Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. W. G.Hullah's concerts -- Bach -- Handel -- Gluck -- Beethoven -- The opera. [St. Martin's Hall: Bach, Credo from the Mass in B minor. Gluck, 'Orfeo ed Euridice' (Act II). Her Majesty's Theatre: Caroline Duprez] MessageBird 2 43 NS 1 May 1851 65-66
2. Gounod, Charles; Nachèz, Tivadar; Barlow, George (arr.)The Crown of Glory, Sacred Song, Founded on a Prelude of J. S. Bach's in C minor, by Charles Gounod, Violin Obligato by T. Nachèz, Words by G. Barlow. [title-cover has fewer words, with no mention of Bach] - London: J. & J. Hopkinson, [1890] 11p + 2 St. Pl.-Nr.: (J. & J.H. 328b) [BWV 999: 3 versions - no.1 in A minor, no.2 in C minor, no.3 in D minor] 1890 11p + 2 St
3. Allt, W. GreenhouseThe organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930. diss. 1930
4. Leeuw, Gerardus van derBach's Mattheuspassion. Amsterdam: Uitg. Holland, 1e dr.: 1937. 90p; 2e dr. 1938. 90p; 3e dr, 1941. 118p; 4e dr. 1943; 5. dr. 1947/48, 118p; 6. dr. c.1950. 119p; 7. dr. 1953. 110p. 1937 90p
5. Horst, Anton van der; Leeuw, Gerardus van derBach's hoogmis. door Anthon van der Horst en G. van der Leeuw - Amsterdam: Holland, [um 1938]. 107p; 2e dr. Amsterdam: Holland Uitgevers Mij., [1941]. - 107p 1938 107p
6. Shaw, Geoffrey (arr.)BIST DU BEI MIR. From the Anna Magdalena Book of J. S. Bach. arranged for the Piano by Geoffrey Shaw. - London: J. Curwen & Sons, c1941. 5p. Pl.-Nr.: 99089. [BWV 508] 1941 5p
7. Leeuw, Gerardus van derBach's Johannes Passion. 1.-2. dr. Amsterdam: Uitg. Holland. 1946. 70p.; 1948, 76p. 1946 70p
8. Leeuw, Gerardus van derMatthaeuspassion-Uitvoeringen. MensMelodie 3 1948 138-140
9. Chubow, Georgij [Chubov, Georgij]Bach i wspólczesnosc. [Bach und das Zeitgeschehen.] Muzyka 1 6 1950 42-52
10. Chubow, GeorgijBach i wspolczesnosc. [ce]JanSebastianBach 1951 41-61
11. Crankshaw, GeoffreyBach's secular cantatas. MonMRec 81 923 Jan 1951 9-13
12. Marigold, W. G.J. S. Bach and the Luthewran Liturgy of His Time. MOpinion 79 947 Aug 1956 673, 675
13. Buelow, George J.Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. diss. 1961
14. Buelow, George J.The Thorough-Bass in Baroque Music. Committee on Historic Instruments: The Fretted String. AmerMTeacher 11 4 Mar-Apr 1962 20-21, 36-37
15. Crankshaw, GeoffreyBright Bach. [Bach-Choir London]. London Concerts [David Willcocks conducted the Bach Choir, the St Matthew Passion at the Festival Hall on Apr.15] MMusicians 10 9 May 1962 43
16. Crankshaw, GeoffreyTilford Bach. The Concert Critics. MMusicians 11 11 Jul 1963 6-7
17. Buelow, George J. (ed.)Thorough-Bass Accompaniment According to Johann David Heinichen. Berkeley: University of California Press, 1966. xiv, 316p. 1966 xiv, 316p
18. Buelow, George J.The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration. MReview 27 3 Aug 1966 161-176
19. Marigold, W. GordonThe preludes and fugues of J.L. Krebs. MOpinion 90 1074 Mar 1967 337
20. Marigold, W. GordonThe Organs at the Marienkirche at Luebeck. Diapason 61 1:721 Dec 1969 25
21. Crankshaw, Geoffrey20th-century Bach. RecRecording 12 1969 24-25
22. Buelow, George J.Symposium on 17th Century Music Theory: Germany. JMTheory 16 1-2 Spring-Winter 1972 36-49
23. Buelow, George J.Music, Rhetoric, and the concept of the Affections: A selective bibliography. Notes 30 2 Dec 1973 250-259
24. Buelow, George J.In Defence of J. A. Scheibe against J. S. Bach. ProceedRMA 101 1974-75 85-100
25. Buelow, George J.A Study in Baroque Performing Practice. MTimes 120 1638 Aug 1979 625, 638-639
26. Buelow, George J.Symbol and structure in the 'Kyrie' of Bach's B-minor Mass. FestschriftSer 4 1981 21-41 [fs]Herz
27. Buelow, George J.Johann Mattheson and the invention of the Affektenlehre. [ce]NewMatthesonStudies 1983 393-407
28. Buelow, George J.; Marx, Hans Joachim (eds.)New Mattheson Studies. London, N.Y., New Rochelle: Cambridge Univ. Press. 1983. xiv, 495p. [ce]NewMatthesonStudies 1983 xiv, 495p
