Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Rathey, Markus | Ein unbekanntes Mühlhäuser Musikalienverzeichnis aus dem Jahre 1617. |
Mf |
51 | 1 | Jan-Mar 1998 |
63-69 |
|
| 2. | Rathey, Markus | Johann Rudolph Ahle. 1625-1673. Lebensweg und Schaffen. Eisenach: Karl Dieter Wagner, 1999, xii, 643p. ISBN: 3-88979-081-X. |
|
| | 1999 |
xii, 643p |
|
| 3. | Rathey, Markus | Die Instrumentalkompositionen Johann Rudolf Ahles im Kontext studentischen Musizierens in Erfurt. |
[ce]ErfurtMkulturBarock |
| | 2000 |
43-55 |
|
| 4. | Rathey, Markus | 'Singet dem Herrn ein neues Lied' (BWV 190). Johann Sebastian Bachs Auseinandersetzung mit dem Te Deum laudamus. Paper read at 3. Internationales Dortmunder Bach-Symposion, 31. Januar bis 2. Februar 2000. |
[p]BS_Dortmund |
| | Jan-Feb 2000 |
|
|
| 5. | Rathey, Markus | Die Temperierung der Divi Blasii-Orgel in Mühlhausen. Kleine Beiträge. |
BachJb |
87 | | 2001 |
163-171 |
|
| 6. | Rathey, Markus | Ästhetik eines 'Fragments' -- Anmerkungen zur Tradition des Schlußsatzes der Kantate 'Nun komm der Heiden Heiland' BWV 61. |
BachJb |
88 | | 2002 |
105-117 |
|
| 7. | Rathey, Markus | 'Singet dem Herrn ein neues Lied' (BWV 190). Johann Sebastian Bachs Auseinandersetzung mit dem Te Deum laudamus. |
DortmundBachF |
3 | | 2002 |
287-301 |
|
| 8. | Rathey, Markus | Mühlhausens orgelmusikalisches Leben zur Zeit des jungen Bach. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30 Januar-2 Februar 2002. |
[p]BS_Dortmund |
| | Jan-Feb 2002 |
|
|
| 9. | Rathey, Markus | Bach-Renaissance, Protestantismus und nationale Identität im deutschen Bürgertum des 19. Jahrhunderts. in: Protestantische Identität und Erinnerung. Von der Reformation bis zur Bürgerrechtsbewegung in der DDR [=Formen der Erinnerung 16], ed. by Joachim Eibach and Marcus Sandl, Göttingen, Vandenhoeck-Ruprecht, 2003, pp. 177-190. |
|
| | 2003 |
177-190 |
|
| 10. | Rathey, Markus | Instrumentaler Satz und Orchesterbehandlung in den Köthener Glückwunschkantaten. |
CöthenerBachH |
11 | | 2003 |
116-135 |
|
| 11. | Rathey, Markus | Carl Philipp Emanuel Bach und der hamburgische Reisediskurs im 18. Jahrhundert. |
AfKulturGes |
86 | 1 | 2004 |
163-178 |
|
| 12. | Rathey, Markus | Zur Aufführungs- und Bearbeitungsgeschichte der Bürgerkapitänsmusiken Carl Philipp Emanuel Bachs. |
BachJb |
90 | | 2004 |
169-198 |
|
| 13. | Rathey, Markus | Bach und Vogler - Überlegungen zu einem schwierigen Verhältnis und zur musikalischen Mythenbildung. |
MtArbgMittRheinMges |
| 78 | 2004 |
55-64 |
|
| 14. | Rathey, Markus | Textsyntax und Prosodie in der Aufklärung und bei Johann Sebastian Bach. |
MÄsth |
8 | 30 | 2004 |
24-39 |
|
| 15. | Rathey, Markus | Zwischen nationaler Emphase und religiöser Innerlichkeit. Fritz Volbachs Interpretation der Kantate 'Ein feste Burg ist unser Gott' (BWV 80). |
NMwJb |
12 | | 2004 |
107-128 |
|
