Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Fr. W. R--ch.[Bach als Orgelspieler] ... Man kann sich kaum denken, daß, wenn S. Bach immer so gespielt haben sollte, wie Er geschrieben hat, ganze Gemeinden (also das Volk) hingerissen worden seien. Aber wir lesen ja, daß Bach später selten beim Gottesdienste Orgel gespielt, sondern mehr gelegentlich in Phantasien und gelehrten Ausführungen sich ergangen habe. Die zuweilen sich zeigende blinde Nachahmungssucht hat wohl Veranlassung gegeben, daß einst von 'Bachomanie' geschrieben wurde. Hohe Achtung vor diesem Genius, dem Vater des Orgelspiels: aber nur nicht Mißbrauch mit seinem Werken! Urania(Erfurt) 5 7 1848 111-112
2. Schmidt, Johann W. R. (arr.)D moll-Konzert für Pianoforte von Joh. Seb. Bach. Mit Fingersatz vers. von Richard Schmidt. - Leipzig: Peters, [1885; R/c.1910]. 26p. Best.-Nr. Edition Peters 2194. Pl.-Nr. 6868. [BWV 1052] EdPeters 2194 1885 26p
3. Löw, R.Zu den beiden großen Messen von Bach und Beethoven. Eine das Confessionelle betreffende Parallele. Zürich 1888. SchweizerischeMzSängerBl 28 14f 1888
4. Löw, RudolfEin Gang durch J. Seb. Bachs Werke. In: Musikalische Vorträge: mit einer biographischen Skizze. Basel: Reich, 1898. xxv, 204p.; pp. 22-45. 1898 22-45
5. Tann, W. R. B. (arr.)Fugue in G minor (16 of the 48) / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1) [BWV 861/2] GemsOrg 1 c 1900
6. Tann, W. R. B. (arr.)Fugue in C major / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1) GemsOrg 1 c 1900
7. Tann, W. R. B. (arr.)Short prelude and fugue in A minor / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1) GemsOrg 1 c 1900
8. Tann, W. R. B. (arr.)Pastorale in F / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1) GemsOrg 1 c 1900
9. Löw, R.J. S. Bach und die Orgel. SchweizerischeMzSängerBl 43 18 1903
10. W. R. A.Bach's 'St. John' Passion. MTimes 75 1095 May 1934 458-459
11. W. R.Musikwissenschaft: Der erste Bach-Biograph. Anbruch 17 10 1935 288
12. Grunow, RichardJesu meine Freude. Eine Betrachtung zu J. S. Bach's gleichnamiger Motette. WürttembergBlKm 23 1956 4-7
13. Grunow, Rudolf (ed.)Begegnungen mit Bach. Ausgewählte Erzählungen über Johann Sebastian Bach und seine Musik. Berlin: Evangelische Verlagsanstalt 1964. 183p. - 2. Aufl. 1966. - 3. stark erw. Aufl. 1978. 369p. - 1984. 372p; 1990, 369p 1964 183p
14. Sragow, Ruth LaPorteThe harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. MA diss., University of Maryland, 1970. 284p diss. 1970 284p
15. Blackburn, Philip W. R.A Hitherto unpublished Cantata of J. S. Bach. [fs]Rosenthal 1984 11-16
16. Tatlow, Ruth MaryLUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. PhD diss., London U., King's Col. 1987. diss. 1987
17. Tatlow, Ruth MaryDer literarische Gebrauch der Alphabetzahlen zur Zeit Bachs. BulTheolBachF 1 1988 157-180
18. Tatlow, RuthJ. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. (c) Oxford University Press 1989. With amendments from Music and Letters, Vol.70, No. 2 (May 1989), pp. 191-205. Bach 20 3 Fall 1989 15-33
19. Tatlow, RuthJ. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. MLetters 70 2 Apr 1989 191-205
20. Tatlow, RuthBach and the Riddle of the Number Alphabet. Cambridge University Press, 1991. 186p 1991 186p
21. Tatlow, RuthTowards a theory of Bach's Pre-compositional Style. Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998. [p]BS_Dortmund Jan 1998
22. Tatlow, Ruth MaryTowards a Theory of Bach's Pre-compositional Style. DortmundBachF 2 1999 19-36
23. Tatlow, RuthBach: Easter Cantatas BWV 6 and 66. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 580-2(3) (February 2000). 2000
24. Tatlow, RuthBach: Funeral Cantatas BWV 106, 118, 198. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 581-2(2) (March 2000) 2000
25. Tatlow, RuthBach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 582-2(2) (April 2000) 2000
26. Tatlow, RuthBach: Ascension Cantatas BWV 11, 128, 37, 43. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 583-2(0) (May 2000) 2000
