Bach Bibliography Search Result

Series : ^[cr]Moskva2010$
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	O tonal'noj semantike Passionov I.S. Baha. [About tonal semantics of Passions by J.S. Bach]	[cr]Moskva2010			2011	80-89
	2.	O tipologii duhovnyh kantat I.S. Baha. [On the typology of sacred cantatas by J.S. Bach]	[cr]Moskva2010			2011	90-97
	3.	I.S. Bah i G.F. Gendel': Dve koncepcii fugi. [J.S. Bach and Händel: Two concepts of a fugue]	[cr]Moskva2010			2011	98-113
	4.	Funkcii golosa v klavirnoj fuge Vysokogo barokko. [Voice function in the High Baroque fugue clavier]	[cr]Moskva2010			2011	114-123	Latin 2
	5.	Nekotorye nablûdeniâ nad tvorèeskim processom I.S. Baha v pozdnij period tvorèestva. [Some observations on J.S. Bach's creative process in his late period]	[cr]Moskva2010			2011	124-145	Latin 2
	6.	O kompozicionnyh osobennostâh èakony I.S. Baha iz Partity d-moll dlâ skripki solo BWV 1004. [On compositional features of J.S. Bach's chaconne from the partita in D minor for solo violin, BWV 1004]	[cr]Moskva2010			2011	146-152	Latin 2
	7.	Krivoe zerkalo bahocentrizma, ili Baroènaâ sûita po-tradicionnomu. [The distorting mirror of the Bach apotheosis or the traditional Baroque suite]	[cr]Moskva2010			2011	153-159	Latin 2
	8.	'Smešannyj vkus' v trio-sonatah I.S. Baha i G.F. Gendelâ. [Mixed taste in the trio sonatas by J.S. Bach and Händel]	[cr]Moskva2010			2011	160-177	Latin 2
	9.	Sonaty I.S. Baha dlâ klavira i skripki BWV 1014-1019: K voprosu o specifike ansamblevoj faktury. [J.S. Bach's sonatas for keyboard and violin, BWV 1014-1019: Specifics of the ensemble texture]	[cr]Moskva2010			2011	178-186	Latin 2
	10.	Obligatnoe trëhgolosie v simfoniâh I.S. Baha. [Obligato three-part polyphony in J.S. Bach's sinfonias]	[cr]Moskva2010			2011	187-198
	11.	Sonatnaâ forma u I.S. Baha. [Sonata form in J.S. Bach's compositions] [BWV 857]	[cr]Moskva2010			2011	199-212	Latin 2
	12.	Opyt psihosemantièeskogo podhoda k voprosam vospriâtiâ Horošo temperirovannogo klavira I.S. Baha. [The psychosemantic approach to the perception of Bach's Das wohltemperirte Clavier]	[cr]Moskva2010			2011	213-227	Latin 2
	13.	Ideâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. [The idea of ??uniformity and its embodiment in Bach's Das wohltemperirte Clavier: The problem of choosing the performance tempo]	[cr]Moskva2010			2011	228-243
	14.	I.S. Bah i massovaâ kul'tura vtoroj poloviny XX veka. [J.S. Bach and the popular culture of the second half of the 20th century]	[cr]Moskva2010			2011	244-250
	15.	I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ. [J.S. Bach, Georg Händel, Alessandro Scarlatti: Problems of studying the creative heritage] [conference I.S. Bah, G.F. Gendel', A. Skarlatti: Problemy izuèeniâ tvorèeskogo naslediâ, in 2010 in Moscow] - Moskva: Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, 2011. 251p.	[cr]Moskva2010			2011	251p	Latin 2