29. Pantijelew, Grigorij [Pantijelev]Johann Sebastian Bachs Briefe an Georg Erdmann. Nebst Beiträgen zur Lebensgeschichte von Bachs Jugendfreund. Summary in English (p.188), French (p.190), Russian (p.192) and Czech (p.193). BachJb 71 1985 83-97
30. Marigold, W. GordonOrgan and church music activity in Munich during the European Year of Music. Diapason 77 8:921 Aug 1986 13-16
31. Buelow, George J. (ed.)Thorough-Bass Accompaniment According to Johann David Heinichen. Revised edn. - Ann Arbor, Mich.: UMI Research Press, 1986. xvi, 462p. ISBN: 0-8357-1648-1. (= Studies in musicology, 84) StudMcol 84 1986 xvi, 462p
32. Pantijelew, Grigorij [Pantijelev]Die neueste Bach-Forschung in der UdSSR. Miszellen und Berichte. BeitrMw 29 4 1987 318-323
33. Buelow, George J.Expressivity in the accompanied recitatives of Bach's cantatas. BachStud 1 1989 18-35
34. Buelow, George J.A Bach Borrowing by Gluck: Another Frontier. Bach 22 1 Spring-Summer 1991 43-61
35. Leeuw, Gerardus van der (ed.)De necrologie van Johann Sebastian Bach: uit Mizler's Musikalische Bibliothek, Leipzig 1754. facsimile, inleiding en vertaling, door Gerard van der Leeuw. - Zwolle, Amsterdam: De Rode Leeuw Pers, 1992. 43p. [BWV 1076] 1992 43p
36. Buelow, George J.Music and society in the late Baroque era. ManM 4 1993 1-38
37. Buelow, George J.Dresden in the age of absolutism. ManM 4 1993 216-229
38. Buelow, George J. (ed.)The late Baroque era: from the 1680s to 1740. Basingstoke: Macmillan, 1993; Englewood Cliffs, N.J.: Prentice Hall, 1994. xii, 521p. ISBN: 0-333-51603-6; 0-13-104340-4; 0-13-529983-7. (= Man & Music, 4) ManM 4 1993 xii, 521p
39. Buelow, George J.A Bach Borrowing by Gluck: Another Frontier. [BWV 825] FestschriftSer 13 1994 187-203 [fs]Mann
40. Lang, Paul Henry; Mann, Alfred; Buelow, George J. (eds.)Musicology and performance. New Haven: Yale U. 1997. xii, 254p. ISBN: 0-300-06805-0. [ce]MusicologyPerformance 1997 xii, 254p
41. Leeuw, Gerardus van derBachs Matthaeus- en Johannespassion. Met de complete teksten en hun vertaling. Nijmegen: SUN, 2000. 173p. ISBN: 90-6168-589-3. 2000 173p
42. Crankshaw, GeoffreyAngela Hewitt at the Wigmore. [At the Wigmore Hall on 11 February Angela Hewitt captivated a sold-out house with an enthralling account of the second half of the Second Book of Bach's Well-Tempered Clavier.] MOpinion 123 1421 Spring 2000
43. Crankshaw, GeoffreyAndras Schiff in the Wigmore. [At the Wigmore Hall on 3 March Andras Schiff played Bach's six English Suites BWV 806 to 811] MOpinion 123 1421 Spring 2000
44. Crankshaw, GeoffreyJohann Sebastian Bach's quarter millennium. MOpinion 123 1421 Spring 2000 142-143
45. Crankshaw, GeoffreyUrsula Dutschler plays Bach. [Ursula Dutschler gave a harpsichord recital at the Wigmore Hall on 11 May, performing the entire collection of Bach keyboard Toccatas, BWV 910 to 916 splendidly] MOpinion 123 1422 Summer 2000
46. Crankshaw, GeoffreyEmma Kirkby & the Florilegium Ensemble. [presented a programme of Bach Suites and Cantatas 204 and 209 on 23 March at the Wigmore Hall] MOpinion 123 1422 Summer 2000
47. Bülow, Gert vonJohann Sebastian Bach: Suites a Violoncello solo senza Basso--Gedanken zur Interpretation der fünften Suite c-moll BWV 1011. In: Glücksmomente: Zur Einweihung des neuen Hauses der Hochschule für Musik und Theater Rostock. Rostock: Reich, 2001. p. 44-56 2001 44-56
48. Mann, Alfred; Buelow, George J.A Brief History of the American Bach Society. AmerBachSocNL Fall 2001 1, 10-11
49. Crankshaw, GeoffreyAngela Hewitt at the Wigmore Hall. [on 11 February, WTC2] MOpinion 124 1425 Jun 2001
50. Buelow, George J.In Defence of J. A. Scheibe against J. S. Bach. Repr. from Proceedings of Royal Music Association, ci (1974-75), pp. 85-100 [ce]BaroqueComposers 2011 87-102

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