Bach Bibliography
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1. Hullah's concerts -- Bach -- Handel -- Gluck -- Beethoven -- The opera. [St. Martin's Hall: Bach, Credo from the Mass in B minor. Gluck, 'Orfeo ed Euridice' (Act II). Her Majesty's Theatre: Caroline Duprez] MessageBird 2 43 NS 1 May 1851 65-66
2. The Crown of Glory, Sacred Song, Founded on a Prelude of J. S. Bach's in C minor, by Charles Gounod, Violin Obligato by T. Nachèz, Words by G. Barlow. [title-cover has fewer words, with no mention of Bach] - London: J. & J. Hopkinson, [1890] 11p + 2 St. Pl.-Nr.: (J. & J.H. 328b) [BWV 999: 3 versions - no.1 in A minor, no.2 in C minor, no.3 in D minor] 1890 11p + 2 St
3. The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930. diss. 1930
4. Bach's Mattheuspassion. Amsterdam: Uitg. Holland, 1e dr.: 1937. 90p; 2e dr. 1938. 90p; 3e dr, 1941. 118p; 4e dr. 1943; 5. dr. 1947/48, 118p; 6. dr. c.1950. 119p; 7. dr. 1953. 110p. 1937 90p
5. Bach's hoogmis. door Anthon van der Horst en G. van der Leeuw - Amsterdam: Holland, [um 1938]. 107p; 2e dr. Amsterdam: Holland Uitgevers Mij., [1941]. - 107p 1938 107p
6. BIST DU BEI MIR. From the Anna Magdalena Book of J. S. Bach. arranged for the Piano by Geoffrey Shaw. - London: J. Curwen & Sons, c1941. 5p. Pl.-Nr.: 99089. [BWV 508] 1941 5p
7. Bach's Johannes Passion. 1.-2. dr. Amsterdam: Uitg. Holland. 1946. 70p.; 1948, 76p. 1946 70p
8. Matthaeuspassion-Uitvoeringen. MensMelodie 3 1948 138-140
9. Bach i wspólczesnosc. [Bach und das Zeitgeschehen.] Muzyka 1 6 1950 42-52
10. Bach i wspolczesnosc. [ce]JanSebastianBach 1951 41-61
11. Bach's secular cantatas. MonMRec 81 923 Jan 1951 9-13
12. J. S. Bach and the Luthewran Liturgy of His Time. MOpinion 79 947 Aug 1956 673, 675
13. Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. diss. 1961
14. The Thorough-Bass in Baroque Music. Committee on Historic Instruments: The Fretted String. AmerMTeacher 11 4 Mar-Apr 1962 20-21, 36-37
15. Bright Bach. [Bach-Choir London]. London Concerts [David Willcocks conducted the Bach Choir, the St Matthew Passion at the Festival Hall on Apr.15] MMusicians 10 9 May 1962 43
16. Tilford Bach. The Concert Critics. MMusicians 11 11 Jul 1963 6-7
17. Thorough-Bass Accompaniment According to Johann David Heinichen. Berkeley: University of California Press, 1966. xiv, 316p. 1966 xiv, 316p
18. The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration. MReview 27 3 Aug 1966 161-176
19. The preludes and fugues of J.L. Krebs. MOpinion 90 1074 Mar 1967 337
20. The Organs at the Marienkirche at Luebeck. Diapason 61 1:721 Dec 1969 25
21. 20th-century Bach. RecRecording 12 1969 24-25
22. Symposium on 17th Century Music Theory: Germany. JMTheory 16 1-2 Spring-Winter 1972 36-49
23. Music, Rhetoric, and the concept of the Affections: A selective bibliography. Notes 30 2 Dec 1973 250-259
24. In Defence of J. A. Scheibe against J. S. Bach. ProceedRMA 101 1974-75 85-100
25. A Study in Baroque Performing Practice. MTimes 120 1638 Aug 1979 625, 638-639
26. Symbol and structure in the 'Kyrie' of Bach's B-minor Mass. FestschriftSer 4 1981 21-41 [fs]Herz
27. Johann Mattheson and the invention of the Affektenlehre. [ce]NewMatthesonStudies 1983 393-407
28. New Mattheson Studies. London, N.Y., New Rochelle: Cambridge Univ. Press. 1983. xiv, 495p. [ce]NewMatthesonStudies 1983 xiv, 495p
