Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Sumikura, Ichiro | Rekishi to Gendai ni okeru Bach -2-. [Bach in the past and present. Part 2] |
Philharmony |
28 | 10 | 1956 |
|
|
| 2. | Sumikura, Ichiro | Barokku Gainen no Rekishi. [History of Baroque concept] |
OngakuGeijutsu |
20 | 4 | 1962 |
|
|
| 3. | Sumikura, Ichiro | Bach. Tokyo: Ongaku no Tomo Sha 1963. 188, 52p. ISBN: 4276220017. (= Dai Ongakuka. Hito to Sakuhin, 1); R/1970, 1972. 188; 68p |
|
| | 1963 |
188, 52p |
|
| 4. | Sumikura, Ichiro | Bunken kara mita Bach Kenkyu no Ayumi. [Progress of Bach Research viewing from a bibliographical perspective] |
OngakuGeijutsu |
21 | 10 | 1963 |
14-21 |
|
| 5. | Sumikura, Ichiro | Kyokkyu Riron no Saikento. [1] Bach Kenkyu no Danmen. [Reconsidering the theory of bowing] |
OngakuGeijutsu |
22 | 3 | 1964 |
6-9 |
|
| 6. | Sumikura, Ichiro | Kyokkyu Riron no Saikento. [2] Bach Kenkyu no Danmen (1). [Reconsidering the theory of bowing] |
OngakuGeijutsu |
22 | 4 | 1964 |
12-17 |
|
| 7. | Sumikura, Ichiro | 'Ro-tancho Misa' - wa sonzai suru ka? Bach Kenkyu no Danmen -2-. [Does 'B-minor Mass' exist?] |
OngakuGeijutsu |
22 | 8 | 1964 |
13-19 |
|
| 8. | Sumikura, Ichiro | Bach no Hakucho no Uta. Bach Kenkyu no Danmen -3-. [Bach's Swan Song] |
OngakuGeijutsu |
23 | 9 | 1965 |
60-65 |
|
| 9. | Sumikura, Ichiro | Roman-ha Jidai no Bach. Bach Kenkyu no Danmen -4-. [Bach in the Romantic Era (introducing Blume's article)] |
OngakuGeijutsu |
23 | 11 | 1965 |
28-33 |
|
| 10. | Sumikura, Ichiro | Bach Kenkyu no Shomondai. [Problems in Bach studies] |
Philharmony |
37 | 5 | 1965 |
7-13 |
|
| 11. | Hattori, Kozo; Sumikura, Ichiro | Bach Jihitsufu no Shinhakken ni tsuite. [On the newly discovered Bach's autograph manuscript] |
OngakuGaku |
12 | 4 | 1966 |
234-235 |
|
| 12. | Sumikura, Ichiro | Roman-ha Jidai no Bach. Bach Kenkyu no Danmen -5-. [Bach in the Romantic Era, introducing Blume's article] |
OngakuGeijutsu |
24 | 2 | 1966 |
34-40 |
|
| 13. | Sumikura, Ichiro | Brandenburg Kyosokyoku no Seiritsu Jijo. [1] Bach Kenkyu no Danmen -6-. [On the origin of the Brandenburg Concerti] |
OngakuGeijutsu |
24 | 3 | 1966 |
56-61 |
|
| 14. | Sumikura, Ichiro | Brandenburg Kyosokyoku no Seiritsu Jijo. [2] Bach Kenkyu no Danmen -7-. [On the origin of the Brandenburg Concerti] |
OngakuGeijutsu |
24 | 5 | 1966 |
36-41 |
|
| 15. | Sumikura, Ichiro | Bach no Sakuhin Mokuroku (1). Bach Kenkyu no Danmen -8-. [Bach's Works catalogue] |
OngakuGeijutsu |
24 | 7 | 1966 |
56-59 |
|
| 16. | Sumikura, Ichiro | Bach no Sakuhin Mokuroku (2). Bach Kenkyu no Danmen -9-. [Bach's Works catalogue] |
OngakuGeijutsu |
24 | 8 | 1966 |
66-67 |
|
| 17. | Sumikura, Ichiro | Schweitzer no Bach Kan. [Schweitzer's view on Bach] |
OngakuNoTomo |
23 | 11 | 1966 |
72-76 |
|
| 18. | Sumikura, Ichiro | Bach no Ryuto Ongaku. [Bach's Lute Music] |
GendaiGuitar |
1 | 5 | 1967 |
18-21 |
|
| 19. | Sumikura, Ichiro | Bach no Ryuto Ongaku. [Bach's Lute Music] |
GendaiGuitar |
1 | 8 | 1967 |
6-9 |
|
| 20. | Sumikura, Ichiro | Bach no Henkyoku ni kansu ru Jakkan no Mondai. [Some problems associated with Bach's transcriptions] |
