Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Huron, David | Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. |
diss. |
| | 1989 |
|
|
| 2. | Huron, David; Fantini, Deborah A. | The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. |
MPerception |
7 | 1 | Fall 1989 |
43-48 |
|
| 3. | Huron, David | The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. |
MPerception |
9 | 1 | Fall 1991 |
93-103 |
|
| 4. | Huron, David | Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. |
MPerception |
9 | 2 | Winter 1991 |
135-154 |
|
| 5. | Orpen, Keith S.; Huron, David | The measurement of similarity in music: A quantitative approach for non-parametric representations. |
ComputersMResearch |
4 | | Fall 1992 |
1-44 |
|
| 6. | Huron, David | Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. |
MPerception |
10 | 4 | Summer 1993 |
435-443 |
|
| 7. | Huron, David | Chordal-tone doubling and the enhancement of key perception. |
PsychoMcol |
12 | 1 | 1993 |
73-83 |
|
| 8. | Huron, David | On the role of embellishment tones in the perceptual segregation of concurrent musical parts. |
EmpiricalMcolReview |
2 | 4 | Oct 2007 |
|
|
| 9. | Huron, David | Asynchronous preparation of tonally fused intervals in polyphonic music. |
EmpiricalMcolReview |
3 | 1 | Jan 2008 |
|
|