| 16. | Rathey, Markus | Images and imaginations: Fritz Volbach's view of Johann Sebastian Bach. A paper read at Biennial Meeting of the American Bach Society, April 16-18, 2004 at Rutgers University, NJ 'Images of Bach'. Abstract in BachNotesABS 1 (2004), p. 7. |
[p]ABS_NewBrunswick |
| | Apr 2004 |
|
|
| 17. | Rathey, Markus | Weimar, Gotha oder Leipzig. Zur Chronologie der Arie 'Himmel, reiße' in der zweiten Fassung der Johannes-Passion (BWV 245/11+). Kleine Beiträge. |
BachJb |
91 | | 2005 |
291-300 |
|
| 18. | Rathey, Markus | Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People. The Tangeman Lecture delivered April 18, 2003. http://www.yale.edu/ism/colloq_journal/vol2/rathey1.html |
Colloquium |
2 | | Autumn 2005 |
59-75 |
|
| 19. | Rathey, Markus | Zur Datierung einiger Vokalwerke Bachs in den Jahren 1707 und 1708. [BWV 150, 233a, 106] |
BachJb |
92 | | 2006 |
65-92 |
|
| 20. | Rathey, Markus | Celebrating Patriotism: Carl Philipp Emanuel Bach's Compositions for the Militia in Hamburg. |
18cM |
4 | 2 | Sep 2007 |
265-283 |
|
| 21. | Rathey, Markus | Two Unlikely Sisters: The 'Cross' and the 'Crosses' in BWV 12 and 69a. |
Bach |
38 | 1 | 2007 |
1-44 |
|
| 22. | Rathey, Markus (ed.) | Johann Georg Ahle, Schriften zur Musik. Hrsg. und eingel. von Markus Rathey. - Nachdr. der Ausg. Mühlhausen 1687, 1695, 1697, 1699, 1701 und 1704. Hildesheim [u.a.]: Olms, 2007. 394p (Getr. Zählung). ISBN: 978-3-487-13193-1. |
[ce]JGAhle |
| | 2007 |
394p |
|
| 23. | Rathey, Markus | Christmas 1723. Johann Sebastian Bach's Artistic Evolution. |
ChoralJ |
48 | 1 | Jul 2007 |
14-23 |
|
| 24. | Rathey, Markus | Johann Sebastian Bach's St. John Passion from 1725: A Liturgical Interpretation. Bach in the Blood. http://www.yale.edu/ism/colloq_journal/vol4/rathey1.html |
Colloquium |
4 | | Autumn 2007 |
123-139 |
|
| 25. | Rathey, Markus | Vier Bußtage und ein Todesfall - Neue Erkenntnisse zu Johann Sebastian Bachs Kompositionen für Mühlhausen. |
MühlhäuserBeitr |
30 | | 2007 |
155-162 |
|
| 26. | Rathey, Markus | Funktion und Struktur -- Zur Zyklusbildung in Dietrich Buxtehudes Choralvariationen. |
NMwJb |
16 | | 2008 |
91-112 |
|
| 27. | Rathey, Markus | Chorale-Tropus and Dramatic Coherence in Bach's Oratorios. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 28. | Rathey, Markus | Piety and Moral Values in Carl Philipp Emanuel Bach's Oratorios. A paper read at the annual meeting of the Forum on Music and Christian Scholarship held at Baylor University, 29 February - 1 March 2008 |
[p]FMCS_Baylor |
| | Feb-Mar 2008 |
|
|
| 29. | Rathey, Markus | Carl Philipp Emanuel Bachs Donnerode: Zur politischen Funktion des 'Erhabenen' in der zweiten Hälfte des 18. Jahrhunderts. |
AfMw |
66 | 4 | 2009 |
286-305 |
|
| 30. | Rathey, Markus | Daniel Stoppes 'Der Clavierspieler auf dem Thurme'. Eine unbeachtete Quelle zur literarischen Bach-Rezeption in der Mitte des 18. Jahrhunderts. |
ArsOrgani |
57 | 4 | Dec 2009 |
246-247 |
|
