Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Huray, Peter Le | On using early keyboard fingerings -- a sequel. |
Diapason |
60 | 7:715, 8:716, 9:717 | Jun, Jul, Aug 1969 |
10-11; 14-15; 10-11 |
|
| 2. | Huray, Peter Le; Day, James (eds.) | Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Cambridge Univ. Press, 1981. xvi, 597p. ISBN: 0-521-23426-3. (= Cambridge readings in the literature of music) - Abridged edn, Cambridge: Cambridge University Press, 1988. 403p. ISBN: 0521359015. |
|
| | 1981 |
403p |
|
| 3. | Huray, Peter Le; Butt, John | In Search of Bach the Organist. |
[ce]BHSTercentenaryEssays |
| | 1985 |
185-206 |
|
| 4. | Huray, Peter Le | Bach's C minor Passacaglia BWV 582. |
[ce]Huray AuthenticityInPerformance |
| | 1990 |
102-112 |
|
| 5. | Huray, Peter Le | Bach's C major Prelude BWV 870 and 870a. |
[ce]Huray AuthenticityInPerformance |
| | 1990 |
5-23 |
|
| 6. | Huray, Peter Le | Bach's Overture in D BWV 1068. |
[ce]Huray AuthenticityInPerformance |
| | 1990 |
70-81 |
|
| 7. | Huray, Peter Le | Authenticity in Performance. Eighteenth-Century Case Studies. Cambridge: Cambridge University Press 1990. xvii, 202p. ISBN: 0-521-39044-3. [BWV 582,106, 870-893] |
[ce]Huray AuthenticityInPerformance |
| | 1990 |
xvii, 202p |
|