Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach PhD diss., Performance Practice. Washington Univ. 1966. 237p. (Ann Arbor: Univ. Microfilms 1967.) |
diss. |
| | 1966 |
230p |
|
| 2. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [1] [Introduction; Chapter 1: The Chorale Melodies; Bar Form Chorales; Non bar form chorales with two or more symmetrical phrases] |
AmerOrganist(1) |
50 | 7 | Jul 1967 |
14-20 |
|
| 3. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [2] [cont.; Through-composed chorale melodies showing no symmetries] |
AmerOrganist(1) |
50 | 8 | Aug 1967 |
16-21 |
|
| 4. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [3] [Chapter 2: Stylistic Features of the Chorale Preludes] |
AmerOrganist(1) |
50 | 9 | Sep 1967 |
16-22 |
|
| 5. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [4] [cont.] |
AmerOrganist(1) |
50 | 10 | Oct 1967 |
20-22 |
|
| 6. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [5] [Chapter III: Form and Symmetry in the Chorale Preludes. Group 1: settings Employing the Entire Chorale Melody. A: Symmetries between Phrases of the Chorale Melody; B: Symmetries between Phrases and Interludes; C: Symmetries between Interludes; D: Symmetries within one Interlude; E: Chorale Preludes of Group 1 without symmetries] |
AmerOrganist(1) |
50 | 11 | Nov 1967 |
20-27 |
|
| 7. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [6] [Group 2: Independent Forms; A: Settings with two or more closely related sections; B: settings with two or more contrasting sections; Symmetries in Group 2 Settings. A: Symmetries between Sections] |
AmerOrganist(1) |
50 | 12 | Dec 1967 |
15-20 |
|
| 8. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [7] [Group 3: Fugal Settings: Independent forms in the fugues; symmetries in the fugues; A: repetitions within the opening exposition] |
AmerOrganist(1) |
51 | 1 | Jan 1968 |
34-38 |
|
| 9. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [8] [B: Parallelism between expositions and episodes; C: symmetries between fugal expositions; D: correspondences between episodes] |
AmerOrganist(1) |
51 | 2 | Feb 1968 |
18-21 |
|
| 10. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [9] [Chapter 4: Chorale Preludes existing in two or three versions] |
AmerOrganist(1) |
51 | 3 | Mar 1968 |
16-21 |
|
| 11. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [10] [cont.; Chapter V: conclusion] |
AmerOrganist(1) |
51 | 4 | Apr 1968 |
22-23, 34-35 |
|