Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schulenberg, David | Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. A paper read at the Greater New York Chapter meeting of the AMS on 9 May 1981 at Columbia University. |
[p]AMS_GreaterNewYork |
| | May 1981 |
|
|
| 2. | Schulenberg, David | Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. |
CurMcol |
| 33 | 1982 |
57-88 |
|
| 3. | Schulenberg, David Louis | The Instrumental Music of Carl Philipp Emanuel Bach. PhD diss., Musicology, State University of New York at Stony Brook, 1982. viii, 408p. |
diss. |
| | 1982 |
viii, 408p |
|
| 4. | Schulenberg, David | The Instrumental Music of Carl Philipp Emanuel Bach. Ann Arbor, Mich.: UMI Research Press, 1984. viii, 192p. ISBN: 0-8357-1564-7. (= Studies in musicology, 77) |
StudMcol |
77 | | 1984 |
192p |
|
| 5. | Schulenberg, David | Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. |
[p]AMS_Vancouver |
| | Nov 1985 |
|
|
| 6. | Schulenberg, David | C. P. E. Bach in the 1740s: The Growth of a Style. |
[ce]CPEBachStud |
| | 1988 |
217-231 |
|
| 7. | Schulenberg, David | Performing C. P. E. Bach: Some Open Questions. |
EarlyM |
16 | 4 | Nov 1988 |
542-551 |
|
| 8. | Schulenberg, David | Expression and Authenticity in the Harpsichord Music of J. S. Bach. [BWV 903, 830] |
JMcol |
8 | 4 | Fall 1990 |
449-476 |
|
| 9. | Schulenberg, David | Composition and Improvisation in the School of J.S. Bach. A paper read at the American Musicological Society Annual Meeting in Chicago on 7-10 November 1991. |
[p]AMS_Chicago |
| | Nov 1991 |
|
|
| 10. | Schulenberg, David | The Keyboard Music of J. S. Bach. New York: Schirmer Books, 1992; London: Victor Gollancz, 1993, 473p. ISBN: 0-575 05518-9. - Second Edition. New York: Routledge, 2006. viii, 535p. ISBN: 0-415-97399-6; 0-415-97400-3; 978-0-415-97399-1; 978-0-415-97400-4. |
|
| | 1992 |
473p |
|
| 11. | Schulenberg, David | C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. |
Bach |
23 | 2 | Fall-Winter 1992 |
5-30 |
|
| 12. | Schulenberg, David | Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. |
ContributStudMDance |
19 | | 1992 |
95-109 |
[cr]Hofstra1985 |
| 13. | Schulenberg, David | Musical Allegory Reconsidered: Representation and Imagination in Baroque Music. A paper read at the American Musicological Society Annual Meeting in Montreal on 3-7 November 1993. |
[p]AMS_Montreal |
| | Nov 1993 |
|
|
| 14. | Schulenberg, David | Carl Philipp Emanuel Bach. [Headings: Bach's Keyboard Style; Organization and Editions of Bach's Keyboard Works; Bach's Keyboard Works] |
[ce]18cKeyboardM |
| | 1994 |
191-229 |
|
| 15. | Schulenberg, David | Composition and Improvisation in the School of J. S. Bach. |
BachPerspectives |
1 | | 1995 |
1-42 |
|
| 16. | Schulenberg, David | Musical Allegory Reconsidered: Representation and Imagination in the Baroque. |
JMcol |
13 | 2 | Spring 1995 |
203-239 |
|
| 17. | Schulenberg, David | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. A paper read at the Southwest Chapter of the American Musicological Society on 22 February 1997 at University of South Carolina. |
[p]AMS_Southwest |
| | Feb 1997 |
|
|
| 18. | Schulenberg, David | 'Partes feminarum': Gender Representation in Baroque Music. A paper read at Feminist Theory and Music IV conference (University of Virginia, Charlottesville, Virginia, 6 June 1997). |
[p]FTM_Virginia |
| | Jun 1997 |
|
|
| 19. | Schulenberg, David | A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. http://faculty.wagner.edu/david-schulenberg/files/2012/12/spitta_ms98.pdf |