| 31. | Rathey, Markus | Bach, Schelle and the Tradition of the Chorale Cantata in Leipzig. A paper read at the annual meeting of the Forum on Music and Christian Scholarship on 27 February 2009 at Notre Dame University, IN. |
[p]FMCS_NotreDame |
| | Feb 2009 |
|
|
| 32. | Rathey, Markus | Gender Identities in the Christmas Oratorio and its Secular Models. A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009. |
[p]Women_Yale |
| | Oct 2009 |
|
|
| 33. | Rathey, Markus | Kommunikation und Diskurs: die Bürgerkapitänsmusiken Carl Philipp Emanuel Bachs. Hildesheim [u.a.]: Olms, 2009. viii, 295p. ISBN: 978-3-487-14220-3. (= Studien und Materialien zur Musikwissenschaft, 55) |
StMaterMw |
55 | | 2009 |
viii, 295p |
|
| 34. | Rathey, Markus | Buxtehude and the Dance of Death: The Chorale Partita auf meinen lieben Gott (BuxWV 179) and the Ars Moriendi in the Seventeenth Century. |
EarlyMHist |
29 | | 2010 |
161-188 |
|
| 35. | Rathey, Markus | A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 36. | Rathey, Markus | Bachs Besuch in Potsdam und dessen Rezeption in der Münchner Presse. Kleine Beiträge. |
BachJb |
97 | | 2011 |
269-271 |
|
| 37. | Rathey, Markus | Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. |
BachPerspectives |
8 | | 2011 |
42-68 |
|
| 38. | Rathey, Markus | Bach no Sezoku Kantata -- Gikyoku to Shinwa no Aida ni. [Bach's secular cantatas: between play and myth] |
BCJ |
| 94 | Jul 2011 |
26-31 |
|
| 39. | Rathey, Markus | Schelle, Carpzov und die Tradition der Choralkantate in Leipzig. |
JbStaatInstMf |
2011 | | 2011 |
185-210 |
|
| 40. | Rathey, Markus | Johann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship. |
Bach |
43 | 1 | 2012 |
65-83 |
|
| 41. | Rathey, Markus | The Chorale Cantata in Leipzig: The Collaboration between Schelle and Carpzov in 1689-1690 and Bach's Chorale Cantata Cycle. |
Bach |
43 | 2 | 2012 |
46-92 |
|
| 42. | Rathey, Markus | Der zweite Leipziger Jahrgang -- Choralkantaten. Die zyklische Anlage des Jahrgangs; Die Libretti; Traditionen des Choralsatzes; Abbruch des Projekts und spätere Ergänzungen; Datierung; Besetzung; Überlieferung; Kompositorische Probleme und Lösungen; Einzelbesprechungen [BWV 20, 2, 7, 135, 10, 93, 107, 178, 94, 101, 113, 33, 78, 99, 8, 130, 114, 96, 5, 180, 38, 80, 115, 139, 26, 116, 62, 91, 121, 133, 122, 41, 123, 124, 3, 111, 92, 125, 126, 127, 1, 74, 68, 137] |
BachHandb |
1 | 1 | 2012 |
331-449 |
|
| 43. | Rathey, Markus | Zwischen 'schuldloser Freude' und 'höherer Schönheit': Einige unbekannte Quellen zur ästhetischen und literarischen Rezeption Carl Philipp Emanuel und Johann Sebastian Bachs in der zweiten Hälfte des 18. Jahrhunderts. |
MÄsth |
16 | 64 | Oct 2012 |
42-52 |
|
| 44. | Rathey, Markus | Zur Entstehungsgeschichte von Bachs Universitätsmusik 'Gloria in Excelsis Deo' BWV 191. Kleine Beiträge. |
BachJb |
99 | | 2013 |
319-328 |
|
| 45. | Rathey, Markus | Between Heine, Werner, and Bach: Two quotations in Mendelssohn's Fifth Symphony op. 107. |
MTimes |
154 | 1922 | Spring 2013 |
57-68 |
|