27. Tatlow, RuthBach: Whitsun Cantatas BWV 34, 59, 74, 172. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 584-2(9) (June 2000) 2000
28. Tatlow, RuthBach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 585-2(8) (July 2000) 2000
29. Tatlow, RuthBach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 586-2(7) (September 2000) 2000
30. Tatlow, RuthBach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 587-2(6) (September 2000) 2000
31. Tatlow, RuthBach: Advent Cantatas BWV 61, 36, 62. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 588-2(5) (October 2000) 2000
32. Tatlow, RuthBach: Christmas Cantatas BWV 63, 64, 121, 133. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 589-2(4) (October 2000) 2000
33. Tatlow, RuthBach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 590-2. (November 2000) 2000
34. Tatlow, RuthBach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 591-2(9) (November 2000) 2000
35. Tatlow, RuthBach and Numbers. BachCantataPilgrimage 2 2000 97-102
36. Tatlow, RuthNumerical ordering in Bach's church cantatas. Papers read at 'Musical Intersections': American Musicological Society at University of Toronto on 3 November 2000. [p]AMS_Toronto Nov 2000
37. Tatlow, RuthPre-compositional ordering in Bach's B Minor Mass. a paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in the Holywell Music Room, Oxford, 19 December 2000 [p]IS_Oxford Dec 2000
38. Tatlow, RuthThe Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
39. Tatlow, RuthText, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas. DortmundBachF 3 2002 121-133
40. Tatlow, RuthN is for 'Numerology'. http://www.bbc.co.uk/radio3/bach/bachatozn.shtml 2005
41. Tatlow, RuthThe Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006. [p]BICB_Warsaw Jul 2006
42. Tatlow, RuthCollections, bars and numbers: Analytical coincidence or Bach's design? A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006. [p]BNUK_Oxford Dec 2006
43. Tatlow, RuthThe Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. http://www.bachnetwork.co.uk/ub1/tatlow.pdf UnderstandingBach 1 2006 69-85
44. Tatlow, RuthWhen the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. In: What kind of theory is music theory? Epistemological Exercises in Music Theory and Analysis. (= Acta Universitatis Stockholmiensis. Stockholm; Studies in Musicology, 1). Stockholm: Stockholm University, 2007, pp.203-216. 2007 203-216
45. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, RuthBach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS Mar 2007 [5]
46. Tatlow, RuthParallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 2007 118-136
47. Tatlow, RuthNumerical Ordering in Bach's B-minor Mass. Unpublished and revised paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in Oxford on 19 December 2000, with author's postscript. [cr]Belfast2007 2 2007 435-445
48. Tatlow, RuthN för Numerologi. TidigMusik 3 2007 18-19
49. Tatlow, RuthCollections, bars and numbers: Analytical coincidence or Bach's design? http://www.bachnetwork.co.uk/ub2/tatlow.pdf UnderstandingBach 2 2007 37-58
50. Kunow, RosemarieAufführung der h-Moll Messe von Johann Sebastian Bach am Freitag, den 16. November 2007 in der Kathedrale Saint-Clodoald/St.Cloud. Berichte und Mitteilungen. MtblNBG 61 Winter 2007-08 32-33
51. Nosow, Robert (ed.)Violoncello Concertos / Carl Philipp Emanuel Bach. Edited by Robert Nosow. - Los Altos, CA: Packard Humanities Institute, 2008. xxxii, 171p. ISBN: 978-1-933280-25-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 6) [Wq 170, 171, 172 - H. 432, 436, 439] CPEBachCW 3 6 2008 xxxii, 171p
52. Tatlow, RuthBach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania [p]ABS_Bethlehem May 2008
53. Tatlow, RuthBach's Numbers? Proportional parallelism and its implications for musicology. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008. [p]AMS_Nashville Nov 2008 AbstractsPapersAMSoc pp.155-6
54. Tatlow, RuthDemystifying Myths: Bach and his Use of Numbers. A paper read at the 13th biennial international conference on Baroque music, held at University of Leeds from 2 to 6 July 2008. [p]BICB_Leeds Jul 2008
