Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Early Sixteenth-Century Keyboard Temperaments. |
MusicaDisciplina |
33 | | 1974 |
129-151 |
|
| 2. | Fifteenth-Century Evidence for Meantone Temperament. |
ProceedRMA |
102 | | Feb 1976 |
37-51 |
|
| 3. | Instructions for the clavier diversely tempered. |
EarlyM |
5 | 1 | Jan 1977 |
18-23 |
|
| 4. | Authentic Instruments, Authentic Playing. |
MTimes |
118 | 1610 | Apr 1977 |
285-288 |
|
| 5. | Bach's Harpsichord Tuning. A paper read at the Northern California Chapter meeting of the AMS on May 5-6, 1979 at California State University, Long Beach. |
[p]AMS_NorthernCalifornia |
| | May 1979 |
|
|
| 6. | Mersenne on Keyboard Tuning. |
JMTheory |
24 | 2 | 1980 |
167-203 |
|
| 7. | Temperaments. |
NewGrove(1) |
18 | | 1980 |
660-674 |
|
| 8. | Lutes, viols and temperaments. Cambridge: Cambridge Univ., 1984. vii, 134p. |
|
| | 1984 |
vii, 134p |
|
| 9. | Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti. |
[ce]BHSTercentenaryEssays |
| | 1985 |
207-244 |
|
| 10. | Early Keyboard Fingerings - A select Bibliography. |
EnglishHarpsichordMag |
3 | 8 | Apr 1985 |
155-161 |
|
| 11. | Klavierstemmingen van J.S. Bach. |
HetOrgel |
81 | 6 | 1985 |
|
|
| 12. | J. S. Bach's Tunings. |
MTimes |
126 | 1714 | Dec 1985 |
721-726 |
|
| 13. | Tecnica della tastiera e articolazione: testimonianze della practica esecutiva di Scarlatti, Bach e Händel. |
NRivistaMItali |
19 | 1 | Jan-Mar 1985 |
20-61 |
|
| 14. | J. S. Bach's Tuning. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. |
[p]AMS_Vancouver |
| | Nov 1985 |
|
|
| 15. | J. S. Bachs Klavierstimmung. |
[cr]Stuttgart1985 |
| | 1987 |
ii: 409-421 |
|
| 16. | Early fingering: some editing problems and some new readings for J.S. Bach and John Bull. Erratum in EarlyM xvii/3 (1989) 479. |
EarlyM |
17 | 1 | Feb 1989 |
60-69 |
|
| 17. | Early keyboard fingerings: a comprehensive guide. compiled and edited by Mark Lindley and Maria Boxall. - Mainz ; London: Schott, 1992. xiv, 98p. ISBN: 0946535213. 7134 S & Co. |
|
| | 1992 |
xiv, 98p |
|
| 18. | The Stanford Eclectic Tunings. The Stanford Organ: a Synthesis of Views. |
PerformPractReview |
5 | 2 | Fall 1992 |
159-197 |
|
| 19. | Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach). Tuning Systems |
PerformPractReview |
9 | 1 | Spring 1996 |
114-121 |
|
| 20. | A quest for Bach's ideal style of organ temperament. |
MichaelsteinKonfBer |
52 | | 1997 |
45-67 |
|
| 21. | Euphony in Dufay: Harmonic 3rds and 6ths with Explicit Sharps in the Early Songs. |
JbStaatInstMf |
2004 | | 2005 |
158-215 |
|
| 22. | Bach-style keyboard tuning. |
EarlyM |
34 | 4 | Nov 2006 |
613-623 |
|
| 23. | More on temperament. Correspondence. |
EarlyM |
36 | 4 | Nov 2008 |
678 |
|
| 24. | Valuable nuances of tuning for part 1 of J.S. Bach's Das wohl temperirte Clavier. http://www.sim.spk-berlin.de/wtc |
|
| | 2011 |
|
|
| 25. | Bach's temperament. Correspondence. |
EarlyM |
40 | 1 | Feb 2012 |
167 |
|