Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Frankfurt a. M. (Mai). |
DMz |
2 | 27 | 8 Jul 1861 |
214-225 |
|
| 2. | CHORALE: O GOD, THOU HOLY GOD from the 24th CANTATA / J. S. BACH |
|
| | 1927 |
3p |
|
| 3. | CHORALE: THUS WE CELEBRATE THE HIGH FESTIVAL from the 4th CANTATA / J. S. BACH |
|
| | 1928 |
4p |
|
| 4. | So Feiern Wir das Hohe Fest = Thus we celebrate the high festival / J.S. Bach |
|
| | 1928 |
4p |
|
| 5. | Siciliano: for violin & piano / J. S. Bach |
|
| | 1928 |
5p + St |
|
| 6. | CHORAL PRELUDE: REJOICE YE REDEEMED HOSTS: from the Cantata 'Am feste Johannis des Taüfers' / J. S. BACH |
|
| | 1928 |
7p |
|
| 7. | Allegretto in modo pastorale: for violin and piano / J. S. Bach |
|
| | 1929 |
4p + St |
|
| 8. | The Bach Passions and Greek Tragedy. |
MLetters |
27 | 4 | Oct 1946 |
221-224 |
|
| 9. | [Freemasons' Hall. Britten, Les Illuminations; Peter Pears (tenor). Bach, Brandenburg Concerto no. 5; John Francis (flutist), Dr. Lofthouse (harpsichordist). Bartók, Divertimento; Jacques Orchestra] |
MSurvey |
1 | 1 | Autumn 1947 |
1-2 |
|
| 10. | The Record book: A guide to the world of the phonograph. International Edition. |
|
| | 1948 |
xii, 1394p |
|
| 11. | Exploratory Concert Society, Conway Hall, 15th October, 1948. |
MSurvey |
1 | 5 | 1949 |
171 |
|
| 12. | J. S. Bach. Neglected Keyboard Music. |
MOpinion |
73 | 870 | Mar 1950 |
327, 329 |
|
| 13. | Bach Transcriptions. |
MOpinion |
73 | 876 | Sep 1950 |
717, 719 |
|
| 14. | London Philharmonic Orchestra; Boult. Albert Hall, 2nd and 23rd November, 1950. |
MSurvey |
3 | 3 | Mar 1951 |
204 |
|
| 15. | Beethoven and the Bach Family. |
MLetters |
38 | 4 | Oct 1957 |
353-358 |
|
| 16. | La Passacaille en ut mineur de J. S. Bach. |
LEducM |
15 | 69 | Jun 1960 |
18-20 |
|
| 17. | Carmel Festival. |
MCourier |
164 | | Oct 1962 |
34 |
|
| 18. | English Bach Festival: Bach, Couperin. |
MTimes |
109 | 1506 | Aug 1968 |
747 |
|
| 19. | Bachfest Leipzig 1970. |
MKirche |
41 | 1 | 1971 |
29-30 |
|
| 20. | 46. Bachfest der Neuen Bachgesellschaft [in Bremen] |
MKirche |
41 | 4 | 1971 |
200-201 |
|
| 21. | 47. Bachfest der Neuen Bachgesellschaft. |
MKirche |
42 | 5 | 1972 |
237-238 |
|
| 22. | The Objective Measurement of Goodness-of-Fit for Tunings and Temperaments. |
JMTheory |
17 | 2 | Autumn 1973 |
274-290 |
|
| 23. | Quantitative Evaluation of Musical Scale Tunings. |
AmerJPhysics |
42 | | 1974 |
543-552 |
|
| 24. | The Baroque in Germany: performing early music on record -- 3. |
EarlyM |
4 | 2 | Apr 1976 |
183-185 |
|
| 25. | Changing structures in German organ music from 1600 to the death of J. S. Bach. |
diss. |
| | 1980 |
|
|
| 26. | The solo motet in Venice (1625-1775). |
ProceedRMA |
106 | | 1980 |
56-68 |
|
| 27. | Bach. |
|
| | 1984 |
103p |
|
| 28. | Bach's Fugue after Legrenzi. |
MTimes |
126 | 1713 | Nov 1985 |
687, 689 |
|
| 29. | Die innere Kathedrale: Zur Metamorphose musikalischen Raumes am Beispiel von Kirche und Kammer. |
|
| | 1986 |
17-25 |
|
| 30. | Kulturstadt-Gehabe. Die Berliner Bach-Tage 1988. |
NZsfM(2) |
149 | 10 | Oct 1988 |
43-44 |
|
| 31. | Bach und die Perfidia Iudaica: Zur Symmetrie der Juden-Turbae in der Johannes-Passion. |
BaslerJbHistMpraxis |
13 | | 1989 |
31-54 |
|
| 32. | J. S. Bach. |
KleineVandenhoeckR |
1539 | | 1989 |
104p |
|
| 33. | Möglichkeiten und Grenzen. Ein Diskussionsprotokoll. |
