Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Harnoncourt, Nikolaus | Bach-Interpretation heute. |
MHandel |
20 | | 1969 |
11-12 |
|
| 2. | Harnoncourt, Nikolaus | Zu Problemen der Wiedergabe von Bachs Chor-Orchester-Werken. |
OMzs |
24 | 2 | 1969 |
76-80 |
|
| 3. | Harnoncourt, Nikolaus | Notenschrift und Werktreue. [betr. Ausführung des Continuo in Rezitativen der Matthäus- und Johannes-Passion] [BWV 244, 245] |
Musica |
25 | 6 | Nov-Dec 1971 |
564-566 |
|
| 4. | Harnoncourt, Nikolaus | Bach's Oboe was Reconstructed. The Conductor Harnoncourt Discovered a Model in Stockholm. |
InstrBauZs |
28 | | 1974 |
42 |
|
| 5. | Harnoncourt, Nikolaus | Der musikalische Dialog. Gedanken zu Monteverdi, Bach und Mozart. Salzburg: Residenz Verlag 1984. 304p; 2. Aufl. Residenz Verlag, 1985. - München: Deutscher Taschenbuch Verlag; Kassel [u.a.]: Bärenreiter, 1987. 304p; 1994. 301p |
|
| | 1984 |
304p |
|
| 6. | Harnoncourt, Nikolaus | Le dialogue musical: Monteverdi, Bach et Mozart. [Musical dialogue: Thoughts on Monteverdi, Bach, and Mozart.] Translated by Dennis Collins. Paris: Gallimard, 1985. 345p. (= Arcades, 7) |
|
| | 1985 |
345p |
|
| 7. | Harnoncourt, Nikolaus | Il discorso musicale: Scritti su Monteverdi, Bach, Mozart. [Musical dialogue: Writings on Monteverdi, Bach, Mozart] Trans. by Gaia Varon. Milano: Jaca, 1987. 265p. (= Di fronte e attraverso, 188) |
|
| | 1987 |
265p |
|
| 8. | Harnoncourt, Nikolaus | Baroque Music Today: Music as Speech. Ways to a New Understanding of Music. translated by Mary O'Neill; Reinhard G. Pauly, general editor. London: Christopher Helm, 1988. 205p. ISBN: 0747014116; Portland, Oregon: Amadeus Press, 1995. 210p. ISBN: 0931340918. |
|
| | 1988 |
205p |
|
| 9. | Harnoncourt, Nikolaus | The musical Dialogue. Thoughts on Monteverdi, Bach and Mozart. Trans. by Mary O'Neill. London: Helm; Portland, Or.: Amadeus Press 1989, 220p. - 1997, 225p. |
|
| | 1989 |
220p |
|
| 10. | Harnoncourt, Nikolaus | Ongaku wa Taiwa de aru: Monteverdi, Bach, Mozart o meguru Kosatsu. [Der musikalische Dialog. Gedanken zu Monteverdi, Bach und Mozart] Trans. Tsutomu Nasuda and Masayuki Honda. Tokyo: Academia Music, 1992. x, 341p. ISBN: 4870170604; 2nd rev. edn. 2006. xi, 336p. ISBN 4-87017-076-0 |
|
| | 1992 |
x, 341p |
|
| 11. | Harnoncourt, Nikolaus | Die Aufführungstraditionen. Nachdr. aus: N. H.: Der musikalische Dialog. Gedanken zu Monteverdi, Bach und Mozart. Salzburg: Residenz, 1984. p.60f. |
ReclamUBib |
8832 | | 1992 |
315-317 |
|
| 12. | Harnoncourt, Nikolaus | Tanzsätze: Die Suiten Bachs. |
[ce]GeschichteDerMusik |
1 | | 2001 |
377-384 |
|
| 13. | Harnoncourt, Nikolaus | Zene, mint párbeszéd: Monteverdi, Bach, Mozart. [Music as dialogue: Monteverdi, Bach, and Mozart] Trans and comm. Miklós Dolinszky. Budapest: Europa, 2002. 398p. ISBN: 963-07-7123-3. |
|
| | 2002 |
398p |
|
| 14. | Harnoncourt, Nikolaus | Zur ersten Aufführung der Matthäuspassion durch den Concentus Musicus. |
[ce]BegegnungenMitBach |
| | 2002 |
13-15 |
|
| 15. | Harnoncourt, Nikolaus | Hudobný dialóg: Myšlienky k Monteverdimu, Bachovi a Mozartovi. [Musical dialogue: Thoughts on Monteverdi, Bach, and Mozart] trans. Alžbeta Rajterová. - Bratislava: Hudobné Centrum, 2003. 163p. ISBN: 80-88884-42-X. |
|
| | 2003 |
163p |
|
| 16. | Harnoncourt, Nikolaus | El dialogo musical: Reflexiones sobre Monteverdi, Bach y Mozart. [The musical dialogue: Reflections about Monteverdi, Bach, and Mozart] Barcelona: Paidós Ibérica, 2003. 282p. ISBN: 84-493-1392-9. (= Paidós de música, 6) |
|
| | 2003 |
282p |
|
| 17. | Harnoncourt, Nikolaus | Ongaku wa Taiwa dearu: Monteverdi, Bach, Mozart o meguru Kosatsu. [Music is dialogue: Considerations on Monteverdi, Bach, and Mozart] Trans. by Tsutomu Nasuda and Masayuki Honda. - Tokyo: Academia Music, 2006. vii, 336p. ISBN: 4-87017-076-0. |
|
| | 2006 |
vii, 336p |
|