29. Johann Sebastian Bachs Briefe an Georg Erdmann. Nebst Beiträgen zur Lebensgeschichte von Bachs Jugendfreund. Summary in English (p.188), French (p.190), Russian (p.192) and Czech (p.193). BachJb 71 1985 83-97
30. Organ and church music activity in Munich during the European Year of Music. Diapason 77 8:921 Aug 1986 13-16
31. Thorough-Bass Accompaniment According to Johann David Heinichen. Revised edn. - Ann Arbor, Mich.: UMI Research Press, 1986. xvi, 462p. ISBN: 0-8357-1648-1. (= Studies in musicology, 84) StudMcol 84 1986 xvi, 462p
32. Die neueste Bach-Forschung in der UdSSR. Miszellen und Berichte. BeitrMw 29 4 1987 318-323
33. Expressivity in the accompanied recitatives of Bach's cantatas. BachStud 1 1989 18-35
34. A Bach Borrowing by Gluck: Another Frontier. Bach 22 1 Spring-Summer 1991 43-61
35. De necrologie van Johann Sebastian Bach: uit Mizler's Musikalische Bibliothek, Leipzig 1754. facsimile, inleiding en vertaling, door Gerard van der Leeuw. - Zwolle, Amsterdam: De Rode Leeuw Pers, 1992. 43p. [BWV 1076] 1992 43p
36. Music and society in the late Baroque era. ManM 4 1993 1-38
37. Dresden in the age of absolutism. ManM 4 1993 216-229
38. The late Baroque era: from the 1680s to 1740. Basingstoke: Macmillan, 1993; Englewood Cliffs, N.J.: Prentice Hall, 1994. xii, 521p. ISBN: 0-333-51603-6; 0-13-104340-4; 0-13-529983-7. (= Man & Music, 4) ManM 4 1993 xii, 521p
39. A Bach Borrowing by Gluck: Another Frontier. [BWV 825] FestschriftSer 13 1994 187-203 [fs]Mann
40. Musicology and performance. New Haven: Yale U. 1997. xii, 254p. ISBN: 0-300-06805-0. [ce]MusicologyPerformance 1997 xii, 254p
41. Bachs Matthaeus- en Johannespassion. Met de complete teksten en hun vertaling. Nijmegen: SUN, 2000. 173p. ISBN: 90-6168-589-3. 2000 173p
42. Angela Hewitt at the Wigmore. [At the Wigmore Hall on 11 February Angela Hewitt captivated a sold-out house with an enthralling account of the second half of the Second Book of Bach's Well-Tempered Clavier.] MOpinion 123 1421 Spring 2000
43. Andras Schiff in the Wigmore. [At the Wigmore Hall on 3 March Andras Schiff played Bach's six English Suites BWV 806 to 811] MOpinion 123 1421 Spring 2000
44. Johann Sebastian Bach's quarter millennium. MOpinion 123 1421 Spring 2000 142-143
45. Ursula Dutschler plays Bach. [Ursula Dutschler gave a harpsichord recital at the Wigmore Hall on 11 May, performing the entire collection of Bach keyboard Toccatas, BWV 910 to 916 splendidly] MOpinion 123 1422 Summer 2000
46. Emma Kirkby & the Florilegium Ensemble. [presented a programme of Bach Suites and Cantatas 204 and 209 on 23 March at the Wigmore Hall] MOpinion 123 1422 Summer 2000
47. Johann Sebastian Bach: Suites a Violoncello solo senza Basso--Gedanken zur Interpretation der fünften Suite c-moll BWV 1011. In: Glücksmomente: Zur Einweihung des neuen Hauses der Hochschule für Musik und Theater Rostock. Rostock: Reich, 2001. p. 44-56 2001 44-56
48. A Brief History of the American Bach Society. AmerBachSocNL Fall 2001 1, 10-11
49. Angela Hewitt at the Wigmore Hall. [on 11 February, WTC2] MOpinion 124 1425 Jun 2001
50. In Defence of J. A. Scheibe against J. S. Bach. Repr. from Proceedings of Royal Music Association, ci (1974-75), pp. 85-100 [ce]BaroqueComposers 2011 87-102

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