MGesellschaft |
39 | 2 | Feb 1989 |
58-64 |
|
| 34. | Musikfilm - ein Genre auf der Suche. Zur Arbeit des Regisseurs Frank Schleinstein. |
MGesellschaft |
39 | 2 | Feb 1989 |
65-68 |
|
| 35. | Near-Infrared Reflectance Spectroscopy and Authenticity of Performance Indications in Bach's Music Manuscripts. |
InterdisciplSciReview |
15 | 2 | 1990 |
133-138 |
|
| 36. | La Messa in Si minore (BWV 232) di Johann Sebastian Bach - Descrizione critica. |
RivistaIMSacra |
11 | 4 | 1990 |
375-429 |
|
| 37. | Mozart in history, theory, and practice: Selected papers from the international symposium. |
StudM(WesternOntario) |
14 | | 1993 |
212p |
|
| 38. | Bach. |
|
| | 1994 |
174p |
|
| 39. | Reconsidering the Primary Sources for J. S. Bach's Trio Sonatas. |
AmerOrganist(2) |
28 | 10 | Oct 1994 |
58-60 |
|
| 40. | The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. |
diss. |
| | 1994 |
302p |
|
| 41. | Bach und die Perfidia Iudaica. Zur Symmetrie der Juden-Chöre in der Johannes-Passion. |
NZürcherZ |
| Fern 75 | 31 Mar 1994 |
47 |
|
| 42. | Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms. |
diss. |
| | 1995 |
236p |
|
| 43. | The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion. |
JMcol |
14 | 4 | Autumn 1996 |
514-543 |
|
| 44. | Think of Damnation: J. S. Bach's Cantata 161 and Luther's Sermon on Preparing to Die. |
JMcolResearch |
16 | 1 | 1996 |
17-39 |
|
| 45. | Articulation in J.S. Bach's unaccompanied cello suites. |
AmerStringTeacher |
48 | 1 | Winter 1998 |
51-56 |
|
| 46. | Intonation et résonances acoustiques des cornets à bouquin et des serpents. |
|
| | 1999 |
125-137 |
|
| 47. | Pathographies of Famous Musicians - Johann Christian Bach (1735-1782). |
Alcoholism |
36 | 1 | 2000 |
93-94 |
|
| 48. | The classics of music: talks, essays, and other writings previously uncollected Donald Francis Tovey. |
[ce]Tovey |
| | 2001 |
li, 821p |
|
| 49. | Weihnachtsoratorium. |
[ce]BegegnungenMitBach |
| | 2002 |
7 |
|
| 50. | 'Es mag sein, dass nicht alle Musiker an Gott glauben; an Bach jedoch alle': Über einige Zusammenhänge zwischen Musik und Andacht. |
[cr]Luzern2001 |
| | 2002 |
191-206 |
|
| 51. | Prelude to the Passions: Bach and the Theological Heritage of the Reformation. |
[p]BachsPassions_Miami |
| | Feb-Mar 2003 |
|
|
| 52. | Illuminating manuscripts. |
Strings |
17 | 8:110 | May-Jun 2003 |
60-67 |
|
| 53. | Musings: Bach at Home. |
AmerOrganist(2) |
38 | 8 | Aug 2004 |
40-41 |
|
| 54. | Johann Sebastian Bach's Strokes. Case Report. |
ActaClinCroat |
45 | 1 | Mar 2006 |
41-44 |
|
| 55. | What Bach's music means to me. |
BritishJGeneralPractice |
56 | 523 | Feb 2006 |
151 |
|
| 56. | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. |
diss. |
| | 2006 |
94p |
|
| 57. | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. |
EastmanStudM |
58 | | 2008 |
x, 375p |
|
| 58. | Investigating Performer Uniqueness: The Case of Jascha Heifetz. |
diss. |
| | 2010 |
430p |
|
| 59. | Sudbine njemaèrguljaša skladatelja. |
SvetaCecilija |
80 | 1-2 | 2010 |
25-28 |
|
| 60. | The Form of the Preludes to Bach's Unaccompanied Cello Suites. |
|
| | 2011 |
xii, 107p |
|
| 61. | In the footsteps of Bach's St. Matthew Passion: The Passion setting of David Lang and James MacMillan. |
Tempo |
67 | 264 | Apr 2013 |
40-51 |
|
| 62. | The performance style of Jascha Heifetz. |
|
| | 2015 |
xiv, 270p |
|