OngakuGaku |
12 | 4 | 1967 |
253-254 |
|
| 21. | Sumikura, Ichiro | Brandenburg Kyosokyoku no Iko ni tsuite. [On the different version of Brandenburg Concerti] |
OngakuGaku |
13 | 3 | 1967 |
155-158 |
|
| 22. | Sumikura, Ichiro | Bach to Vivaldi (1). Bach Kenkyu no Danmen -10-. [Bach and Vivaldi] |
OngakuGeijutsu |
25 | 1 | 1967 |
58-61 |
|
| 23. | Sumikura, Ichiro | Bach to Vivaldi (2). Bach Kenkyu no Danmen -11-. [Bach and Vivaldi] |
OngakuGeijutsu |
25 | 2 | 1967 |
60-64 |
|
| 24. | Sumikura, Ichiro | Bach to Vivaldi (3). Bach Kenkyu no Danmen -12-. [Bach and Vivaldi] |
OngakuGeijutsu |
25 | 3 | 1967 |
63-67 |
|
| 25. | Sumikura, Ichiro | Bach no Deshi tachi. Bach Kenkyu no Danmen -13-. [Bach's pupils] |
OngakuGeijutsu |
25 | 4 | 1967 |
45-49 |
|
| 26. | Sumikura, Ichiro | Barokku Ongaku no Enso to 'Genten'. [Baroque music performance and Urtext] |
OngakuGeijutsu |
25 | 5 | 1967 |
11-17 |
|
| 27. | Sumikura, Ichiro | Bach no Jihitsu Gakufu. Sono Densho to Genjo. Bach Kenkyu no Danmen -14(kan)-. [Bach's autograph manuscript. Its transmission and the present state] |
OngakuGeijutsu |
25 | 7 | 1967 |
56-61 |
|
| 28. | Sumikura, Ichiro | G.P. Telemann -- Shi to Fukkatsu. [G. P. Telemann - death and ressurection] |
OngakuGeijutsu |
25 | 11 | 1967 |
30-35 |
|
| 29. | Sumikura, Ichiro | Bach Zo no Hensen. [Bach: the changing image] |
RekodoGeijutsu |
16 | 13 | 1967 |
240-243 |
|
| 30. | Sumikura, Ichiro | Bach no Fuga ni kansuru Jakkan no Mondai. [small problems in Bach's fugues.] |
OngakuGeijutsu |
26 | 3 | 1968 |
60-62 |
|
| 31. | Paillard, Jean François; Sumikura, Ichiro | Barokku Ongaku no Yoshiki to Enso. [The style of Baroque music and performance] |
OngakuGeijutsu |
26 | 13 | 1968 |
58-60 |
|
| 32. | Sumikura, Ichiro | Bach no Violin-kyoku no Shuko Shiryo. [The manuscript sources of Bach's violin works.] |
[fs]Nomura60 |
| | 1969 |
204-220 |
|
| 33. | Sumikura, Ichiro | Karl Richter no Bach [interview] [Karl Richter's Bach] |
OngakuGeijutsu |
27 | 7 | 1969 |
48-51 |
|
| 34. | Sumikura, Ichiro; Watanabe, Takeshi (eds.) | Bach Sho. [Bach-Ehrungen.] Tokyo: Hakusuisha 1972. vi, 548p. - R/1996. |
|
| | 1972 |
iv, 548p |
|
| 35. | Sumikura, Ichiro (ed.) | Gendai no Bach Zo. Tokyo: Hakusui-sha. 1/1974, 3/1983. 391, 23p. [Bach's image today. With a commentary] |
BachSosho |
1 | | 1976 |
391p, 23p |
|
| 36. | Sumikura, Ichiro | Johann Sebastian Bach und Johann Kasper Ferdinand Fischer. |
[cr]Leipzig1975 |
| | 1977 |
233-238 |
|
| 37. | Sumikura, Ichiro (ed.) | Bach no Sekai. Tokyo: Hakusui-sha. 1/1978, 2/1981. 413, 31p. [Bach's World. With a commentary.] |
BachSosho |
9 | | 1978 |
413p, 31p |
|
| 38. | Sumikura, Ichiro (ed.) | Bach Album. Tokyo: Hakusui-sha, 1983. 422p. ISBN: 456003768X. (= Bach-Sosho, Bekkan, 1) |
BachSosho |
| Bekkan 1 | 1983 |
422p |
|
| 39. | Sumikura, Ichiro (ed.) | Bach Shiryo Shu. Tokyo: Hakusui-sha. 1983. 380p, 78p. [Collected Bach materials. With chronological tables and family tree.] |
BachSosho |
10 | | 1983 |
380p, 78p |
|
| 40. | Sumikura, Ichiro; Maruyama, Keisuke (eds.) | Johann Sebastian Bach. Tokyo: Heibon sha, 1984. 132p. (Seitan 300-Nen Kinen Tokushu Go) |
