Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year | Pages | Status |
| 1. | An empirical study of intonation in performances of J.S. Bach's sarabandes: Temperament, 'melodic charge', and 'melodic intonation'. |
OrbisMusicae |
14 | | 2007 |
37-76 |
|
| 2. | Recording Analysis of J.S. Bach's G Minor Adagio for Solo Violin (Excerpt): A Case Study. |
JMMeaning |
6 | | Spring 2008 |
|
|
| 3. | Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. |
PerformPractReview |
14 | 1 | 2009 |
1-40 |
|
| 4. | A phylogenetic approach to music performance analysis. |
JNewMResearch |
41 | 2 | Jun 2012 |
195-222 |
|