|
| | 1998 |
4p |
|
| 20. | Schulenberg, David | Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] |
AmerBachSocNL |
| | Fall 1998 |
6-7 |
|
| 21. | Schulenberg, David | The 'Sonata auf Concertenart': A Modern Invention? A paper read at American Bach Society conference (Yale University, New Haven, Connecticut, 25 April 1998) |
[p]ABS_Yale |
| | Apr 1998 |
|
|
| 22. | Schulenberg, David | Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. A paper read at the American Musicological Society Annual Meeting in Boston, 29 October - 1 November 1998. |
[p]AMS_Boston |
| | Oct 1998 |
|
|
| 23. | Schulenberg, David | Versions of Bach: Performing Practice in the Keyboard Works. |
BachPerspectives |
4 | | 1999 |
111-135 |
|
| 24. | Schulenberg, David (ed) | The Music of J. S. Bach. Analysis and Interpretation. Edited by David Schulenberg. - Lincoln: Nebraska: University of Nebraska Press, 1999. x, 208p. (= Bach Perspectives, 4) |
BachPerspectives |
4 | | 1999 |
x, 208p |
|
| 25. | Schulenberg, David | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. [BWV 811] |
JMcolResearch |
18 | 2 | 1999 |
139-160 |
|
| 26. | Schulenberg, David | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. http://faculty.wagner.edu/david-schulenberg/files/2012/12/clav.pdf |
DeClavicordio |
4 | | 2000 |
37-53 |
|
| 27. | Schulenberg, David | Bach no Kenban Ongaku. Trans. to Japanese by Nozomi Sato and Sachiko Kimura. Tokyo: Shogakukan, 2001. 727p. ISBN: 4-09-386030-0. |
|
| | 2001 |
727p |
|
| 28. | Schulenberg, David | Music of the Baroque. New York: Oxford Univ. Press, 2001. xiv, 349p. ISBN: 0195122321. - 2nd edn. New York; Oxford: Oxford University Press, c2008. xiv, 370p. ISBN: 9780195331066. |
|
| | 2001 |
xiv, 349p |
|
| 29. | Schulenberg, David | Performer's View. |
AmerBachSocNL |
| | Spring 2002 |
3, 8-9 |
|
| 30. | Schulenberg, David | The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch. http://faculty.wagner.edu/david-schulenberg/files/2012/12/Probestuecke.pdf |
|
| | 2003 |
|
|
| 31. | Schulenberg, David | 'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
157-168 |
|
| 32. | Schulenberg, David | Recent Bach Studies. Review Article. |
JMcolResearch |
22 | 4 | Oct-Dec 2003 |
387-402 |
|
| 33. | Schulenberg, David | The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. A paper read at the American Musicological Society Annual Meeting in Houston, 13-16 November 2003. |
[p]AMS_Houston |
| | Nov 2003 |
|
|
| 34. | Schulenberg, David | The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. Paper read at an International Symposium held at Rhodes College, 6-7 November 2003: The Composers And Compositions Of The Berlin Sing-Akademie |
[p]IS_Memphis |
| | Nov 2003 |
|
|
| 35. | Schulenberg, David (ed.) | 'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. Edited by David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2005. xxxiv, 190p (Critical report pp.153-190). ISBN: 1-933280-01-8; 978-1-933280-01-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 3) [Achtzehn Probe-Stücke in sechs Sonaten, Wq 63/1 - 6. Sechs leichte Clavier Sonaten, Wq 53/1 - 6. Six sonates pour le clavecin à l'usage des dames, Wq 54/1 - 6. Sechs neue Clavier-Stücke, Wq 63/7 - 12] [Wq 63/1-6 (H 70, 71, 72, 73, 74, 75), Wq 53 (H 162, 163, 180, 181, 182, 183), Wq 54 (H 184, 185, 204, 205, 206, 207), Wq 63/7-12 (H 292, 293, 294, 295, 296, 297)] |
CPEBachCW |
1 | 3 | 2005 |
xxxiv, 190p |
|
| 36. | Schulenberg, David | Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. Chapter Nine. |