|
| | 1984 |
132p |
|
| 41. | Sumikura, Ichiro | Kantata 'Yorokobe, sukuwareshi Mure yo'. 'Freue dich, erlöste Schar' BWV 30. Kaisetsu [Commentary] |
BachAkadJapan |
| | 1984 |
76-80 |
|
| 42. | Sumikura, Ichiro; Tokawa, Seiichi | Bach no Shogai. [Bach's life] by Ichiro Sumikura (planning) and Seiichi Tokawa (essay) |
BessatsuTaiyo |
| | 1984 |
50-55, 58-61, 64-67, 70-73 |
|
| 43. | Sumikura, Ichiro | Nihon de Hakken sareta Bach no Jihitsufu. [BWV 246/40a] [Bach's autograph discovered in Japan] -- Tokubetsu Furoku Kaisetsu: 'Bach Jihitsufu' Koraru 'Fukaki Fuchi yori' BWV 246, Nr.40. |
BessatsuTaiyo |
| | 1984 |
132 |
|
| 44. | Sumikura, Ichiro; Maruyama, Keisuke (eds.) | Johann Sebastian Bach. 'Seitan 300-Nen Kinen Tokushu-go'. Tokyo: Heibon sha, 1984. 132p. (= Bessatsu Taiyo) |
BessatsuTaiyo |
| | 1984 |
132p |
|
| 45. | [Sumikura, Ichiro] (ed.) | [J. S. Bach] Choral: Aus der Tiefen. BWV 246, Nr. 40. - Bach jihitsufu. Koraru 'Fukaki Fuchi yori'. 'Bach' Seitan 300-nen Kinen Tokushugo, Tokubetsu Furoku. [Supplement] With comentary by Ichiro Sumikura (p.132). [BWV 246/40] |
BessatsuTaiyo |
| | 1984 |
[133] |
|
| 46. | Sumikura, Ichiro | Bach Kenkyu no Genjo to Kadai (Bigakkai Dai-35-Kai Zenkoku Taikai Hokoku). [Stand und Aufgabe der Bachforschung heute (Papers Read at the 35th National Congress)] |
Bigaku |
35 | 3 | 1984 |
54 |
|
| 47. | Sumikura, Ichiro | Bach to wa Nani ka. [What is Bach?] |
BachAkadJapan |
| | 1985 |
44-45 |
|
| 48. | Sumikura, Ichiro; Tokawa, Seiichi; Higuchi, Ryuichi; Monma, Naomi | Bach o yomu. [Um Bach zu lesen... Ein Gespräch] |
[ce]Bach_no_subete |
| | 1985 |
116-129 |
|
| 49. | Sumikura, Ichiro | Gendai no Bach Kenkyu -1- Denki Kenkyu no Shomondai. [Modern Bach research -1- problems in biographical research] |
OngakuGeijutsu |
43 | 3 | 1985 |
58-65 |
|
| 50. | Sumikura, Ichiro | Gendai no Bach Kenkyu -7- 'Fuga no Giho' no Nazo -1-. [Modern Bach research -7- riddles of 'Art of Fugue' -1-.] |
OngakuGeijutsu |
43 | 9 | 1985 |
72-79 |
|
| 51. | Sumikura, Ichiro | Gendai no Bach Kenkyu -8- 'Fuga no Giho' no Nazo -2-. [Modern Bach research -8- riddles of 'Art of Fugue' -2-.] |
OngakuGeijutsu |
43 | 10 | 1985 |
73-81 |
|
| 52. | Sumikura, Ichiro | Bach e no atarashii Shiten. [New Perspectives to Bach] Tokyo: Ongaku no tomo sha, 1998. 209, 15p. ISBN: 4276222354. |
|
| | 1988 |
209, 15p |
|
| 53. | Sumikura, Ichiro (ed.) | Bach Jiten. Bach Lexikon. Tokyo: Ongaku no tomo sha, 1993. 638p. |
|
| | 1993 |
638p |
|
| 54. | Sumikura, Ichiro | Fuga no Giho o meguru Shomondai. [Various problems on the art of fugue] |
BachZenshu |
14 | | Dec 1995 |
64-76 |
|
| 55. | Sumikura, Ichiro | 'Ro-Tancho Misa' saiko. [Revisiting the 'B-minor Mass'] |
BachZenshu |
7 | | Oct 1996 |
66-76 |
|
| 56. | Sumikura, Ichiro (ed.) | Bach Sosho. Bekkan 2. [Bach's Works Catalogue] Tokyo: Hakusui Sha, 1997, 1354p |
BachSosho |
| Bekkan 2 | 1997 |
1354p |
|
| 57. | Sumikura, Ichiro | 20-Seiki no Bach Kenkyu. [Bach Research in the 20th Century] |
BulFacMTokyoGeijutsuDaigaku |
26 | | Mar 2001 |
47-65 |
|