Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Vitouch, Oliver; Gaugusch, Andrea | Absolute recognition of musical keys in non-absolute-pitch-possessors. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 2. | Schubert, Emery; Fabian Somorjay, Dorottya | The perception of dotted rhythms and the kerning illusion. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 3. | Woods, Chris; Luck, Geoff; Brochard, Renaud; Seddon, Frederick A.; Sloboda, John A.; O'Neill, Susan A. (eds.) | Proceedings of the sixth International Conference on Music Perception and Cognition. Keele: European Society for the Cognitive Sciences of Music (ESCOM), 2000. CD-ROM. ISBN: 0-9539909-0-7; 978-0-9539909-0-0. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 4. | Fabian Somorjay, Dorottya; Schubert, Emery | The multidimensional perception space of Baroque music. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 5. | Cambouropoulos, Emilios | Melodic cue abstraction, similarity and category formation: A computational approach. [BWV 1005] |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 6. | Davis, Stacey | Implied polyphony in the unaccompanied string works of J.S. Bach: A rule system for discerning melodic strata. |
[cr]ESCOM_Keele |
| | 2000 |
|
|