Bach Bibliography Search Result

Author : Neumann, Frederick
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Problems of Interpretation in the Music of Bach: I. The Pitfalls of Historical Sources.	AmerMTeacher	12	5	May-Jun 1963	20-21
	2.	Problems of Interpretation in the Music of Bach, Part II.	AmerMTeacher	13	2	Nov-Dec 1963
	3.	Misconceptions about the French Trill in the 17th and 18th Centuries.	MQ	50	2	Apr 1964	188-206
	4.	The French 'Inégeles', Quantz, and Bach.	JAMSoc	18	3	Autumn 1965	313-358
	5.	A New Look at Bach's Ornamentation.	MLetters	46	1, 2	Jan; Apr 1965	4-15; 126-133
	6.	La note pointée et la soi-disant 'manière française'.	RevueMcol	51	1	1965	66-92
	7.	External Evidence and Uneven Notes.	MQ	52	4	Oct 1966	448-464
	8.	The Use of Baroque Treatises on Musical Performance.	MLetters	48	4	Oct 1967	315-324
	9.	Notes on 'Melodic' and 'Harmonic' Ornaments.	MReview	29	4	1968	249-256
	10.	Couperin and the Downbeat Doctrine for Appoggiaturas.	ActaMcol	41	1-2	Jan-Jun 1969	71-85
	11.	Ornament and Structure.	MQ	56	2	Apr 1970	153-161
	12.	The Question of Rhythm in the Two Versions of Bach's French Ouverture, BWV 831.	[fs]Mendel			1974	183-194
	13.	The dotted note and the so-called French style.	EarlyM	5	3	Jul 1977	310-324
	14.	Facts and Fiction about Overdotting.	MQ	63	2	Apr 1977	155-185
	15.	Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach.				1978	630p
	16.	Once more: the 'French overture style'.	EarlyM	7	1	Jan 1979	39-43, 45
	17.	The Overdotting Syndrome: Anatomy of a Delusion.	MQ	67	3	Jul 1981	305-347
	18.	Notes on Bach and Handel Sonatas.	AmerStringTeacher	32	3	Summer 1982	26-27
	19.	The Use of Baroque Treatises on Musical Performance.	StudMcol	58		1982	1-9, 173-174
	20.	Donington's 'A Performer's Guide to Baroque Music' -- A Review.	StudMcol	58		1982	11-15, 274
	21.	The French 'Inégales', Quantz, and Bach.	StudMcol	58		1982	17-54, 274-285
	22.	An Answer to Donington's Critique.	StudMcol	58		1982	55-58
	23.	External Evidence and Uneven Notes.	StudMcol	58		1982	59-72, 285-288
	24.	The Dotted Note and the So-Called French Style (FN1)	StudMcol	58		1982	73-98, 288-289
	25.	Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2).	StudMcol	58		1982	99-110, 289-291
	26.	Facts and Fiction about Overdotting (FN3).	StudMcol	58		1982	111-135, 291-294
	27.	Once More: The 'French Overture Style' (FN4).	StudMcol	58		1982	137-150, 295
	28.	The Overdotting Syndrome: Anatomy of a Delusion (FN5).	StudMcol	58		1982	151-182, 296-300
	29.	Misconceptions About the French Trill in the 17th and 18th Centuries.	StudMcol	58		1982	183-196, 300-304
	30.	A New Look at Bach's Ornamentation.	StudMcol	58		1982	197-215, 304-305
	31.	Notes on 'Melodic' and 'Harmonic' Ornaments.	StudMcol	58		1982	217-225, 305-306
	32.	Couperin and the Downbeat Doctrine for Appoggiaturas.	StudMcol	58		1982	227-241, 306-309
	33.	Ornament and Structure.	StudMcol	58		1982	243-250, 309-310
	34.	Essays in Performance Practice.	StudMcol	58		1982	xii, 321p
	35.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	MQ	71	3	1985	281-294
	36.	The Rhythm in 'Behold the Lamb of God'.	AmerChoralReview	28	4	Oct 1986	18-22
	37.	Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart.	PerformPractReview	1	1	Spring-Fall 1988	71-106
	38.	Some Controversial Aspects of the Authenticity School.	StudMcol	108		1989	17-31
	39.	The Rise of the Early Music Movement.	StudMcol	108		1989	3-16
	40.	Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach.	StudMcol	108		1989	35-64
	41.	The 'Notes Inégales' Revisited.	StudMcol	108		1989	65-76
	42.	Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures.	StudMcol	108		1989	77-84
	43.	Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart.	StudMcol	108		1989	121-153
	44.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	StudMcol	108		1989	195-208
	45.	Notes on the Violin Sonatas of Bach and Handel.	StudMcol	108		1989	221-225
	46.	New Essays on Performance Practice.	StudMcol	108		1989	x, 257p
	47.	Tadashii Soshokuon Soho.				1992	414p
	48.	Some Performance Problems of Bach's Unaccompanied Violin and Cello Works.	FestschriftSer	13		1994	19-46
	49.	Notes Inégales for Bach, Overdotting for Everybody? A Commentary on an Attempt to Revive Dolmetsch's 'Rhythmic Alterations'.	HistPerformance	7	1	1994	13-26
	50.	Una nueva aproximación a la ornamentación de Bach.	Quodlibet		2; 3	1995	19-33; 19-28
	51.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	[ce]BaroqueComposers			2011	445-458
	52.	Some Performance Problems of Bach's Unaccompanied Violin and Cello Works.	[ce]BaroqueComposers			2011	529-558