Bach Bibliography
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Author : Schulenberg, David
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Schulenberg, DavidComposition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. [p]AMS_GreaterNewYork May 1981
2. Schulenberg, DavidComposition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. CurMcol 33 1982 57-88
3. Schulenberg, David LouisThe Instrumental Music of Carl Philipp Emanuel Bach. diss. 1982 viii, 408p
4. Schulenberg, DavidThe Instrumental Music of Carl Philipp Emanuel Bach. StudMcol 77 1984 192p
5. Schulenberg, DavidMusical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. [p]AMS_Vancouver Nov 1985
6. Schulenberg, DavidC. P. E. Bach in the 1740s: The Growth of a Style. [ce]CPEBachStud 1988 217-231
7. Schulenberg, DavidPerforming C. P. E. Bach: Some Open Questions. EarlyM 16 4 Nov 1988 542-551
8. Schulenberg, DavidExpression and Authenticity in the Harpsichord Music of J. S. Bach. JMcol 8 4 Fall 1990 449-476
9. Schulenberg, DavidComposition and Improvisation in the School of J.S. Bach. [p]AMS_Chicago Nov 1991
10. Schulenberg, DavidThe Keyboard Music of J. S. Bach. 1992 473p
11. Schulenberg, DavidC.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. Bach 23 2 Fall-Winter 1992 5-30
12. Schulenberg, DavidMusical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. ContributStudMDance 19 1992 95-109
13. Schulenberg, DavidMusical Allegory Reconsidered: Representation and Imagination in Baroque Music. [p]AMS_Montreal Nov 1993
14. Schulenberg, DavidCarl Philipp Emanuel Bach. [ce]18cKeyboardM 1994 191-229
15. Schulenberg, DavidComposition and Improvisation in the School of J. S. Bach. BachPerspectives 1 1995 1-42
16. Schulenberg, DavidMusical Allegory Reconsidered: Representation and Imagination in the Baroque. JMcol 13 2 Spring 1995 203-239
17. Schulenberg, DavidTempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. [p]AMS_Southwest Feb 1997
18. Schulenberg, David'Partes feminarum': Gender Representation in Baroque Music. [p]FTM_Virginia Jun 1997
19. Schulenberg, DavidMissing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] AmerBachSocNL Fall 1998 6-7
20. Schulenberg, DavidThe 'Sonata auf Concertenart': A Modern Invention? [p]ABS_Yale Apr 1998
21. Schulenberg, DavidGenre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. [p]AMS_Boston Oct 1998
22. Schulenberg, DavidVersions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 1999 111-135
23. Schulenberg, David (ed)Bach Perspectives, vol. 4. The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 1999 x, 208p
24. Schulenberg, DavidTempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. JMcolResearch 18 2 1999 139-160
25. Schulenberg, DavidWhen did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. DeClavicordio 4 2000 37-53
26. Schulenberg, DavidBach no Kenban Ongaku. 2001 727p
27. Schulenberg, DavidMusic of the Baroque. 2001 xiv, 349p
28. Schulenberg, DavidPerformer's View. AmerBachSocNL Spring 2002 3, 8-9
29. Schulenberg, David'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. [ce]KeyboardInBaroqueEurope 2003 157-168
30. Schulenberg, DavidReview Article: Recent Bach Studies. JMcolResearch 22 4 2003 387-402
31. Schulenberg, DavidThe Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]AMS_Houston Nov 2003
32. Schulenberg, DavidThe Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]IS_Memphis Nov 2003
33. Schulenberg, David (ed.)'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. CPEBachCW 1 3 2005 xxxiv, 190p
34. Schulenberg, DavidSeventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. [ce]WorldOfBaroqueMusic 2006 185-212
35. Schulenberg, DavidFugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. [p]AMS_RhodeIsland Sep 2006
36. Schulenberg, DavidWhy we know so little about Bach's early works: a case study of two keyboard fugues. [fs]Williams70 2007 169-203
37. Schulenberg, DavidC.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. Schr_MittDMges 14 2007 131-152
38. Schulenberg, DavidThe Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 2008 55-96
39. Schulenberg, DavidFugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 2008 14-23
40. Schulenberg, DavidModifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. [p]ABS_Bethlehem May 2008
41. Schulenberg, David (ed.)Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. CPEBachCW 3 9. 2 2009 xviii, 225p
42. Schulenberg, DavidAn Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. Bach 41 2 2010 24-60
43. Kulukundis, Elias N.; Schulenberg, David (eds.)Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. CPEBachCW 3 9. 8 2010 xvi, 8, 271p
44. Schulenberg, DavidCrossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. DetroitMMcol 55 2010 271-302
45. Schulenberg, DavidJ.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. EarlyKeyboardJ 25-26 2010 29-59
46. Schulenberg, DavidThe Music of Wilhelm Friedemann Bach EastmanStudM 79 2010 354p
47. Schulenberg, DavidEditing Bach's preludes and fugues for organ. OrganYb 39 2010 59-72
48. Schulenberg, DavidAn Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). [p]ABS_Wisconsin May 2010
49. Schulenberg, DavidAn Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast Jul 2010
50. Schulenberg, DavidModifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. 18cM 8 1 Mar 2011 21-51
51. Schulenberg, DavidBach's temperament. EarlyM 40 1 Feb 2012 166-167
52. Schulenberg, David (ed.)Preludes and Fugues I / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 1 Forthcoming
53. Schulenberg, David (ed.)Preludes and Fugues II / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 2 Forthcoming

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