Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Tokawa, Seiichi | Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. [Bach's concerto form - focusing on Brandenburg concertos] |
OngakuGaku |
2 | | Jan 1960 |
|
|
| 2. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni. [1] [Bach als Wegbereiter von Heinrich Besseler] |
OngakuGeijutsu |
19 | 11 | 1961 |
|
|
| 3. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -2-. [Bach als Wegbereiter von Heinrich Besseler, 2] |
OngakuGeijutsu |
20 | 2 | 1962 |
|
|
| 4. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -3(kan)-. [Bach als Wegbereiter von Heinrich Besseler, 3 (Schluß)] |
OngakuGeijutsu |
20 | 3 | 1962 |
|
|
| 5. | Tokawa, Seiichi | J.S. Bach no Orugan Koraru to sono Rekishiteki Ichi. [J.S. Bach's Organ Chorale and its historical position] |
OngakuGeijutsu |
20 | 4 | 1962 |
|
|
| 6. | Tokawa, Seiichi | Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. [The present state and problems in the chronology of Bach's compositions] |
OngakuGaku |
8 | | Feb 1963 |
|
|
| 7. | Tokawa, Seiichi | Atarashii Bach Zo towa nani ka? [The New Bach: What is an 'Image'?] |
OngakuGeijutsu |
21 | 10 | 1963 |
6-13 |
|
| 8. | Tokawa, Seiichi | Bach no Parody ni tsuite -- Sakkyokuka Kenkyu. [On Bach's Parody] |
OngakuGeijutsu |
22 | 3 | 1964 |
10-13 |
|
| 9. | Tokawa, Seiichi | Ongakushi-jo no Bach. [Bach in the history of music] |
RekodoGeijutsu |
16 | 13 | 1967 |
244-247 |
|
| 10. | Tokawa, Seiichi | Shin Bach Zenshu ni tsuite. |
TokyoGakugeiDaigakuKiyo |
2 | 24 | Feb 1973 |
35-45 |
|
| 11. | Tokawa, Seiichi | Bach no Ryuto Sakuhin o Megutte -- BWV 1006a no Jihitsufu ni hasshite. [On Bach's Lute music - a study on Bach's autograph of BWV 1006a] |
BulMusashinoAcadM |
10 | | 1976 |
27-63 |
|
| 12. | Tokawa, Seiichi | Bach Kenkyu Noto. Sakkyoku Nendai o megutte. [Bach Research Notebook on the chronology of his compositions] Tokyo: Ongaku no tomo sha, 1981. 222p. ISBN: 4276222311. |
|
| | 1981 |
222p |
|
| 13. | Tokawa, Seiichi | 'Fukkatsusai Oratorio' Osteroratorium 'Kommt, eilet und laufet' BWV 249 [Oratorio towa; Bach no Oratorio; Bach no Oratorio to Reihai; 'Fukkatsu Oratorio' no Hasseishi (What is oratorio?; Bach's Oratorio; Bach's Oratorio and Liturgy; Genesis of Easter Oratorio)] Kaisetsu [Commentary] |
BachAkadJapan |
| | 1984 |
56-61 |
|
| 14. | Tokawa, Seiichi | 'Manifikato' Ni-Chocho. Magnificat D dur BWV 243. [Manifikato towa; Manifikato to Reihai; Bach no Manifikato o megutte; 'Manifikato' Ni-Chocho (BWV 243) no Hasseishi (What is Magnificat?; Magnificat and Liturgy; On Bach's Magnificat; Genesis of the D-major Magnificat BWV 243)] Kaisetsu [Commentary] |
BachAkadJapan |
| | 1984 |
64-70 |
|
| 15. | Tokawa, Seiichi | Bach no 4tsu no 'Sho-Misakyoku' ni tsuite. [On Bach's 4 Missa Brevis.] Sosetsu: Akademie Conert de no 'Sho Misa Kyoku' no Rikai no tame ni 1 [General Commentary / Translation: for the understanding of 'Missa brevis' at the Academy Concert 1] |
BachAkadJapan |
| | 1984 |
86-89 |
|
| 16. | Sumikura, Ichiro; Tokawa, Seiichi | Bach no Shogai. [Bach's life] by Ichiro Sumikura (planning) and Seiichi Tokawa (essay) |
BessatsuTaiyo |
| | 1984 |
50-55, 58-61, 64-67, 70-73 |
|
| 17. | Sumikura, Ichiro; Tokawa, Seiichi; Higuchi, Ryuichi; Monma, Naomi | Bach o yomu. [Um Bach zu lesen... Ein Gespräch] |
[ce]Bach_no_subete |
| | 1985 |
116-129 |
|
| 18. | Tokawa, Seiichi | Gendai no Bach Kenkyu -2- Atarashii Nendai Kenkyu to sonogo -- Kyokai Kantata o Chushin ni. [Modern Bach research -2- new chronology research and aftermath - viewing from church cantatas.] |
OngakuGeijutsu |
43 | 4 | 1985 |
90-99 |
|
| 19. | Tokawa, Seiichi | Bach to 'Heikinritsu'. [Bach and '(equal) temperament'] |
BachZenshu |
12 | | Jul 1998 |
28-49 |
|
| 20. | Tokawa, Seiichi | Kogaku no Onritsu. Tokyo: Shunju sha, 2001. 288p. ISBN: 4393930142. |
|
| | 2001 |
288p |
|
| 21. | Tokawa, Seiichi | Ongakuka no Jijoden: Quantz, Benda, E. Bach, Czerny. [Autobiography of musicians: Quantz, Benda, E. Bach, Czerny; trans. from DocumentaMcol i/19: Charles Burney, Tagebuch einer musikalischen Reise, S.198-209] Tokyo: Shunju sha, 2003. 252p. ISBN: 4-393-93164-5; 978-4-393-93164-6. |
|
| | 2003 |
252p |
|
| 22. | Tokawa, Seiichi | Taiiho no Hendo; Shin-Ongaku no Taido: Renaissance kara Baroque e Tenkanki no Ongaku Riron. [Changes in counterpoint; the emergence of new music: music theory in transition from Renaissance to Baroque] Tokyo: Shunju sha, 2008. 256p. ISBN: 978-4-393-93024-3. |
|
| | 2008 |
256p |
|
| 23. | Tokawa, Seiichi | Senpo-ron. Gakuri no Kenkyu. [On Church Modes - A Study of Music Theory] Tokyo: Shunju sha, 2010. 174p. ISBN: 4393930266; 978-4393930267. |
|
| | 2010 |
174p |
|