Bach Bibliography
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Author : Marissen, Michael
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Marissen, MichaelA Trio in C major for recorder, violin and continuo by J. S. Bach? EarlyM 13 3 Aug 1985 384-390
2. Marissen, MichaelBach-Repertoire für Flötisten. Tibia 12 3 1987 537-540
3. Marissen, MichaelA Critical Reappraisal of J. S. Bach's A-major Flute Sonata. JMcol 6 3 Summer 1988 367-386
4. Marissen, MichaelRelationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_Austin Oct 1989
5. Marissen, MichaelRelationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_MidAtlantic Oct 1989
6. Marissen, MichaelRelationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. MLetters 71 4 Nov 1990 494-504
7. Marissen, MichaelBeziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. BeitrBachF 9-10 1991 104-128
8. Marissen, Michael AnthonyScoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. diss. 1991 vii, 251p
9. Marissen, MichaelOrganological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. JAmerMInstrSoc 17 1991 5-52
10. Marissen, MichaelOn Linking Bach's F-Major Sinfonia and his Hunt Cantata. Bach 23 2 Fall-Winter 1992 31-46
11. Marissen, MichaelJ. S. Bach's Brandenburg Concertos as a Meaningful Set. MQ 77 2 Summer 1993 193-235
12. Marissen, MichaelReligious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. MQ 77 4 Winter 1993 718-726
13. Marissen, MichaelMore Source-Critical Research on J. S. Bach's Musical Offering. Bach 25 1 Spring-Summer 1994 11-27
14. Marissen, MichaelThe Social and Religious Designs of J. S. Bach's Brandenburg Concertos. 1995 160p
15. Marissen, MichaelConcerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 1995 79-101
16. Marissen, MichaelThe theological character of J. S. Bach's Musical Offering. BachStud 2 1995 85-106
17. Marissen, MichaelBach and Recorders in G. GalpinSocJ 48 Mar 1995 199-204
18. Marissen, MichaelLutheranism, Anti-Judaism, and Bach's St. John Passion. [p]AMS_MidAtlantic Oct 1995
19. Marissen, MichaelPerformance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. [p]AMS_MidAtlantic Apr 1995
20. Marissen, MichaelPenzel Manuscripts of Bach Concertos. DortmundBachF 1 1997 77-87
21. Marissen, MichaelThe Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. [p]IATB_Chicago Sep 1997
22. Marissen, MichaelLutheranism, Anti-Judaism, and Bach's St. John Passion. 1998 127p
23. Melamed, Daniel R.; Marissen, MichaelAn introduction to Bach Studies. 1998 xi, 189p
24. Marissen, Michael (ed.)Bach Perspectives 3: Creative Responses to Bach from Mozart to Hindemith. BachPerspectives 3 1998 ix, 160p
25. Marissen, MichaelPerformance Practice Issues that Affect Meaning in Two Bach Instrumental Works. [p]BS_Dortmund Jan 1998
26. Marissen, MichaelAufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. DortmundBachF 2 1999 291-301
27. Marissen, MichaelVom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. [p]IATB_Logumkloster Oct 1999
28. Marissen, MichaelBach. Brandenburg Kyosokyoku. BCJ 42 May 2000 8-19
29. Marissen, MichaelBrandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. BCJ 42 May 2000 28-33
30. Marissen, MichaelPerspectives on the 'St. John Passion' and the Jews. NYTimes 2 Apr 2000
31. Marissen, MichaelBiblical solutions to Certain Problems in Bach Biography. [p]IBS_Utrecht Sep 2000
32. Marissen, MichaelOn the Musically Theological in J. S. Bach's Cantatas. LutherQ 16 1 2002 48-64
33. Marissen, MichaelBach and Josephus on the destruction of Jerusalem. [p]ABS_Houston Apr 2002
34. Marissen, MichaelBach, Luther, and Josephus on the Destruction of Jerusalem. [p]IATB_Eisenach Mar 2002
35. Marissen, MichaelThe Character and Sources of the Anti-Judaism in Bach's Cantata 46. HarvardTheolReview 96 1 2003 63-99
36. Marissen, MichaelBlood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. [p]WAfB_Wolfenbüttel Apr 2003
37. Marissen, MichaelPerformance Practice Issues That Affect Meaning in Two Bach Instrumental Works. EastmanStudM 28 2004 85-94
38. Marissen, MichaelBlood, People, and Crowds in Matthew, Luther, and Bach. LutherQ 19 1 2005 1-22
39. Marissen, MichaelNew Theological Research on Bach's Church Cantatas and Oratorios. [p]IMS_Middelburg Mar 2005
40. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, ChristophArthur Mendel and the World of J. S. Bach. [p]Mendel60BR Nov 2005
41. Marissen, MichaelYohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. BCJ 76 Apr 2007 9-40
42. Marissen, MichaelBach's St. John Passion and the Jews. Colloquium 4 Autumn 2007 141-143
43. Marissen, MichaelHistorically Informed Rendering of the Librettos from Bach's Church Cantatas. [fs]Leaver65 2007 103-120
44. Marissen, MichaelBach's Oratorios: The Parallel German-English Texts with Annotations. 2008 208p

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