| 46. | Rathey, Markus | The Function of Compositional Revisions in the Christmas Oratorio. A paper read at the dialogue session 'analytical issues in Bach’s vocal music' presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. Respondent: Michael Marissen. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 47. | Rathey, Markus | Rehearsal for the opera--remarks on a lost composition by Johann Kuhnau from 1683. |
EarlyM |
42 | 3 | Aug 2014 |
409-420 |
|
| 48. | Rathey, Markus | Bach's Major Vocal Works: Music, Drama, Liturgy. New Haven and London: Yale University Press, 2016. x, 234p. ISBN: 978-0-300-21720-9. |
|
| | 2016 |
x, 234p |
|
| 49. | Rathey, Markus | Johann Sebastian Bach's Christmas Oratorio: Music, Theology, Culture. New York: Oxford University Press, 2016. xiv, 414p. ISBN-13: 978-0190275259. |
|
| | 2016 |
xiv, 414p |
|
| 50. | Rathey, Markus | Mozart, Kirnberger and the Idea of Musical Purity: Revisiting Two Sketches from 1782. |
18cM |
13 | 2 | Sep 2016 |
235-252 |
|
| 51. | Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. |
Bach |
47 | 2 | 2016 |
1-26 |
|
| 52. | Rathey, Markus | Defining the self: Carl Philipp Emanuel Bach's autobiography as an attempt at self-fashioning in the middle of the eighteenth century. |
[cr]Bethlehem2014 |
| | 2016 |
170-190 |
|
| 53. | Rathey, Markus | Printing, politics and 'a well-regulated church music': a new perspective on J. S. Bach's Mühlhausen cantatas. |
EarlyM |
44 | 3 | Aug 2016 |
449-460 |
|
| 54. | Rathey, Markus | The 'theology' of Bach's Cöthen cantatas: Rethinking the dichotomy of sacred versus secular. |
JMcolResearch |
35 | 4 | 2016 |
275-298 |
|
| 55. | Rathey, Markus | Traditions of organ music and organ playing in Mühlhausen in the seventeenth century and in the times of Johann Sebastian Bach. |
OrganYb |
45 | | 2016 |
111-131 |
|
| 56. | Rathey, Markus | Ai no Uta. Bach no Seigaku Sakuhin. [Love Songs: Bach's Vocal Works] Trans. by Sachiko Kimura [original title: Bach's Major Vocal Works: Music, Drama, Liturgy] / Tokyo: Shunju Sha, 2016. 224p. ISBN:978-4-393-93206-3. |
|
| | 2017 |
224p |
|
| 57. | Rathey, Markus | American Bach Society Biennial Conference 26-29 April 2018 Yale University. |
BachNotesABS |
| 27 | Fall 2017 |
5-6 |
|
| 58. | Rathey, Markus | Schools. [Chapter 6] Part II: Contexts. [main headings: Schools During the Lutheran Reformation; School Reforms in the Seventeenth Century; Bach as Student; Bach as Teacher in Leipzig; Perspectives] |
[ce]RoutledgeResearchCompanion |
| | 2017 |
116-141 |
|
| 59. | Rathey, Markus | Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. |
BachPerspectives |
12 | | 2018 |
84-103 |
|
| 60. | Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). |
ContextBachStud |
8 | | 2018 |
3-22 |
|
| 61. | Rathey, Markus | Memory, Morals, and Contemplation in Leipzig Passion Texts from the 1720s: A New Perspective on J. S. Bach's St. John Passion from 1724. |
Bach |
51 | 1 | 2020 |
44-69 |
|