwest | ||||||
9. | Konrad Friedrich Hurlebusch and His Influence on J. S. Bach. | [p]AMS_PacificNorthwest | ||||||
10. | J. S. Bach and the Schemelli Gesangbuch Revisited. | [p]AMS_PacificNorthwest | ||||||
11. | Borrowings in J. S. Bach's Klavierübung III. | [p]AMS_PacificNorthwest | ||||||
12. | Bach's Three Settings of Nun komm der Heiden Heiland in the Seventeen Leipzig Chorales. | [p]AMS_PacificNorthwest | ||||||
13. | J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print. | [p]AMS_PacificNorthwest | ||||||
14. | The Structure and Performance of Bach's C Major Prelude, BWV 846. | [p]AMS_PacificNorthwest | ||||||
15. | Subjectivity, Objectivity, and Authenticity in Nineteenth-Century Bach Interpretation. | [p]AMS_PacificNorthwest | ||||||
16. | J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest. | [p]AMS_PacificNorthwest | ||||||
17. | Bach's Sonata in D Major, BWV 963. | [p]AMS_PacificNorthwest | ||||||
18. | The Conundrum of Music Manuscript Bach P 778. | [p]AMS_PacificNorthwest | ||||||
19. | J. S. Bach's Ouverture in G Minor, BWV 821: The Earliest Keyboard Suite? | [p]AMS_PacificNorthwest | ||||||
20. | The Rebirth of Bach in the Spirit of Wagner: Max Reger's Phantasie und Fuge über Namen BACH, Op. 46 (1900). | [p]AMS_PacificNorthwest | ||||||
21. | Using Chronological Markers to Establish Connexes of Bach's Concerto Movements. | [p]AMS_PacificNorthwest | ||||||
22. | Occasional Music at the Court of Anhalt-Zerbst: J. S. Bach and J. F. Fasch as Composers of the Geburtstagsmusiken. | [p]AMS_PacificNorthwest | ||||||
23. | Theological Allegory in the Cantatas of J. S. Bach. | [p]AMS_PacificNorthwest | ||||||
24. | The Dona nobis of J. S. Bach's B-Minor Mass: Discussion of the Added Significance of Musical Parody. | [p]AMS_PacificNorthwest |