Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Talbot, Michael | The Concerto Allegro in the Early Eighteenth Century. |
MLetters |
52 | 1, 2 | Jan; Apr 1971 |
8-18; 159-172 |
|
| 2. | Talbot, Michael | A Vivaldi Sonata with obbligato Organ in Dresden. |
OrganYb |
12 | | 1981 |
81-103 |
|
| 3. | Fanna, Antonio; Talbot, Michael (eds.) | Vivaldi vero e falso: Problemi di attribuzione. [Vivaldi true and false: Problems of attribution] Congres Vivaldi: Falsifications et mystifications, Poitiers, 1991. Firenze: Olschki, 1992. 192p. ISBN: 88-222-3987-3. (= Studi di musica veneta: Quaderni vivaldiani, 7) |
StudiMVenetaQuadVivaldi |
7 | | 1992 |
192p |
|
| 4. | Talbot, Michael | A Further Borrowing from Albinoni: The C Major Fugue BWV 946. |
[cr]Rostock1990 |
| | 1995 |
142-161 |
|
| 5. | Talbot, Michael | Die italienische weltliche Kantate. |
[ce]WeltBachKantaten |
2 | | 1997 |
33-48 |
|
| 6. | Talbot, Michael | De Italiaanse wereldlijke cantate. [The Italian secular cantata] |
[ce]WereldBachCantates |
2 | | 1997 |
32-47 |
|
| 7. | Talbot, Michael | Purpose and peculiarities of the Brandenburg Concertos. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. |
[p]BCB_Exeter |
| | Jul 1998 |
|
|
| 8. | Talbot, Michael | Purpose and Peculiarities of the Brandenburg Concertos Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998. |
[p]BS_Dortmund |
| | Jan 1998 |
|
|
| 9. | Talbot, Michael | Purpose and Peculiarities of the Brandenburg Concertos. |
DortmundBachF |
2 | | 1999 |
255-289 |
|
| 10. | Talbot, Michael | Itariago no Sezoku Kantata. [Die italienische weltliche Kantate] Trans. by Tadashi Isoyama and Hiroshi Nonaka. |
[ce]BachKantataNoSekai |
2 | | 2002 |
53-78 |
|
| 11. | Talbot, Michael | Wenzel von Morzin as a Patron of Antonio Vivaldi. |
FaschSt |
9 | | 2003 |
67-76 |
|
| 12. | Talbot, Michael | Die italienische weltliche Kantate. |
HandbMlGattungen |
17 | 2 | 2010 |
25-32 |
|
| 13. | Talbot, Michael | Die Violine als Imitator anderer Instrumente in der Musik von Antonio Vivaldi und Tomaso Albinoni. Telemann, der musikalische Maler. |
TelemannKonfBer |
15 | | 2010 |
56-69 |
[cr]Magdeburg2004 |