Bach Bibliography Search Result

Author : Lester, Joel
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone.	CurMcol		13	1972	64-67
	2.	The Fux-Mattheson Correspondence: An Annotated Translation.	CurMcol		24	1977	37-62
	3.	Major-Minor Concepts and Modal Theory in Germany, 1592-1680.	JAMSoc	30	2	Summer 1977	208-253
	4.	The Recognition of Major and Minor Keys in German Theory: 1680-1730.	JMTheory	22	1	Spring 1978	65-103
	5.	Simultaneity structures and harmonic functions in tonal music.	InTheoryOnly	5	5	Jun 1981	3-28
	6.	The Rhythms of Tonal Music.				1986	vii, 284p
	7.	Between Modes and Keys: German Theory, 1592-1802.	HarmonolSer	3		1989	xxv, 240p
	8.	Compositional Theory in the Eighteenth Century.				1992	355p
	9.	Reading and Misreading Bach's Sonatas and Partitas for Solo Violin: Schumann's Accompaniments in Eighteenth-Century and Twentieth-Century Contexts.	[p]AMS_Montreal			Nov 1993
	10.	Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin.	CurMcol		56	1994	24-53
	11.	J. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier.	ColMSymposium	38		1998	33-46
	12.	Bach's Works for Solo Violin: Style, Structure, Performance.				1999	x, 186p
	13.	J. S. Bach nos enseña a componer: cuatro preludios modelo de El Clave Bien Temperado.	Quodlibet		18	Oct 2000	85-99
	14.	Heightening Levels of Activity and J. S. Bach's Parallel-Section Constructions.	JAMSoc	54	1	Spring 2001	49-96
	15.	The Presto from Bach's G-Minor Sonata for Violin Solo: Style, Rhythm, and Form in a Baroque Moto Perpetuo.	[ce]EngagingMusic			2004	167-179
	16.	What Beethoven might have learned from J. S. Bach.	BonnBeethovenSt	11		2014	111-132
	17.	Tone-painting the Mysterious: The 'Et expecto' from J. S. Bach's Mass in B Minor.	Bach	51	1	2020	5-43