Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hennion, Antoine | Hercule et Bach: la production de l'original. [Hercules and Bach: The recreation of the original] |
RevueMcol |
84 | 1 | 1998 |
93-121 |
|
| 2. | Hennion, Antoine | Bach aujourd'hui. [Bach today] |
CiteMusiques |
| 22 | Feb-Mar 1999 |
2-3 |
|
| 3. | Fauquet, Joël-Marie; Hennion, Antoine | La Grandeur de Bach: L'amour de la musique en France au XIXe siècle. Paris: Librairie Arthème Fayard, 2000. 246p. ISBN: 2-213-60667-6. (= Les Chemins de la musique) |
CheminsMusique |
| | 2000 |
246p |
|
| 4. | Hennion, Antoine; Fauquet, Joël-Marie | Authority as performance: the love of Bach in nineteenth-century France. Errata in Poetics xxix/6 (2001) 351. |
Poetics |
29 | 2 | 2001 |
75-88 |
|
| 5. | Hennion, Antoine | Ecouter, c'est refaire ce qu'on écoute: comment musiciens, critiques, amateurs et public ont créé leur Bach, en France au XIXe siècle? [Listening as performance: how musicians, critics, amateurs and the public produced their Bach in 19th-century France] A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
|
| 6. | Hennion, Antoine | Music and mediation: Towards a new sociology of music. In: The cultural study of music: A critical introduction. London: Routledge, 2003. vii, 368p. ISBN: 0-415-93845-7; pp.80-91. |
|
| | 2003 |
80-91 |
|
| 7. | Hennion, Antoine | La présence de Bach. [The presence of Bach] |
[ce]PenserOeuvM20s |
| | 2006 |
85-94 |
|
| 8. | Hennion, Antoine | Music and mediation: Toward a new sociology of music. In: Martin Clayton, Trevor Herbert and RichardMiddleton (eds.), The cultural study of music: A critical introduction. New York: Routledge, 2012. xxi, 255p. ISBN 978-0-203-14945-4. |
|
| | 2012 |
249-260 |
|