Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Swr.Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. AllgDBib 67 2 1786 450-454
2. Kuwratil, KarlDas Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. MsTheaterM 11 49 9 Dec 1865 769-772
3. Gräbner, Augustus LawrenceJohann Sebastian Bach. 1885 160p
4. Owrid, Oswald ClaytonBach Concordance and Cyclopaedia. 1900
5. Haward, LawrenceBach's Last Fugues. MTimes 55 853 Mar 1914 161-164
6. wr.Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz. LeipzigerNNachrichten 15 Jun 1935 1p
7. Field, Lawrence NathanielJohann Sebastian Bach. 1943 xxiv, 166p
8. Munier-Wroblewski, MiaGottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. 1949 77p
9. Locklair, WristonPhiladelphia Orchestra Presents Bach Oratorio. MAmer 80 1 1 Jan 1960 40-41
10. Locklair, WristonHarpsichord Society in All-Bach Program. MAmer 80 5 Apr 1960 23
11. Lawrence, H. R. G.Bach's Organ Works: Plea for New Recording. MTimes 101 1408 Jun 1960 383
12. Lowrie, Donald A.Bach's American Organ. MJournal 20 8 Nov-Dec 1962 14, 92
13. Wright, Denis (arr.)My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach 1965 8p
14. Wroñski, TadeuszSonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. 1970 123p
15. Wright, CraigRare music manuscripts at Harvard. CurMcol 10 1970 25-33
16. Gulick, Walter LawrenceHearing: Physiology and Psychophysics. 1971 xi, 258p
17. Lowrie, Donald ABach's Miracle at Cöthen. MJournal 31 10 Dec 1973 17
18. Sears, LawrenceBethlehem / USA. Amerikanisches Bachfest. Musica 27 4 Jul-Aug 1973 373-374
19. Wright, PeterEnglish Bach Festival. Bach. MMusicians 24 11: 287 Jul 1976 45-47
20. Wright, Josephine R. B.George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ 66 1 Jan 1980 65-82
21. Wright, Barbara DavidJohann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. diss. 1983 viii, 458p
22. Lowry, Palmer D.A Comprehensive Index of J. S. Bach Books in English. Organ 63 247 Jan 1984 36-45
23. Lawrence, ArthurBach in 1985. AmerOrganist(2) 19 3 Mar 1985 65-67
24. Lawrence, ArthurBach's Choral Music: An Overview. AmerOrganist(2) 19 3 Mar 1985 130-133
25. Wright, Barbara D.Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. [p]AMS_Allegheny Apr 1985
26. Archbold, LawrenceStyle and Structure in the Praeludia of Dietrich Buxtehude. StudMcol 82 1985 vi, 349p
27. Schenbeck, LawrenceTempo and Rhythm in Bach's Cantata Ouvertures. Bach 17 1 Jan 1986 3-17
28. Archbold, LawrenceTowards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. StudM(AnnArbor) 107 1990 87-106
29. Nawroth, UteDie Gesangbuchsammlung Wernigerode in der Staatsbibliothek. JbPreussKulturbesitz 28 1991 329-338
30. Kramer, LawrenceFelix culpa: Goethe and the image of Mendelssohn. [ce]MendelssohnStudies 1992 64-79
31. Wright, CraigThe Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. [p]AMS_Kansas Nov 1999
32. Wright, CraigBachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund. BachJb 86 2000 51-65
33. Wright, CraigThe Maze and the Warrior: Symbols in Architecture, Theology, and Music. 2001 ix, 351p
34. Wroñski, Tadeusz (ed.)Sei solo a violino / Johann Sebastian Bach. 2001 x, 103p
35. Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.)20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. BachFesttage_Köthen 20 2004 132p
36. Wraight, DenzilGravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels. Concerto 22 201 Apr-May 2005 25-29
37. Wainwright, Jonathan; Holman, PeterFrom Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 2005 xx, 321p
38. Wraight, DenzilWie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument? JbStaatInstMf 2004 2005 123-135
39. Bernstein, Lawrence F.Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. [p]AMS_Washington Oct 2005
40. Golan, Lawrence (ed.)Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. 2006 91p
41. Wraight, DenzilRecent approaches in understanding Cristofori's fortepiano. EarlyM 34 4 Nov 2006 635-644
42. Bernstein, Lawrence F.'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. JMcol 23 1 Winter 2006 3-61
43. Skowron, Zbigniew (ed.)Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. [fs]Helman70 2007 686p
44. Anson-Cartwright, MarkElision and the Embellished Final Cadence in J. S. Bach's Preludes. MAnalysis 26 3 Oct 2007 267-288
45. Wright, CraigLabyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. 2008 340p
46. Bernstein, Lawrence F.Ockeghem as 'The Bach of his day'. [fs]Blackburn 2009 577-592
47. Johnson, Lawrence B.Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. BCJ 94 Jul 2011 33
48. Wright, Lesley A.Camille Saint-Saëns. [ce]19cChoralM 2012 274-283
49. Molinaro, LawrenceScaffolding instruction on improvisation – training organists within the Bach circle and beyond. [p]BICB_Southampton Jul 2012
50. Anson-Cartwright, MarkSubdominant Returns in the Vocal Music of J.S. Bach. 18cM 10 2 Sep 2013 253-276
51. Anson-Cartwright, MarkThe Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. JMTheory 58 1 Spring 2014 1-24
52. Anson-Cartwright, MarkThe opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 2016 12-25
53. Molinaro, LawrenceVariations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury Jul 2016
54. Anson-Cartwright, MarkTeaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Bach 49 2 2018 266-280
55. Bania, Maria; Skowroneck, TilmanAffective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48 2 2020 193-203

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