55. Tatlow, RuthReport on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. http://www.bachnetwork.co.uk/ub3/DIALOGUE REPORT.pdf UnderstandingBach 3 2008 109-111
56. Tatlow, RuthBach's Parallel Proportions and the Qualities of the Authentic Bachian Collection. DortmundBachF 8 2009 135-155 [cr]Dortmund2004
57. Tatlow, RuthButtstett-Mattheson dispute and its implication for Bach Studies. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
58. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.Bach & Friends: Three Reviews of Michael Lawrence's New Film. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf BachNotesABS 13 Fall 2010 1-4
59. Tatlow, RuthThe Goblet of Anise: A Case Study. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. [p]BICB_Belfast Jul 2010
60. [Leaver, Robin A.; Tatlow, Ruth]Report of the 14th Biennial Conference on Baroque Music. http://www.bachnetwork.co.uk/ub5/report.pdf UnderstandingBach 5 2010 99-103
61. Tatlow, RuthBach no Ango: Kazu to Sozo no Himitsu. [Bach's Secret Codes: Secret of Number and Creation] Trans. (of 'Bach and the Riddle of the Number Alphabet') by Natsuki Mori. - Tokyo: Seidosha, 2011. 311, 63p. ISBN 978-4-7917-6587-4. 2011 311, 63p
62. Tatlow, RuthDiscovering New and Recovering Old Methods for Bach Studies. A paper read at the Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh, 12-14 August 2011. [p]BNUK_Edinburgh Aug 2011
63. Tatlow, RuthReport on the Fifth Johann Sebastian Bach Dialogue Meeting. Reports. http://www.bachnetwork.co.uk/ub6/DM5-Report%20UB6.pdf UnderstandingBach 6 2011 61-65
64. Tatlow, RuthChallenging Virtuality: A Personal Reflection. http://www.americanbachsociety.org/Newsletters/BachNotes16.6.pdf BachNotesABS 16 Spring 2012 5-6
65. Tatlow, RuthNarratives of Number in the Neumeister Chorales. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
66. Tatlow, RuthChallenging Virtuality: A Personal Reflection. Current Concerns. [Repr. of BachNotesABS 16, 2012, with footnotes] http://www.bachnetwork.co.uk/ub7/UB7_Tatlow.pdf UnderstandingBach 7 2012 57-60
67. Tatlow, RuthBach's Numbers: Sources, Exegesis, Illustrations. Session presented with Joel Speerstra at GoART, Gothenburg, 21 March 2013. 2013
68. Tatlow, RuthParallel proportions, numerical structures and Harmonie in Bach's autograph score. Part II: structure and proportion. [ce]ExploringBMM 2013 142-162
69. Tatlow, RuthBach's Numbers: Sources, Exegesis, Illustrations. A dialogue session presented at the Six J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. Moderated by Michael Marissen. [p]BNUK_Warsaw Jul 2013
70. Tatlow, RuthTheoretical Hope: A Vision for the Application of Historically Informed Theory. http://www.bachnetwork.co.uk/ub8/UB8_Tatlow.pdf UnderstandingBach 8 2013 33-60
71. Tatlow, RuthMetaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. [p]BICB_Salzburg Jul 2014
72. Tatlow, RuthBach's numbers: compositional proportion and significance. New York: Cambridge University Press, 2015. xviii, 411p. ISBN: 978-1-107-08860-3. 2015 xviii, 411p
73. Tatlow, RuthA Missed Opportunity: Reflections on Written by Mrs Bach. Current Concerns. http://bachnetwork.co.uk/ub10/ub10-tatlow-wbmb.pdf UnderstandingBach 10 2015 141-157
74. Tatlow, RuthTen Years of Bach Network UK. Reports. [Repr. from 18cM 12/1 (2014) 121-148] http://bachnetwork.co.uk/ub10/ub10-tatlow-10y.pdf UnderstandingBach 10 2015 175-177
75. Tatlow, RuthA Lutheran Theology of Proportions and Bach's Response. A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016. [p]ABS_SouthBend Apr 2016
76. Tatlow, RuthMagnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 137-138. [p]BICB_Canterbury Jul 2016
77. Tatlow, RuthA Glorious Summer Meeting: the 2015 Dialogue Report. Reports. http://bachnetwork.co.uk/ub11/ub11-tatlow_dr.pdf UnderstandingBach 11 2016 149-152
78. Tatlow, RuthSymmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. Abstract: pp.82-83 (pl), 84-85 (en). [cr]Warsaw2017 2019 51-81
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