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Bach Bibliography Search Result |
Series : ^[ce]BaroqueComposers$Your search has generated the following results ...
Year : 2011
Max number of results shown : 300
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Output sorted : chronologically (table)
Type | List | Title![]() ![]() ![]() | Series![]() | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
![]() | 1. | Johann Christoph Bach (1671-1721), 'Organist und Schul Collega in Ohrdruf', Johann Sebastian Bachs erster Lehrer | [ce]BaroqueComposers | 3-29 | ||||
![]() | 2. | Johann Sebastian Bach als Schüler der Partikularschule zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik. | [ce]BaroqueComposers | 31-74 | ||||
![]() | 3. | The Musician Versus the Grammarian: An Early Storm Warning. | [ce]BaroqueComposers | 75-86 | ||||
![]() | 4. | In Defence of J. A. Scheibe against J. S. Bach. | [ce]BaroqueComposers | 87-102 | ||||
![]() | 5. | J. S. Bach: new Light on His Faith. | [ce]BaroqueComposers | 103-114 | ||||
![]() | 6. | Motive and Motif in the Church Music of Johann Sebastian Bach. | [ce]BaroqueComposers | 115-124 | ||||
![]() | 7. | Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer Vortrag. | [ce]BaroqueComposers | 127-134 | ||||
![]() | 8. | Antwort von Friedrich Blume. | [ce]BaroqueComposers | 135-138 | ||||
![]() | 9. | Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship'). | [ce]BaroqueComposers | 139-147 | ||||
![]() | 10. | Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text'. | [ce]BaroqueComposers | 149-171 | ||||
![]() | 11. | Bach's Chorale Cantatas. | [ce]BaroqueComposers | 175-184 | ||||
![]() | 12. | Neue 'Texte zur Leipziger Kirchen-Music'. | [ce]BaroqueComposers | 185-212 | ||||
![]() | 13. | Der Picander-Jahrgang. | [ce]BaroqueComposers | 213-256 | ||||
![]() | 14. | Bach und der Picander-Jahrgang - Eine Erwiderung. | [ce]BaroqueComposers | 257-261 | ||||
![]() | 15. | Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis. | [ce]BaroqueComposers | 263-269 | ||||
![]() | 16. | Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach. | [ce]BaroqueComposers | 271-275 | ||||
![]() | 17. | Traces of the pre-history of Bach's St. John and St. Matthew Passions. | [ce]BaroqueComposers | 277-294 | ||||
![]() | 18. | 'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. | [ce]BaroqueComposers | 295-305 | ||||
![]() | 19. | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. | [ce]BaroqueComposers | 307-327 | ||||
![]() | 20. | Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. | [ce]BaroqueComposers | 329-345 | ||||
![]() | 21. | Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme. | [ce]BaroqueComposers | 347-368 | ||||
![]() | 22. | The Parody Process in Bach's Music: An Old Problem Reconsidered. | [ce]BaroqueComposers | 369-383 | ||||
![]() | 23. | Parody and Theological Consistency: Notes on Bach's A-Major Mass. | [ce]BaroqueComposers | 385-398 | ||||
![]() | 24. | Bach the Progressive: Observations on His Later Works. | [ce]BaroqueComposers | 399-443 | ||||
![]() | 25. | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. | [ce]BaroqueComposers | 445-458 | ||||
![]() | 26. | Postscript [to 'Bach the Progressive'] | [ce]BaroqueComposers | 459-463 | ||||
![]() | 27. | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. | [ce]BaroqueComposers | 465-491 | ||||
![]() | 28. | Performance practice of Bach's cantatas: Original performance material; original rehearsals; original performance forces; original performance style, conclusions for modern performance. | [ce]BaroqueComposers | 495-502 | ||||
![]() | 29. | Bach's Chorus: A preliminary report. | [ce]BaroqueComposers | 503-509 | ||||
![]() | 30. | Does 'Well-Tempered' mean 'Equal-Tempered'? | [ce]BaroqueComposers | 511-528 | ||||
![]() | 31. | Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. | [ce]BaroqueComposers | 529-558 | ||||
![]() | 32. | Introduction. | [ce]BaroqueComposers | xv-xxxvii | ||||
![]() | 33. | Bach. | [ce]BaroqueComposers | xxxvii, 574p |