Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Six FUGUES, for the ORGAN composed and dedicated to Dr Crotch by George French Flowers (Pupil of the Celebrated C. H. Rink.) Op. 1. Price 8s. - London: Balls & Son, 408, Oxford Street, [1838]. 2-27p. Pl.-Nr.: 2035. |
|
| | c 1838 |
27p |
|
| 2. | [Critique of Stephens' views on Bach's fugues; composition of an a capella fugue a necessary requirement for admission to the Contrapuntists' Society] Original correspondence. To the editor of the 'Musical Examiner'. [3, Keppel Street, Russell Square, Oct. 24th, 1843]. |
MExaminer |
| 52 | 28 Oct 1843 |
391-393 |
|
| 3. | [Commentary on Stephens' description of Bach's fugal writing] Original correspondence. To the editor of the 'Musical Examiner'. [See also 43:282] |
MExaminer |
| 55 | 18 Nov 1843 |
316-317 |
|
| 4. | Mr. Flowers 'in re' himself. Original correspondence. To the editor of the 'Musical Examiner'. [Contrapuntal techniques of Mozart, Haydn, and J. S. Bach] |
MExaminer |
| 103 | 19 Oct 1844 |
848-849 |
|
| 5. | 'In re' Flowers and his aspersers. Original correspondence. To the editor of the 'Musical Examiner'. [Reply to Newson: contrapuntal writing of Handel and Bach compared; meaning of the phrase 'light and shade' (See 44:306)] |
MExaminer |
| 107 | 16 Nov 1844 |
29-30 |
|
| 6. | Essay on the construction of fugue, with an introduction containing new rules for harmony, illustrated in a passacaglia and twelve fuges for the organ. London: Cramer/Beale and Co., 1846. 26p. |
|
| | 1846 |
26p |
|
| 7. | To the editor of the 'Musical World'. Original correspondence. [Query on original harmonization of Gregorian chant and contemporary acceptance of Bach's chorale settings] |
MWorld |
21 | 35 | 29 Aug 1846 |
413 |
|
| 8. | Why Sebastian Bach's chorals are not sung in the Church of England. To the editor of the 'Musical World'. [Remarks on the excellence of Bach's harmonization] |
MWorld |
21 | 37 | 12 Sep 1846 |
436 |
|
| 9. | The Bach Society. Original correspondence. (To the editor of the Musical World.) [Correspondent believes Bach's centenary should be celebrated; problems encountered in the performance of Bach's compositions] ['Some years ago, I presented the Sacred Harmonic Society with a copy of Bach's Mass, in B minor, on the condition that it should be performed. The society gave it up in despair after the first rehearsal. The superior skill of Mr. Costa would be well tested by making a fresh trial of this work, and prove further the advantage gained by placing a great conductor over the Sacred Harmonic Society.'] |
MWorld |
25 | 16 | 20 Apr 1850 |
244-245 |
|
| 10. | M. Silas and the Bach Society. Original correspondence. (To the editor of the Musical World). [Correspondent explains his point of view concerning the various questions raised in his correspondence] |
MWorld |
25 | 22 | 1 Jun 1850 |
342-343 |
|
| 11. | Appeal to British Organists. Original correspondence. (To the editor of the Musical World). |
MWorld |
25 | 35 | 31 Aug 1850 |
570 |
|