Bach Bibliography
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Author : Talbot, Michael
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Talbot, MichaelThe Concerto Allegro in the Early Eighteenth Century. MLetters 52 1, 2 Jan; Apr 1971 8-18; 159-172
2. Talbot, MichaelA Vivaldi Sonata with obbligato Organ in Dresden. OrganYb 12 1981 81-103
3. Fanna, Antonio; Talbot, Michael (eds.)Vivaldi vero e falso: Problemi di attribuzione. StudiMVenetaQuadVivaldi 7 1992 192p
4. Talbot, MichaelA Further Borrowing from Albinoni: The C Major Fugue BWV 946. [cr]Rostock1990 1995 142-161
5. Talbot, MichaelDie italienische weltliche Kantate. [ce]WeltBachKantaten 2 1997 33-48
6. Talbot, MichaelDe Italiaanse wereldlijke cantate. [ce]WereldBachCantates 2 1997 32-47
7. Talbot, MichaelPurpose and peculiarities of the Brandenburg Concertos. [p]BCB_Exeter Jul 1998
8. Talbot, MichaelPurpose and Peculiarities of the Brandenburg Concertos [p]BS_Dortmund Jan 1998
9. Talbot, MichaelPurpose and Peculiarities of the Brandenburg Concertos. DortmundBachF 2 1999 255-289
10. Talbot, MichaelItariago no Sezoku Kantata. [ce]BachKantataNoSekai 2 2002 53-78
11. Talbot, MichaelWenzel von Morzin as a Patron of Antonio Vivaldi. FaschSt 9 2003 67-76
12. Talbot, MichaelDie italienische weltliche Kantate. HandbMlGattungen 17 2 2010 25-32
13. Talbot, MichaelDie Violine als Imitator anderer Instrumente in der Musik von Antonio Vivaldi und Tomaso Albinoni. TelemannKonfBer 15 2010 56-69

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