Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Lutterman, John | Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 |
[p]BICB_Manchester |
| | Jul 2004 |
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| 2. | Lutterman, John Kenneth | Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. PhD diss., University of California, Davis, 2006. 598p |
diss. |
| | 2006 |
598p |
|
| 3. | Lutterman, John | Works in Progress: The Scheibe-Birmbaum Controversy and Bach's Notational Practice. A paper read at the Northern California Chapter meeting of AMS, 6-7 May 2006 at University of California, Berkeley. |
[p]AMS_NorthCalifornia |
| | May 2006 |
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| 4. | Lutterman, John | 'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 5. | Lutterman, John | Composition, Improvisation and the Text: The Scheibe — Birnbaum Controversy and Bach's Notational Practice. |
[cr]Krakow2008 |
| | 2008 |
535-541 |
|
| 6. | Lutterman, John | Frozen Improvisations. In Conclusion. |
EarlyMAmer |
15 | 2 | Summer 2009 |
61-62 |
|
| 7. | Lutterman, John | 'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. A paper read at the Annual meeting of American Musicological Society in Philadelphia, 12-15 November 2009. |
[p]AMS_Philadelphia |
| | Nov 2009 |
|
AbstractsPapersAMSoc p.43 |
| 8. | Lutterman, John | 'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. |
[p]BICB_Belfast |
| | Jul 2010 |
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|
| 9. | Lutterman, John | Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. |
[p]BICB_Southampton |
| | Jul 2012 |
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