Bach Bibliography Search Result

Author : Neumann, Frederick
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Problems of Interpretation in the Music of Bach: I. The Pitfalls of Historical Sources.	AmerMTeacher	12	5	May-Jun 1963	20-21
	2.	Problems of Interpretation in the Music of Bach, Part II.	AmerMTeacher	13	2	Nov-Dec 1963
	3.	Misconceptions about the French Trill in the 17th and 18th Centuries.	MQ	50	2	Apr 1964	188-206
	4.	The French 'Inégeles', Quantz, and Bach.	JAMSoc	18	3	Autumn 1965	313-358
	5.	A New Look at Bach's Ornamentation.	MLetters	46	1, 2	Jan; Apr 1965	4-15; 126-133
	6.	La note pointée et la soi-disant 'manière française'.	RevueMcol	51	1	1965	66-92
	7.	External Evidence and Uneven Notes.	MQ	52	4	Oct 1966	448-464
	8.	The Use of Baroque Treatises on Musical Performance.	MLetters	48	4	Oct 1967	315-324
	9.	Notes on 'Melodic' and 'Harmonic' Ornaments.	MReview	29	4	1968	249-256
	10.	Couperin and the Downbeat Doctrine for Appoggiaturas.	ActaMcol	41	1-2	Jan-Jun 1969	71-85
	11.	Ornament and Structure.	MQ	56	2	Apr 1970	153-161
	12.	The Question of Rhythm in the Two Versions of Bach's French Ouverture, BWV 831.	[fs]Mendel			1974	183-194
	13.	The dotted note and the so-called French style. Translated from the French by Raymond Harris and Edmund Shay. [= RevueMcol LI (1965)]	EarlyM	5	3	Jul 1977	310-324
	14.	Facts and Fiction about Overdotting.	MQ	63	2	Apr 1977	155-185
	15.	Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. Princeton, New Jerey: Princeton University Press 1978. 1983. xiv, 630p.				1978	630p
	16.	Once more: the 'French overture style'. [BWV 1066]	EarlyM	7	1	Jan 1979	39-43, 45
	17.	The Overdotting Syndrome: Anatomy of a Delusion.	MQ	67	3	Jul 1981	305-347
	18.	Notes on Bach and Handel Sonatas. Chamber Music Forum.	AmerStringTeacher	32	3	Summer 1982	26-27
	19.	The Use of Baroque Treatises on Musical Performance.	StudMcol	58		1982	1-9, 173-174
	20.	Donington's 'A Performer's Guide to Baroque Music' -- A Review.	StudMcol	58		1982	11-15, 274
	21.	The French 'Inégales', Quantz, and Bach.	StudMcol	58		1982	17-54, 274-285
	22.	An Answer to Donington's Critique.	StudMcol	58		1982	55-58
	23.	External Evidence and Uneven Notes.	StudMcol	58		1982	59-72, 285-288
	24.	The Dotted Note and the So-Called French Style (FN1)	StudMcol	58		1982	73-98, 288-289
	25.	Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2).	StudMcol	58		1982	99-110, 289-291
	26.	Facts and Fiction about Overdotting (FN3).	StudMcol	58		1982	111-135, 291-294
	27.	Once More: The 'French Overture Style' (FN4).	StudMcol	58		1982	137-150, 295
	28.	The Overdotting Syndrome: Anatomy of a Delusion (FN5).	StudMcol	58		1982	151-182, 296-300
	29.	Misconceptions About the French Trill in the 17th and 18th Centuries.	StudMcol	58		1982	183-196, 300-304
	30.	A New Look at Bach's Ornamentation.	StudMcol	58		1982	197-215, 304-305
	31.	Notes on 'Melodic' and 'Harmonic' Ornaments.	StudMcol	58		1982	217-225, 305-306
	32.	Couperin and the Downbeat Doctrine for Appoggiaturas.	StudMcol	58		1982	227-241, 306-309
	33.	Ornament and Structure.	StudMcol	58		1982	243-250, 309-310
	34.	Essays in Performance Practice. Ann Arbor: UMI Research Press; Epping: Bowker, 1982. xii, 321p. ISBN: 0835715108. (= Studies in Musicology, 58)	StudMcol	58		1982	xii, 321p
	35.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	MQ	71	3	1985	281-294
	36.	The Rhythm in 'Behold the Lamb of God'.	AmerChoralReview	28	4	Oct 1986	18-22
	37.	Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. A Scholar's Response to Two Critics.	PerformPractReview	1	1	Spring-Fall 1988	71-106
	38.	Some Controversial Aspects of the Authenticity School.	StudMcol	108		1989	17-31
	39.	The Rise of the Early Music Movement. Scholarly Interest; Sacred Music; Secular Songs and Dances; The Changing Attitude towards Old Music; The Striving for 'Authenticity'	StudMcol	108		1989	3-16
	40.	Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach.	StudMcol	108		1989	35-64
	41.	The 'Notes Inégales' Revisited.	StudMcol	108		1989	65-76
	42.	Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures.	StudMcol	108		1989	77-84
	43.	Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart.	StudMcol	108		1989	121-153
	44.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	StudMcol	108		1989	195-208
	45.	Notes on the Violin Sonatas of Bach and Handel.	StudMcol	108		1989	221-225
	46.	New Essays on Performance Practice. Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136.	StudMcol	108		1989	x, 257p
	47.	Tadashii Soshokuon Soho. [Translation of 'Essays in performance practice'] Trans. by Akiko Tamemoto. Tokyo: Ongaku no Tomo sha, 1992. 414p. ISBN: 4276131154.				1992	414p
	48.	Some Performance Problems of Bach's Unaccompanied Violin and Cello Works.	FestschriftSer	13		1994	19-46	[fs]Mann
	49.	Notes Inégales for Bach, Overdotting for Everybody? A Commentary on an Attempt to Revive Dolmetsch's 'Rhythmic Alterations'.	HistPerformance	7	1	1994	13-26
	50.	Una nueva aproximación a la ornamentación de Bach. [A new approach to Bach's ornamentation] Trans. by Gago, Luis Carlos. [original in MLetters xlvi/1 (1965)]	Quodlibet		2; 3	1995	19-33; 19-28
	51.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. Repr. from Musical Quarterly, lxxi/3 (1985), pp. 281-294.	[ce]BaroqueComposers			2011	445-458
	52.	Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. Repr. from Mary Ann Parker (ed.), Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant: Pendragon Press (1994), pp. 19-46.	[ce]BaroqueComposers			2011	529-558