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Bach Bibliography Search Result |
Author : Huron, DavidYour search has generated the following results ...
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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Huron, David | Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. | diss. | |||||
 | 2. | Huron, David; Fantini, Deborah A. | The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. | MPerception | 7 | 1 | 43-48 | ||
| | 3. | Huron, David | The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. | MPerception | 9 | 1 | 93-103 | ||
| | 4. | Huron, David | Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. | MPerception | 9 | 2 | 135-154 | ||
| | 5. | Orpen, Keith S.; Huron, David | The measurement of similarity in music: A quantitative approach for non-parametric representations. | ComputersMResearch | 4 | 1-44 | |||
| | 6. | Huron, David | Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. | MPerception | 10 | 4 | 435-443 | ||
| | 7. | Huron, David | Chordal-tone doubling and the enhancement of key perception. | PsychoMcol | 12 | 1 | 73-83 | ||
 | 8. | Huron, David | On the role of embellishment tones in the perceptual segregation of concurrent musical parts. | EmpiricalMcolReview | 2 | 4 | |||
| | 9. | Huron, David | Asynchronous preparation of tonally fused intervals in polyphonic music. | EmpiricalMcolReview | 3 | 1 |