[ce]WorldOfBaroqueMusic |
| | 2006 |
185-212 |
|
| 37. | Schulenberg, David | Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. A paper read at the New England chapter meeting of the AMS at Providence College, Providence, Rhode Island, USA (Sept. 30, 2006). http://faculty.wagner.edu/david-schulenberg/files/2012/12/fuguefings_with_images.pdf |
[p]AMS_RhodeIsland |
| | Sep 2006 |
|
|
| 38. | Schulenberg, David | Why we know so little about Bach's early works: a case study of two keyboard fugues. [BWV 951, 532] |
[fs]Williams70 |
| | 2007 |
169-203 |
|
| 39. | Schulenberg, David | C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. |
Schr_MittDMges |
14 | | 2007 |
131-152 |
|
| 40. | Schulenberg, David | The Sonate auf Concertenart: A Postmodern Invention? |
BachPerspectives |
7 | | 2008 |
55-96 |
|
| 41. | Schulenberg, David | Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. |
EastmanStudM |
58 | | 2008 |
14-23 |
[fs]Rosen80 |
| 42. | Schulenberg, David | Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 43. | Schulenberg, David | El clave bien temperado, parte I. Trans. Jaime Fatás Cabeza. |
Quodlibet |
| 42 | Sep-Dec 2008 |
115-130 |
|
| 44. | Schulenberg, David (ed.) | Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. Edited by David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2009. xviii, [10], 225p. ISBN: 978-1-933280-26-4. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.2) [Concerto in G Major, Wq 4; Concerto in C Minor, Wq 5; Concerto in C Minor, Wq 5, early version; Concerto in G Minor, Wq 6; Concerto in G Major, Movement 2, Wq 4/ 2, intermediate version; Cadenza, Concerto in C Minor, Wq 5/ 2; 80 Clavier-Cadenzen, Wq 120; 3 Cadenzen, Concerto in C Minor, Wq 5/ 2; (Wq/H deest) [Cadenzen, Ausw]] [Wq 4, 5, 6, 120] |
CPEBachCW |
3 | 9. 2 | 2009 |
xviii, 225p |
|
| 45. | Schulenberg, David | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. |
Bach |
41 | 2 | 2010 |
24-60 |
|
| 46. | Kulukundis, Elias N.; Schulenberg, David (eds.) | Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. Edited by Elias N. Kulukundis and David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2010. xvi, 8, 271p. ISBN: 978-1-933280-66-0. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.8) [Concerto in E Minor, Wq 24; Concerto in E Minor, Wq 24, early version; Concerto in A Minor, Wq 26; Concerto in D Major, Wq 27] [Wq 24, 26, 27] |
CPEBachCW |
3 | 9. 8 | 2010 |
xvi, 8, 271p |
|
| 47. | Schulenberg, David | Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. |
DetroitMMcol |
55 | | 2010 |
271-302 |
[fs]Silbiger75 |
| 48. | Schulenberg, David | J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. |
EarlyKeyboardJ |
25-26 | | 2010 |
29-59 |
|
| 49. | Schulenberg, David | The Music of Wilhelm Friedemann Bach by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79) |
EastmanStudM |
79 | | 2010 |
354p |
|
| 50. | Schulenberg, David | Editing Bach's 'preludes and fugues' for organ. [BWV 531, 532, 545, 549, 566/566a] |
OrganYb |
39 | | 2010 |
59-72 |
|
| 51. | Schulenberg, David | An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND HIS GERMAN CONTEMPORARIES', May 7-9, 2010, University of Wisconsin-Madison |
[p]ABS_Wisconsin |
| | May 2010 |
|
|
| 52. | Schulenberg, David | An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 53. | Schulenberg, David | Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. |
18cM |
8 | 1 | Mar 2011 |
21-51 |
|
| 54. | Schulenberg, David | An enigmatic legacy: Organ music and the Berlin Bach traditions. |
