Bach Bibliography
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Author : Melamed, Daniel R.
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Melamed, Daniel R.The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41 3 Autumn 1988 491-526
2. Melamed, Daniel R.Problems of Chronology, Style, and Function in J. S. Bach's Motets. [p]AMS_Baltimore Nov 1988
3. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. BachJb 75 1989 191-196
4. Melamed, Daniel RichardJ. S. Bach and the German motet. diss. 1989 x, 333 Bl
5. Melamed, Daniel R.J. S. Bach and the Altbachisches Archiv. [p]AMS_Oakland Nov 1990
6. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. SommerAkadJSBach Almanach 1990 ii: 14 - 17
7. Melamed, Daniel R.Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 1991 277-284
8. Melamed, Daniel R.How Did J.S. Bach Teach Vocal Composition? [p]AMS_Pittsburgh Nov 1992
9. Melamed, Daniel R.Mehr zur Chronologie von Bachs Weimarer Kantaten. BachJb 79 1993 213-216
10. Melamed, Daniel R.J. S. Bach and the German Motet. 1995 xv, 229p
11. Melamed, Daniel R.A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 1995 107-118
12. Melamed, Daniel R. (ed.)Bach Studies 2. BachStud 2 1995 xiv, 238p
13. Melamed, Daniel R.Cantatekoren en koralen. [ce]WereldBachCantates 1 1995 168-183
14. Melamed, Daniel R.Chor- und Choralsätze. [ce]WeltBachKantaten 1 1996 169-184
15. Melamed, Daniel R.J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14 4 Autumn 1996 453-474
16. Melamed, Daniel R.Joh. Christoph Bach, org. [p]ABS_California Apr 1996
17. Melamed, Daniel R.Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 1997 201-212
18. Melamed, Daniel R.Koren, duetten en instrumentale delen. [ce]WereldBachCantates 2 1997 202-213
19. Melamed, Daniel R.Choruses and Chorales. [ce]WorldOfBachCantatas 1 1997 155-170
20. Melamed, Daniel R.; Marissen, MichaelAn introduction to Bach Studies. 1998 xi, 189p
21. Melamed, Daniel R.Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 Oct 1998 88-96
22. Melamed, Daniel R.Koren. [ce]WereldBachCantates 3 1998 176-191
23. Melamed, Daniel R.; Sanders, Reginald L.Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 1999 35-50
24. Melamed, Daniel R.Chorsätze. [ce]WeltBachKantaten 3 1999 177-192
25. Melamed, Daniel R.Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 1999 160-172
26. Melamed, Daniel R.Constructing Johann Christoph Bach (1642-1703). MLetters 80 3 Aug 1999 345-365
27. Melamed, Daniel R.Bach Revived: If Wishes Were Passions. NYTimes 2 Apr 2000
28. Melamed, Daniel R.The Text of Gott ist mein König BWV 71. [p]ABS_Washington Apr 2000
29. Melamed, Daniel R.Bach's Leipzig performances of the Hamburg St. Mark Passion. [p]WK_Leipzig Jan 2000
30. Melamed, Daniel R.A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL Fall 2001 6-7
31. Melamed, Daniel R.The Text of 'Gott ist mein König' BWV 71. Bach 32 1 2001 1-16
32. Melamed, Daniel R.Gassho to Koraru Gakkyoku. [ce]BachKantataNoSekai 1 2001 271-296
33. Melamed, Daniel R. (ed.)Motets / Johann Ludwig Bach. RecentResearchMBaroq 108 2001 xix, 203p
34. Melamed, Daniel R.Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. BachJb 88 2002 209-216
35. Melamed, Daniel R.Gasshokyoku, Nijushokyoku, Kigakukyoku. [ce]BachKantataNoSekai 2 2002 331-348
36. Melamed, Daniel R.Gasshokyoku. [ce]BachKantataNoSekai 3 2002 299-320
37. Melamed, Daniel R.Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. LeipzigerBeitrBachF 5 2002 289-308
38. Melamed, Daniel R.Bach und Palestrina -- Einige praktische Probleme I. BachJb 89 2003 221-224
39. Melamed, Daniel R.The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57 1 Spring 2004 3-50
40. Melamed, Daniel R.Hearing Bach's Passions. 2005 vii, 178p
41. Melamed, Daniel R.The Passions: Versions and Problems / Las pasiones: versiones y problemas. Goldberg 34 Jun-Aug 2005 30-37
42. Melamed, Daniel R.Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. [p]CWolff_Harvard Sep 2005
43. Melamed, Daniel R.Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? BachJb 92 2006 161-169
44. Melamed, Daniel R.Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? [ce]WorldOfBaroqueMusic 2006 235-252
45. Melamed, Daniel R.Staffing J. S. Bach's St. Matthew Passion Then and Now. Colloquium 4 Autumn 2007 145-150
46. Melamed, Daniel R.Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 2007 141-146
47. Melamed, Daniel R.Bachs Schwester. BachJb 94 2008 337-341
48. Melamed, Daniel R.Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20 1 2008 25-51
49. Melamed, Daniel R.Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach 2008 53-60
50. Melamed, Daniel R.The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 2008 189-205
51. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem May 2008
52. Melamed, Daniel R. (ed.)Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4 6.1 2009 xxiii, 8, 132p
53. Melamed, Daniel R.Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. [p]SMA_Glasgow Apr 2009
54. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.Bach & Friends: Three Reviews of Muchael Lawrence's New Film. BachNotesABS 13 Fall 2010 1-4
55. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 2011 13-41
56. Melamed, Daniel R. (ed.)J. S. Bach and the Oratorio Tradition. BachPerspectives 8 2011 ix, 153p
57. Goldberg, Randall E.; Melamed, Daniel R. (eds.)Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. CPEBachCW 4 6.2 2011 xxx, 153p

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