KeyboardPerspectives |
4 | | 2011 |
153-174 |
|
| 55. | Schulenberg, David | An Eighteenth-Century Organ Is Reconstructed at Cornell. |
Soc18cMNL |
| 18 | Oct 2011 |
8-9 |
|
| 56. | Schulenberg, David | Bach's temperament. Correspondence. |
EarlyM |
40 | 1 | Feb 2012 |
166-167 |
|
| 57. | Schulenberg, David | Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012. |
[p]ABS_Rochester |
| | Sep 2012 |
|
|
| 58. | Schulenberg, David | Performing C. P. E. Bach: some questions answered? |
EarlyM |
41 | 1 | Feb 2013 |
119-122 |
|
| 59. | Schulenberg, David (ed.) | Preludes and Fugues I / Johann Sebastian Bach. hrsg. von ... David Schulenberg. - Wiesbaden: Breitkopf & Härtel, 2013. 140p. Best.-Nr.: Edition Breitkopf 8801; Pl.-Nr.: Breitkopf EB 8801 (= Sämtliche Orgelwerke [in 10 Bänden] / Johann Sebastian Bach, 1) [BWV 531, 545, 529/2, 545a/1, 547, 566 (in C), 566 (in E), 546, 549, 549a (in d), 532; Anhang: BWV 532/2a; auf CD-ROM: BWV 545a/2, 545b (Anh. II)] |
SämtOrgW(Breitkopf2) |
1 | | 2013 |
140p |
EdBreitkopf 8801 |
| 60. | Schulenberg, David | C. P. E. Bach in America. http://www.americanbachsociety.org/Newsletters/BachNotes21.pdf |
BachNotesABS |
| 21 | Fall 2014 |
4-6 |
|
| 61. | Schulenberg, David | A tale of two brothers: Friedemann and Emanuel Bach. |
[cr]Brooklyn2010 |
| | 2014 |
78-102 |
|
| 62. | Schulenberg, David | Carl Philipp Emanuel Bach: a tercentenary assessment. |
EarlyM |
42 | 3 | Aug 2014 |
335-345 |
|
| 63. | Schulenberg, David | The Music of Carl Philipp Emanuel Bach. Rochester: University of Rochester Press, 2014. xv, 416p. ISBN 978-58046-481-9. (= Eastman studies in music, No. 114) |
EastmanStudM |
114 | | 2014 |
xv, 416p |
|
| 64. | Schulenberg, David | C. P. E. Bach Turns Three Hundred. |
Soc18cMNL |
| 24 | Fall 2014 |
1, 11-12 |
|
| 65. | Schulenberg, David (ed.) | Preludes and Fugues II / Johann Sebastian Bach. hrsg. von ... David Schulenberg. - Wiesbaden: Breitkopf & Härtel, 2014. 148p. Best.-Nr.: Edition Breitkopf 8802; Pl.-Nr.: Breitkopf EB 8802. ISMN: 979-0-004-18373-1. (= Sämtliche Orgelwerke [in 10 Bänden] / Johann Sebastian Bach, 2) [BWV 533, 548, 541, 550, 535, 535a, 536, 543, 543a/1, 544, 533a, 551; auf CD: BWV 534] |
SämtOrgW(Breitkopf2) |
2 | | 2014 |
148p |
EdBreitkopf 8802 |
| 66. | Schulenberg, David | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. Repr. from in Bernard Brauchli, Susan Brauchli and Alberto Galazzo (eds), De clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999, Magnano: Musica Antica a Magnano (2000), pp. 37-52. |
[ce]Late18cComposers_CPEB |
| | 2015 |
477-492 |
|
| 67. | Schulenberg, David (ed.) | C. P. E. Bach. Farnham: Ashgate [2015], xxxv, 505p. ISBN: 978-1-4724-4337-3. (= The late eighteenth-century composers.) - Abingdon: Routledge, 2016. |
[ce]Late18cComposers_CPEB |
| | 2015 |
xxv, 505p |
|
| 68. | Schulenberg, David | Expression and Discrétion: Bach and Froberger. |
BachNotesABS |
| 26 | Spring 2017 |
5-8 |
|
| 69. | Schulenberg, David | C. P. E. Bach's Keyboard Music and the Question of Idiom. |
BachPerspectives |
11 | | 2017 |
83-112 |
|
| 70. | Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn | Bach's quaver notation and performance implications. A session presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 71. | Schulenberg, David | Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017. |
18cM |
15 | 1 | Mar 2018 |
130–131 |
|
| 72. | Schulenberg, David | Bach. New York : Oxford University Press, [2020] xi, 413p. ISBN: 978-0-19-093630-3. |
|
| | 2020 |
xi, 413p |
|